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North
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Camera works: Photography and the twentieth-century word |
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イマジノグラフ
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King
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The spectator makes the picture”: Optical illusions and viewer experience in Dali’s and Duchamp’s stereoscopic works |
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Colour photography and stereoscopy: Parallel histories |
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Impressionist criticism, impressionist color, and Cezanne |
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Christian et al.
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Powers
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Wolkenwandelbarkeit: Benjamin, Stieglitz, and the medium of photography |
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Perception, evidence, truth, and seeing |
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From Readymade to ‘Meta2’Metareference in Appropriation Art |
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Unseen: Photography as a document of dance history writing |
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The art of the day |