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CA1089093A
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Appareil pour le traitement d'informations a caractere optique
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Ross
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The record effect |
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Volioti
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Reminiscing Grieg: A Study of Technostalgia and Modulating Identities |
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US5386256A
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Printer module for recording a digital soundtrack
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FR2743754A1
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Livre anime
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Broesche
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Glenn Gould, spliced: Investigating the filmmaking analogy |
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Islambek
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AUDIOVIZUAL ÓNIMLERDE FOLEY EFFEKTLERINIŃ JARATÍLÍWÍ HÁM ÁHMIYETI |
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DALFOVO
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“Lossyness” and degradation as an artistic resource in digital music: the case of The Disintegration Loops |
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Phillips-Hutton
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Listening in the Gaps: On Creative Practice, Knowledge Making and Archival Sound |
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McCooey
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Fear of Music: Sounded Poetry and the “Poetry Soundtrack” |
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BE402180A
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Cooper
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Oliver Leith-Oliver Leith, Last Days. Platoon, PLAT22471V. |
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Thomas
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Murphy, McCarthy, O’Shea-Sour, shiny, glinting, shuddering. Quiet Music Ensemble. Murphy, McCarthy, O’Shea. Farpoint Recordings, fp102. |
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CA2001268A1
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Procede et materiel pour la commande tactile du passage d'une image a une autre dans une sequence selectionnee sur un videodisque
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Hibbert
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BA Hons in Creative Music Production |
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BE374244A
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BE377591A
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CH348824A
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Procédé pour reproduire un enregistrement sur une feuille d'enregistrement magnétique sonore
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KR950004873Y1
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앨범
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Kant
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Paul Bowles |
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Frost
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From Wax to Bits: Spoken-Word Recordings in Canada |
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Lewis
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Decasia as Audiovisual Elegy |
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Kant
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Paul Bowles-‘THE POOL K III’: PAUL BOWLES. Cadmus Editions/Dom America CD20 |
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Marshall
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Freezing the music and fetishising the subject: the audiovisual dramaturgy of Michel van der Aa |