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Schüller
|
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The ethics of preservation, restoration, and re-issues of historical sound recordings |
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BE456931A
(cg-RX-API-DMAC10.html)
|
|
|
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Racy
|
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Arabian music and the effects of commercial recording |
|
Laing
|
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Recorded Music |
|
Bennett
|
|
'On the programme tonight': The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s. |
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Rumsey
|
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Will you be mine forever? Audio archiving, multitracks, and 90s digital |
|
Haley
|
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The Good, the Bad and the Ugly: Expanded Original MGM Motion Picture Soundtrack/Morricone Conducts Morricone |
|
Kraman
|
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Filming the Opera Twelfth Night |
|
Fisher
|
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Judy Garland: Lost Tracks 1929-1959-Rare & Never-Released Recordings from Private Collections |
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Summerly
|
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Radio in the LP Era (1948-1982) |
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Shifrin
|
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Researching and Restoring Pioneer Talking Pictures: The 70th Anniversary of the Theatrical Release of Kinetophone |
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Dumnić Vilotijević
|
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Challenges and perspectives of archiving music and dance of migrant communities in Serbia |
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BE457079A
(cg-RX-API-DMAC10.html)
|
|
|
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Darrell
|
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Mr. Edison's Phonograph: A Post-Mortem |
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Ashbourn
|
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How to Do Things Properly |
|
Ashbourn
|
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How the War Changed Audio |
|
Schulman
|
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C'Mon, Get Happy: The Making of Summer Stock |
|
Ashbourn
|
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Digital Arrives, But Something Is Not Right |
|
Fisher
|
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Judy Garland: Swan Songs, First Flights: Her First and Last Recordings |
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Jansch
|
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Headphone hits and corrupting bits: two conceptual approaches to reanimating records |
|
Simms
|
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Taherzadeh Vocals |
|
Biel
|
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From Berliner to RCA Victor: The Birth and Rise of the Recording Industry in Canada |
|
Christensen
|
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From Discovery to Recovery: The Electronic Transfer of the JR Walker Native American Cylinder Record Collection |
|
CH315616A
(fr)
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Procédé pour l'obtention d'un film cinématographique à pistes sonores stéréophoniques, et film obtenu par ce procédé
|
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Hayes
|
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" Take those old records off the shelf": Youth, Music and the Quest for Authenticity |