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Schüller
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The ethics of preservation, restoration, and re-issues of historical sound recordings |
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BE456931A
(index.php)
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Racy
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Arabian music and the effects of commercial recording |
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Bennett
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'On the programme tonight': The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s. |
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Rumsey
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Will you be mine forever? Audio archiving, multitracks, and 90s digital |
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Haley
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The Good, the Bad and the Ugly: Expanded Original MGM Motion Picture Soundtrack/Morricone Conducts Morricone |
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Kraman
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Filming the Opera Twelfth Night |
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Fisher
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Judy Garland: Lost Tracks 1929-1959-Rare & Never-Released Recordings from Private Collections |
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Summerly
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Radio in the LP Era (1948-1982) |
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Dumnić Vilotijević
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Challenges and perspectives of archiving music and dance of migrant communities in Serbia |
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Darrell
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Mr. Edison's Phonograph: A Post-Mortem |
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Ashbourn
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How to Do Things Properly |
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Ashbourn
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How the War Changed Audio |
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Schulman
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C'Mon, Get Happy: The Making of Summer Stock |
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Kunian
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The Louisiana State Museum Music Collection oral histories: digitization, preservation, and use |
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Jamieson
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Yūji Takahashi: Reveries, Daydream, Night Thought, Memories and Reunion. Meister Music, MM-4088. |
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Buchman
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Original Cast Album: Company, DA Pennebaker (dir.)(1970). |
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Ashbourn
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Digital Arrives, But Something Is Not Right |
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Fisher
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Judy Garland: Swan Songs, First Flights: Her First and Last Recordings |
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Jansch
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Headphone hits and corrupting bits: two conceptual approaches to reanimating records |
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Simms
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Taherzadeh Vocals |
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Lajić-Mihajlović
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Audio collection in the SASA Institute of Musicology |
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Biel
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From Berliner to RCA Victor: The Birth and Rise of the Recording Industry in Canada |
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Christensen
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From Discovery to Recovery: The Electronic Transfer of the JR Walker Native American Cylinder Record Collection |
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CH315616A
(fr)
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Procédé pour l'obtention d'un film cinématographique à pistes sonores stéréophoniques, et film obtenu par ce procédé
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