Brøvig-Hanssen
2018
Listening to or through technology: Opaque and transparent mediation
BE388301A
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CA1089093A
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1980-11-04
Appareil pour le traitement d'informations a caractere optique
FR2743754A1
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1997-07-25
Livre anime
EP1017249A1
(fr )
2000-07-05
Procédé et dispositif destinés à la prise de sons, à leur enregistrement et à leur restitution, et reproduisant la sensation naturelle d'espace sonore
Hodkinson
2017
Playing the gallery. time, space and the digital in Brian Eno’s recent installation music
DALFOVO
2024
“Lossyness” and degradation as an artistic resource in digital music: the case of The Disintegration Loops
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Cooper
2025
Oliver Leith-Oliver Leith, Last Days. Platoon, PLAT22471V.
Lewis
2018
Decasia as Audiovisual Elegy
Capulet
2023
Transmedial Perspectives on Music and Sound in Early French Radio Plays from the 1930s: the Tangible Legacy of Le Douzième coup de minuit
CA2001268A1
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1990-04-24
Procede et materiel pour la commande tactile du passage d'une image a une autre dans une sequence selectionnee sur un videodisque
BE374244A
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Helseth
2021
Elements in the biographical discourse of the documentary Ole Bull
Standley
2011
Sweden talks: Early sound film restoration projects
Alhopuro
2023
Lost dimensions-The rise and fall of quadraphonic surround
CH348824A
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1960-09-15
Procédé pour reproduire un enregistrement sur une feuille d'enregistrement magnétique sonore
KR950004873Y1
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1995-06-17
앨범
Kant
2014
Paul Bowles
Frost
2007
From Wax to Bits: Spoken-Word Recordings in Canada
Kant
2014
Paul Bowles-‘THE POOL K III’: PAUL BOWLES. Cadmus Editions/Dom America CD20
Tieber et al.
2020
A highly creative endeavour: Interview with musicologist and silent film pianist Martin Marks
Galo
2013
Sound Recording Reviews in Brief
BE544158A
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