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BE388906A
(en:Method)
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Mocanu
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Notes on the “African Red Slip Ware” ceramics in Scythia Minor |
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DE534428C
(de)
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Anzeigen-Zeitung
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Scholes
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Afterword: Small Magazines, Large Ones, and Those In-Between |
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Thomas
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‘Specimens of Bark Cloth, 1769’: the travels of textiles collected on Cook’s first voyage |
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DE3817386A1
(de)
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Das verfahren zur zusammenstellung von fahrraedern und werbeflaechen
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Vogt
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L'hippodrome de Constantinople |
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Alexander
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" After-Images": a review of recent studies of reproductive print-making |
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KR101673434B1
(ko)
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부상품이 내장된 기념패
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Cobianchi
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The use of woodcuts in fifteenth-century Italy |
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Vermeulen
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Michel de Marolles's album of Rembrandt prints and the reception of Dutch art in France |
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García
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Half a century innovating tradition. The frontiers of amate bark paper painters |
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Sawicki et al.
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Change in the Glass Jewellery Production during the 13th-Century Revolution in Central Europe: A Case Study of a Unique Glass Annular Brooch |
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Ahmad et al.
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A Business Environment In A Malay-Muslim Community: A Case Study Presentation |
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Royt
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The Mining Town of Jáchymov: Reformation and Art |
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Boym
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Constantin Boym-America |
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Karaulova et al.
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MUSEUM OF SPORT AND OLYMPIC MOVEMENT OF THE PSKOV REGION IN THE SYSTEM OF OLYMPIC EDUCATION |
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Holešová
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Baroque religious pilgrimages and decorations of printed pilgrimage guides |
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Wallace
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The Dublin civic portrait collection: patronage, politics and patriotism, 1603–2013. By Mary Clark. Pp 236. Dublin: Four Courts Press. 2016.€ 36. |
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Bakkali
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13 From the artist's studio to the Amateur's portfolio |
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Mabb
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Hijack: Morris Dialectically |
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Lantry
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Robert Day: businessman and antiquarian |
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De Vos et al.
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INSIDE The Billboard Project |
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Kangaslahti
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Braque, Gris, Léger: Cubism in Switzerland in 1933 |
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Sweet
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Beyond local significance: Victorian gold at the London international exhibition, 1862 |