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Porcello
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" Tails Out": Social Phenomenology and the Ethnographic Representation of Technology in Music-Making |
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Phenomenology
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Tails Out |
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Strachan et al.
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More than background: ambience and sound-design in contemporary art documentary film |
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BE427362A
(en:Method)
|
|
|
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Waters
|
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Tullis Rennie's muscle memory: listening to the act of listening |
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FR2623931A1
(fr)
|
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Appareil electronique d'enseignement pour l'execution d'une partie soliste sur une musique d'accompagnement pre-enregistree
|
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Williams
|
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'You never been on a ride like this befo': Los Angeles, automotive listening, and Dr. Dre's' G-Funk'. |
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Jhingan
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Decoding Loudness: The Punjabi Soundscape in Bollywood |
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FR2520247A1
(fr)
|
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Poupee parlante pour l'enseignement des enfants
|
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Kimber
|
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Reciting Parsifal: Opera as Spoken-Word Performance in America |
|
BE539973A
(en:Method)
|
|
|
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Vazquez
|
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You Can Bring All Your Friends |
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Elwell
|
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De Forest Phonofilms or Talking Motion Pictures |
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Laxer
|
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CAML REVIEW/REVUE DE L’ACBM |
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Niles
|
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Find, get, use: Lessons from the repatriation of early Papua New Guinea sound recordings |
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Jähnichen
|
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Silentium est Aureum!–Musical Choice from the Perspective of Social Communication |
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Kay
|
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Got to Be Something Here: The Rise of the Minneapolis Sound by Andrea Swensson |
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Weston et al.
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The Fieldwork PlaylisT |
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Rivers-Moore
|
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Panorama de la Radio |
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US1819737A
(en)
|
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Radio recording means
|
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Leak et al.
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Adrift [Album] |
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Trio et al.
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debut |
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Ribeiro
|
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The Sound and the Fragment in Artistic Practices |
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Feld
|
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Charlie Grooves |
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Mathews
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The Sensory Environmental Spectrum |