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BE388301A
(Direct)
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CA1089093A
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Appareil pour le traitement d'informations a caractere optique
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Ross
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The record effect |
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Volioti
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Reminiscing Grieg: A Study of Technostalgia and Modulating Identities |
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Broesche
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Glenn Gould, spliced: Investigating the filmmaking analogy |
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DALFOVO
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“Lossyness” and degradation as an artistic resource in digital music: the case of The Disintegration Loops |
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FR2638308A1
(fr)
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Procede et materiel pour la commande tactile du passage d'une image a une autre dans une sequence selectionnee sur un videodisque
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Phillips-Hutton
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Listening in the Gaps: On Creative Practice, Knowledge Making and Archival Sound |
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McCooey
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Fear of Music: Sounded Poetry and the “Poetry Soundtrack” |
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(Direct)
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Capulet
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Transmedial Perspectives on Music and Sound in Early French Radio Plays from the 1930s: the Tangible Legacy of Le Douzième coup de minuit |
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Thomas
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Murphy, McCarthy, O’Shea-Sour, shiny, glinting, shuddering. Quiet Music Ensemble. Murphy, McCarthy, O’Shea. Farpoint Recordings, fp102. |
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(Direct)
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Standley
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Sweden talks: Early sound film restoration projects |
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BE377591A
(Direct)
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FR2691005A1
(fr)
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Enregistrement et reproduction d'images, de son numérique et de son analogique sur film photochimique.
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Helseth
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Elements in the biographical discourse of the documentary Ole Bull |
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CH348824A
(fr)
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Procédé pour reproduire un enregistrement sur une feuille d'enregistrement magnétique sonore
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KR950004873Y1
(ko)
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앨범
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Kant
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Paul Bowles |
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Kant
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Paul Bowles-‘THE POOL K III’: PAUL BOWLES. Cadmus Editions/Dom America CD20 |
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Carroll
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Soviet Fidelity and the Pet Shop Boys |
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Galo
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Sound Recording Reviews in Brief |
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BE544158A
(Direct)
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Zeichner
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Recording Reviews: Antonio Vivaldi-" Bajazet" |