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Phenomenology
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Tails Out |
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Strachan et al.
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More than background: ambience and sound-design in contemporary art documentary film |
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BE427362A
(cs)
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Waters
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Tullis Rennie's muscle memory: listening to the act of listening |
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Williams
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'You never been on a ride like this befo': Los Angeles, automotive listening, and Dr. Dre's' G-Funk'. |
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Jhingan
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Decoding Loudness: The Punjabi Soundscape in Bollywood |
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Kimber
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Reciting Parsifal: Opera as Spoken-Word Performance in America |
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BE539973A
(cs)
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Elwell
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De Forest Phonofilms or Talking Motion Pictures |
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Henderson
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Traffic Patterns |
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Koch
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Memory, Place, and Archive |
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Niles
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Find, get, use: Lessons from the repatriation of early Papua New Guinea sound recordings |
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Jähnichen
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Silentium est Aureum!–Musical Choice from the Perspective of Social Communication |
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Kay
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Got to Be Something Here: The Rise of the Minneapolis Sound by Andrea Swensson |
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Weston et al.
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The Fieldwork PlaylisT |
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Rivers-Moore
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Panorama de la Radio |
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US1819737A
(en)
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Radio recording means
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Leak et al.
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Adrift [Album] |
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Trio et al.
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debut |
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Ribeiro
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The Sound and the Fragment in Artistic Practices |
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Reese
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The World Wanderings of a Voice |
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Feld
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Charlie Grooves |
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Wiebe
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Fade to Black Britten,‘O Waly, Waly’(1947), in Terence Davies’s Distant Voices, Still Lives |
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Rogers
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The art and craft of song mixing |
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Ginell
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" Get Hep & Get Happy": Milwaukee's Jack Teter. |