WO2002017169A1 - Procede de courtage central d'oeuvres de creation musicales, systeme et support d'enregistrement - Google Patents

Procede de courtage central d'oeuvres de creation musicales, systeme et support d'enregistrement Download PDF

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Publication number
WO2002017169A1
WO2002017169A1 PCT/JP2001/006927 JP0106927W WO0217169A1 WO 2002017169 A1 WO2002017169 A1 WO 2002017169A1 JP 0106927 W JP0106927 W JP 0106927W WO 0217169 A1 WO0217169 A1 WO 0217169A1
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WIPO (PCT)
Prior art keywords
music
creative
creator
work
works
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PCT/JP2001/006927
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English (en)
Japanese (ja)
Inventor
Masao Hozumi
Original Assignee
Masao Hozumi
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
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Publication date
Application filed by Masao Hozumi filed Critical Masao Hozumi
Priority to AU2001277763A priority Critical patent/AU2001277763A1/en
Publication of WO2002017169A1 publication Critical patent/WO2002017169A1/fr

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    • G—PHYSICS
    • G06—COMPUTING; CALCULATING OR COUNTING
    • G06Q—INFORMATION AND COMMUNICATION TECHNOLOGY [ICT] SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL OR SUPERVISORY PURPOSES; SYSTEMS OR METHODS SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL OR SUPERVISORY PURPOSES, NOT OTHERWISE PROVIDED FOR
    • G06Q10/00—Administration; Management
    • G06Q10/10—Office automation; Time management

Definitions

  • the present invention relates to an original music composition in which no musical activity such as a record, a CD or a live performance has yet been performed, typically a written song, a created song, a created performance or playing method, a singing.
  • the present invention relates to a centralized mediation method, a centralized mediation system for creative music works, and a computer-readable recording medium on which a program for executing the centralized mediation method is recorded.
  • composition The process by which such composed lyrics, composition, and performance (including the creation of performance techniques, etc.) actually become a musical product or a piece of music played is an example of composition. It is as follows. Composers create melodies with specific lyrics in mind or without assuming such lyrics. This is performed using a handy musical instrument such as a guitar or piano and recorded on a force-set tape or the like. The recorded cassette tape is called a demo tape, and is also used when a new artist records his or her own music and makes it to be heard by musicians such as record company people and producers. . Listening to this demo tape, musicians such as record company people and producers decided the best singer for the melody and asked the lyricist to add lyrics to the song. After recording or arranging as necessary, record as a music piece. The master original containing this work was sent to a CD production company (as well as other recording means such as records and MOs) and mass-produced in the form of music products such as CDs, records and MOs.
  • the created performances include, for example, performances by Takeyama Takahashi, who traveled from one place to another and slid from a gated entertainer to the Tsugaru shamisen, which was merely an accompaniment of folk songs, to his own performing arts.
  • the real sound (including music recorded on records etc.), which is difficult to reproduce with a synthesizer, is converted to digital and stored in a semiconductor, and synthesized, and the sound and melody quality and width
  • the creation of completely new songs by changing the depth and form is also being performed.
  • demo tapes including other recording means such as CDs and MOs
  • the problem to be solved by the present invention is a method of centralized mediation of a creative music work that enables matching between a creative music work created and a music related person seeking the same while preventing plagiarism of the creative music work.
  • System and recording medium are used.
  • the invention described in claim 1 is a collection of creative music works that can successfully match supply and demand between a large number of creative music works and many music related parties. It aims to provide a mediation method.
  • an object of the invention described in claim 2 is to provide a method for centralized mediation of creative music works that can assist a creator who tends to be vulnerable under a copyright contract.
  • an object of the invention described in claim 3 is to provide a method for centralized mediation of creative music works that enables users to enjoy the benefits of JASRAC registration even if they are not eligible for registration.
  • the invention described in claim 4 can enjoy the benefits of JASRAC registration even when the original music work is recorded on a recording medium other than the commercialized recording medium that is the registration target form. It aims to provide a centralized mediation method for creative music works.
  • an object of the invention described in claim 5 is to provide a method for centralized mediation of a creative music work, which can improve the speed at the time of reproduction.
  • an object of the invention described in claim 6 is to provide a method for centralized mediation of creative music works that can reliably prove the existence of copyright in the event of copyright infringement.
  • an object of the invention described in claim 7 is to provide a centralized mediation method for creative music works that can supply a user with a group of desired creative music works only.
  • an object of the invention described in claim 8 is to provide a method for centralized mediation of a creative music work that enables the creator to be supplied with information that the creator wants to know most. .
  • an object of the invention described in claim 9 is to provide a centralized mediation method for creative music works that can be narrowed down from a large number of creative music works to a specific one.
  • the invention according to claim 10 is directed to a method for centralized mediation of creative music works, which is capable of successfully matching supply and demand between a large number of creative music works and a large number of music related parties using the Internet.
  • the purpose is to provide.
  • the invention according to claim 11 uses the Internet for a large number of creative music. It is an object of the present invention to provide a centralized mediation system for creative music works that can successfully match supply and demand between a work and a large number of music-related persons.
  • an object of the invention described in claim 12 is to provide a centralized mediation system for creative music works that can narrow down a large number of creative music works to only a specific one.
  • an object of the invention described in claim 13 is to provide a centralized mediation system for creative music works that can reliably prove the existence of copyright in case of copyright infringement.
  • the object of the invention described in claim 14 is to provide a centralized mediation system for creative music works that can supply the creator with information that the creator wants to know most. Disclosure of the invention
  • an object of the present invention is to provide a computer-readable recording medium in which a program for executing the method for centralized mediation of a creative music work according to any one of claims 1 to 10 is described. I do.
  • the present invention has been made to achieve the above object.
  • a first aspect of the present invention is a process for receiving at least the name and contact information of a creator together with a creative music work recorded on recording means such as a cassette tape, a CD, and a MO, and creating the received creative music work.
  • a process of providing and storing an index including the name of the person, and a process of releasing the created music work recorded in the recording means only to a user having access right. Provides a centralized mediation method for musical works.
  • the present invention described in claim 2 provides the method for centralized mediation of a creative music work according to claim 1, further comprising the step of: if one user decides to adopt the creative music work, On behalf of the centralized intermediary, concludes a copyright-related contract with the user, and the centralized intermediary has a process of concluding a management contract with the creator of the user. .
  • a centralized intermediary concludes a copyright-related contract with the creator who tends to be vulnerable under the copyright agreement, especially newcomers who are not accustomed to such a copyright agreement so that they are not disadvantaged
  • the central agency enters into a management agreement with its creator.
  • the central intermediary may contract with the creator to collect a certain percentage of the copyright fee paid by J ASRAC to the composer and lyricist. It can balance the distribution of interests between creators, users of the music community, and centralized agencies.
  • the invention according to claim 3 is the method for centralized mediation of a creative music work according to claim 1, and further registers the received creative music work with J ASRAC (Japan Music Copyright Association) on behalf of the person.
  • JASRAC Java Music Copyright Association
  • JASRAC requires that the work be published in Japan by a third party in principle within the past year as a condition of its registration.
  • actual publication results refers to "A. Recording results (CDs, music tapes, and videos that are sold nationwide by major manufacturers, etc., and their copyrighted works are used. (Excluding self-produced boards, commissioned boards and equivalents), B. Publication results (published by major publishers, etc., whose works are used in nationwide publications.
  • the creative music work is recorded on a recording medium other than a commercialized recording medium that is a form to be registered in JASRAC. If so, the centralized intermediary agency is provided with a process for issuing a certificate certifying that the submitted creative music work belongs to the person in question.
  • the central intermediary agency can be registered with JASRAC using the CD etc. it can. Therefore, at least on the application date, it is evidence that the music composition was created ⁇ On the other hand, if the recording means is other than commercialization, the registration in JASRAC will not be Since this is not possible, the central intermediary will issue a certificate certifying that the original music work that has been submitted belongs to the individual. In this way, even if a copyright infringement problem occurs, it can be used as evidence that the creative music work was created at least on the day of receipt by the centralized agency of the creative music work.
  • the method for centralized mediation of a creative music work comprises selecting and playing back the creative music work from a large number of short time. It is characterized in that it is recorded and stored in a recording means of one possible form. I do.
  • the recording of the one or more forms of each of the creative music works on at least the recording date, It is performed in a form that cannot be modified together with the name of the creator.
  • the method for centralized mediation of a creative music work according to the first aspect, further comprising the steps of: It is characterized in that it has a process that creates a list that describes it and makes it available to those who have access rights.
  • the present invention described in claim 8 is the method for centralized mediation of a creative music work according to claim 1, further comprising: accessing information such as the number of times each creative music work has been released and general information of an accessor.
  • the process is provided with a process of providing to the creator of the present invention.
  • the creator has access to the information that the creator wants to know the most, specifically how the work is introduced in the list etc. Access information, such as how many times the user has been accessed and by whom, has been freely available at any time. This will ease the mental irritation of the creator and can be used as a reference for the next creative activity.
  • the present invention described in claim 9 is the method for centralized mediation of a creative music work according to claim 1, wherein the step of releasing the creative music work includes: Recommended songs by music experts, results of questionnaires by multiple testers, information on songs selected by the creator, narrowed down by one or more of the specified periods, and then release the created music works to those who have access rights It is characterized by the following. For example, it is effective when the number of creative music works listed in the list becomes large and it is expected that the user cannot search for the desired type of creative music work in a short time.
  • a host computer on a communication line such as an Internet network is used for storing the creative music work.
  • the original music work of the recording means is converted into an electronic data that can be transmitted via a communication line such as Internet at the creator terminal, and then transmitted to the host computer
  • the process of publishing the creative music work is performed by a person with access right through a communication line such as the Internet.
  • the method of the present invention can be effectively performed using a communication line such as an Internet network.
  • a communication line such as an Internet network.
  • the process of accepting a creative music work is performed on the original music work of the recording means, which is converted into electronic data that can be transmitted via a communication line such as the Internet at the creator terminal, and then transmitted to the host computer. .
  • the creator is his own edge If the end recording means is a demo tape, connect a tape playback device, if a CD, a CD drive, or if an MO, connect a MO drive to the combo, and play it back. It will be converted into electronic data that can be transmitted via a communication line such as the Internet, along with names and contact information. Such electronic data is transmitted via a communication line such as the Internet.
  • the host computer executes the process of receiving the original music work by receiving the electronic data transmitted in this manner.
  • the host computer assigns an index containing the name of the creator to the received electronic data and stores the index in the memory of the host computer or an external memory connected to the host computer, so that the original music work can be created.
  • the storage in the memory is preferably performed in a form of recording means capable of quickly selecting and reproducing a specific creative music work from a large number, such as a large-capacity hard disk, an optical disk, or a magneto-optical disk. Record and do. If the creator's name is recorded on an immutable optical disk together with the date of recording along with the electronic music data of the original music work, the creativity of the work and the authenticity of the content can be determined at a later date if a copyright infringement case occurs It can be easily proved.
  • the host computer creates a list that lists the creator, genre, outline of the work, etc. of the creative music work stored in the memory for a predetermined period of time, for example, every month, and has access rights to this list. Preferably, it is made available to the user. If the number of creative music works accumulated in the host convenience evening becomes large, this list will make it easier for the user to select the original music work of the evening type desired by the user.
  • the host computer also obtains access information such as the number of times of release of each creative music work and general information of the accessor, and stores the access information in a memory. Then, when there is an inquiry from the creator of the work, such access information can be freely retrieved at any time via the Internet.
  • the host computer also has a huge number of creative music pieces stored in memory. It is preferable to prepare a plurality of narrow-down items so that only those requested by users can be narrowed down and provided. The user selects an appropriate one of the narrowed-down items, and the selected one of the narrowed-down items is used as a search keyword to narrow down from a large number of recorded original music works.
  • the host computer can execute the process of publishing the created music work by releasing only the created music works thus narrowed down to those who have access right through the Internet.
  • a user terminal can request a narrow-down menu including such narrow-down items from the host computer via the Internet.
  • a second aspect of the present invention is a creator terminal used by a creator of a creative music work, a host computer managed by a centralized mediation agency, and production of music products such as producers, singers, and record company staff.
  • the creator terminal converts the original music work recorded on a recording means such as a cassette tape, CD, MO, or the like into electronic data that can be transmitted via a communication line such as an Internet connection, and a host. Means to access the computer and send at least the name of the creator along with the e-mail.
  • the user terminal selects a music piece that the user wants to listen to and instructs the host computer.
  • the user terminal converts the electronic music data of the music piece sent from the host computer into music information.
  • Speaker means including personal hearing means such as earphones and headphones for reproducing the music information as music. It is also possible to arrange to listen to all the created music works in order, in which case the means for selecting and instructing the created music works can be omitted.
  • Selection and execution of the original music work to be heard from the list can be performed using various conventionally known means such as voice recognition using a keyboard or a microphone, or a touch panel that transmits a command by touching a predetermined position on the display. It can be carried out.
  • the host computer has control means for storing the electronic data sent from the creator terminal in association with the index information including the name of the creator, a first memory for recording the electronic data, and a first memory for recording the electronic data.
  • Control means for creating a list containing search information such as the outline of the created music work, the creator, and the genre; a second memory for recording the search information; and access for publicizing the created music work
  • the third memory that stores the ID information which is the basis for determining whether the user terminal that has access has the access right, and whether the user terminal that has actually accessed has the access right.
  • Uses control means for making judgments by referring to information in the third memory, and a list listing search information recorded in the second memory if the user terminal actually accessed has access right
  • Control means for transmitting to the user terminal; and control means for retrieving electronic data of the creative music work selected by the user terminal from the first memory and transmitting the electronic data to the user terminal.
  • the present invention described in claim 12 is the centralized mediation system for creative music works according to claim 11, further comprising: a host computer that stores a large number of the created music works by genre and creator. Record the recommended songs by music experts, the results of questionnaires by multiple testers, the information of one song selected by the creator, the control means for creating a narrowed-down menu for narrowing down by narrowing down items such as a specified period, etc.
  • the user terminal has a means for presenting a narrowing down menu and a menu from the host computer to the user, and a narrowing down menu. And a control means for selecting and specifying the narrowed-down items described in (1), and a control means for transmitting the selected narrowed-down items to the host computer.
  • the narrowing down can be performed using various conventionally known means such as a keyboard installed on the user terminal, voice recognition using a microphone, or a touch panel that transmits a command by touching a predetermined position on the display. it can.
  • the invention according to claim 13 is a centralized mediation of the creative music work according to claim 11.
  • the system is characterized in that the first memory is a ROM for recording electronic data of each creative music work together with at least a recording date and a creator name.
  • the present invention described in claim 14 is the centralized mediation system for creative music works according to claim 11, further comprising: a host computer that publishes the number of times each creative music work is released, general information of an accessor, and the like. Control means for accumulating the access information; fifth memory for recording the access information; Control means for calling access information and transmitting the access information to the creator terminal. On the other hand, the creator terminal is provided with control means for requesting the host computer for access information.
  • the present invention described in claim 15 provides a receiving section for receiving at least the name and contact information of the creator, together with the original music work recorded on a recording means such as a cassette tape, a CD, and an MO.
  • a storage unit to which an index including the name of the creator is assigned and stored; and a storage unit in which the creative music work is recorded is taken out of the storage unit only to users having access right, and the creative music work is taken out.
  • a publishing unit for publishing the music data to the user.
  • a recording medium which is readable by a combination and stores a program for executing the method for centralized mediation of a creative music work according to any one of claims 1 to 10.
  • FIG. 1 is a block diagram of an embodiment of a method for centralized mediation of a creative music work according to the present invention.
  • Figure 2 is a block diagram detailing the process of providing access information to a creative music work to its creator.
  • FIG. 3 is a block diagram illustrating a case where the method for centralized mediation of the creative music work of FIG. 1 is executed by a system using the Internet.
  • FIG. 4 is a schematic block diagram for explaining the configuration of a system that implements the method for centralized mediation of creative music works according to the present invention using Internet.
  • FIG. 5 is a configuration diagram showing in detail the configuration of the creator terminal of the centralized mediation system for creative music works shown in FIG.
  • FIG. 6 is a configuration diagram showing in detail the configuration of the host computer used in the centralized mediation system for creative music works shown in FIG.
  • FIG. 7 is a configuration diagram showing in detail the configuration of the user terminal used in the centralized mediation system for the creative music work shown in FIG. BEST MODE FOR CARRYING OUT THE INVENTION
  • FIG. 1 is a block diagram of an embodiment of a method for centralized mediation of a creative music work according to the present invention.
  • a preferred embodiment of the method for centralized mediation of a creative music work generally includes a receiving step S1 of a creative music work and a creator of the received creative music work.
  • a centralized intermediary agency storing the index with an index such as S4, and a step S5 of creating a narrowed-down menu for carefully selecting a user's request from a huge number of creative music works,
  • a step S6 of access from the user to the centralized intermediary agency a step S7 of confirming whether the user has the access right, and a step S8 of presenting a narrow-down menu when the user has the access right.
  • Selection of narrowing-down items by user S9 process of creating a list of creative music works carefully selected by narrowing-down items S10, (selection and selection process of creative music works that user wants to hear S 1 1), the specified wound Step S12 for taking out the composed music work and releasing it to the user, display step S13 for the intention of the user to adopt the favorite music work, and communication with the user on behalf of the creator. And a step S14 of concluding a copyright agreement with the creator and a management contract with the creator.
  • the selection designation process SI 1 is performed when the number of creative music works carefully selected by the narrowing item is a sufficiently small number, for example, a number that does not allow all to be heard within the scheduled time, This is executed when the user performs additional refinement.
  • the illustrated preferred embodiment is configured to include a step S2 of registering the received creative music work with JASRAC (Japan Music Copyright Association) on behalf of the individual.
  • JASRAC Joint Music Copyright Association
  • a step S3 of issuing a certificate certifying that the created music work reported to the central intermediary agency belongs to the person in preparation for such a case is provided.
  • Original music pieces are usually recorded on cassette tapes, CDs, MOs and other recording means and brought to centralized agencies. It is preferable that the original music work is stored by recording the original music work in a form of recording means that can be selected and reproduced in a short time from a large number. This is because if various types of recording means such as demo tapes, CDs, and MOs are stored in a centralized agency as they are, it will not be possible to respond promptly if a user who wants to hear the contents appears. By recording in one form of recording means, it is possible to respond to a reproduction request quickly and automatically, and it is possible to facilitate use on the Internet. It is preferable that the recording on the recording means in one form is performed in an unmodifiable form at least with the recording date and the name of the creator. This is because it is easy to prove the authenticity of a work and its creation date.
  • search ledgers are organized on a computer that is easy to search It is preferable to create it. If the method of the present invention is carried out using the Internet, the creation of the music composition must be reported to the central mediation agency.The storage of the music composition at the host computer must be held. Since all publications and the like are done in the form of electronic data, the ledger for search is naturally created on the computer. Otherwise, the recordings brought in are stored separately by recording, by creator, by date of receipt and / or by genre.
  • the search ledger also contains information on genres, an overview of the creator and music creations, recommended songs by music experts, questionnaire results by multiple testers, and information on songs selected by the creator. Can also be recorded.
  • the creator ⁇ The outline of the creative music work includes information on people such as age, gender, hometown, solo group, music activity, music trends, beats, voice quality etc. It is expressed in simple sentences.
  • a song recommended by a music expert is one that asks a specific music expert to judge the quality of a creative music work based on the individual's sensitivity.
  • Some music professionals are said to have an animal feeling in the search for songs to sell, which is due to their ability to create music and to produce such music compositions for sale to the world. It is different from ability.
  • musicians such as record company people and producers, can select only a large number of creative music pieces that are likely to sell in a short time. You can choose carefully.
  • Such music professionals need not be singular, but may individually or jointly post recommendations for more than one. Such music expert nominations can be paid, paid for success, or completely free.
  • the questionnaire results of multiple examiners are, for example, those who select a plurality of users from the consumers of the target creative music work, conduct a questionnaire survey on the quality of the work, and post information on the results. This is because whether or not a creative music work sells depends, ultimately, on whether it can be accepted by consumers.
  • One piece of song information from the creator generally means that a capable artist has a large number of creative music works, but recommends that the creator himself sells best, does well, or likes it What you do is posted as information. Your work is based on the rule of thumb that you know best.
  • This information can be used as a narrowing-down item when narrowing down people related to music, such as record company people and producers from a vast number of creative music works, or as general items listed in a list. It can also be used as information.
  • These narrowing down items can be used alone or in combination with multiple items. For example, narrow down the list to those that have a good questionnaire result and have more than 50 creator's music pieces that are recommended by the creator, and that have been received within the last two weeks. Can be. Therefore, even if the number of creative music works is tens of thousands or hundreds of thousands, it can be narrowed down from a few songs to several tens of songs. Therefore, even if it takes 2 to 10 minutes per song, it will be possible to hear it all in a few hours to a few days. This has the advantage that the desired creative music work can be found in a very short time.
  • the narrowed-down menu creation process S5 is for carefully selecting a user's request from a huge number of creative music works. It should be understood that there are a variety of refinements in addition to those illustrated. For example, it is possible to narrow down a part of a creative music work, for example, from the beginning to three measures, or to every three songs in the accepted order.
  • User access process to the centralized intermediary agency S6 is performed in the form of access from the user to the host computer in a system using the Internet, and otherwise, the user Go directly to a centralized agency.
  • the centralized mediation method for creative music works according to the present invention limits the range of persons who can listen to the creative music works from the viewpoint of preventing the creative music works from being stolen. Therefore, the person who wants to use it needs to obtain the access right to the centralized agency in advance. If the user accesses the centralized mediation agency or the host computer managed by the centralized agency, it is necessary to confirm whether the user has the access right.
  • ID information is stored for each user who has access rights, and the system is operated by referring to the ID information.
  • the narrowed-down menu presentation step S8 is executed.
  • the user executes the narrowing item selection step S9 by selecting the narrowing items described in the narrowing menu.
  • selection can be performed by a keyboard installed on the user terminal, a voice recognition device using a microphone, or a touch panel device that transmits commands by touching a predetermined position on the display. It can be performed using various conventionally known means.
  • a recording means that records original music works that match individual narrowing items is recorded. It will be taken out.
  • a step S10 for creating a list of original music works carefully selected based on narrowing items.
  • This list can be created without any refinement, but in that case, the list itself becomes enormous.
  • the list can be created at predetermined intervals, or it can be output to the user as a paper or presented as a file that can be opened only by those who have access to the host computer. ⁇ When output as a zipper, it can be used as a memo to write comments about the original music work.
  • the creative music work thus selected is taken out of the storage location and presented to the user.
  • the electronic music data of the selected music work selected from the memory of the host computer is called and transmitted to the user terminal through the Internet.
  • the user expresses his / her intention to hire by specifying his favorite music composition.
  • a keyboard installed on the user terminal, a voice recognition device using a microphone, or a touch panel device that transmits commands by touching a predetermined position on the display, etc. This can be performed using various conventionally known means.
  • the copyright contract conclusion process S14 the centralized intermediary agency concludes a copyright contract with the user on behalf of the creator.
  • an optional management agreement can be signed between the central broker and the creator.
  • original music works recorded on recording means such as cassette tapes, CDs, and MOs are received, and sequentially stored with an index including the name of the creator.
  • creative music works are limited only to those who have obtained access rights without fear of plagiarism, while preventing the plagiarism of the original music works, many creative music works and many music Demand and supply can be well matched between them.
  • the central agency enters into a copyright-related contract with the user on behalf of the creator, and The institution has a process for concluding a management contract with its creator, so that new creators who tend to be vulnerable to copyright contracts can be protected with great care.
  • FIG. 3 is a block diagram illustrating details.
  • the host computer managed by the system (hereinafter referred to as the “centralized intermediary agency”) may be accessed by the user, When it is determined that the user has the access right, it sequentially accumulates, as access information, what kind of creative music the user has heard and whether the user has indicated an intention to adopt the musical work S
  • access information may include general information that may be disclosed to the creator, for example, that the user is related to a record company or that the same work is heard more than once on a certain date. Information can also be included. Includes all information that the creator will want and may disclose to the creator.
  • the central mediation agency checks whether the requester is the creator of the original music work, and S22. If successful, provide the requester with the access information accumulated for the original music work S23. Like the content of the original music work, the access information, which is an evaluation of the work, is structured so that only the creator can access it.
  • Fig. 3 is a block diagram illustrating the case where the centralized mediation method for creative music works in Fig. 1 is executed on a system using the Internet.
  • the storage step S4 of the original music work in FIG. 1 is performed by a host computer on a communication line such as Internet, and the receiving step S1 of the original music work in FIG. Created by the creator's terminal through an electronic network that can be transmitted via a communication line such as Internet, and then transmitted to the host computer
  • the process of publishing the original music work S12 in FIG. 1 is also performed by a person having access right through a communication line such as the Internet.
  • the original music work of the recording means is converted into an electronic data which can be transmitted via a communication line such as an Internet at the creator terminal, and then transmitted to the host computer in S30, S31.
  • the creator connects the tape playback device to his / her terminal recording means if it is a demo tape, the CD drive if it is a CD, or the MO drive if it is an MO to the computer that is the creator terminal.
  • Such electronic data is transmitted via a communication line such as the Internet.
  • the host computer executes the process of receiving the original music work by receiving the electronic data sent in this way S 32.
  • the host computer adds an index containing the name of the creator to the received electronic data and stores it in the memory of the host computer or an external memory connected to the host computer S33.
  • Storage in memory is typically a form of recording that allows the user to quickly select and play a particular creative music piece from a large number, such as a large-capacity hard disk, optical disk, or magneto-optical disk. Recorded in The creator's name can be recorded on an immutable optical disk along with the date of recording along with the electronic data of the creative music work. Later, when a copyright infringement case occurs, it is possible to easily prove the time of creation and the authenticity of the contents of the work.
  • the host computer creates a list that lists the creator, genre, outline of the work, etc.
  • the creative music work stored in the memory for a predetermined period of time, for example, every month, and has access rights to this list. It is preferable to publish it in a file that can be used only by the public. A hard copy, such as a publication, can be made and mailed. If the number of creative music works accumulated in the host computer is large, this list has the effect that the user can easily select the type of creative music work desired by the user.
  • the host computer also obtains access information such as the number of times that each creative music work has been released and general information of the accessor, and stores it in memory. S42. This access information will be presented in the event that there is an inquiry from the creator of the work S43. Enables creators to freely retrieve access information via the Internet anytime.
  • the host computer prepares a plurality of narrowed-down items so that only a user's request can be narrowed down and provided from a huge number of creative music works stored in the memory.
  • a narrowing item is created as a narrowing menu S34. If the user has access to the host computer and it is confirmed that the access right has been granted, S35, the narrowed-down menu is sent to the user terminal via the internet and the monitor is displayed. S 3 7 presented to.
  • the host computer obtains the information and searches the selected refinement item in the memory as a search key. Only those that meet the requirements are taken out of the many creative music works that exist.
  • the host computer sends to the user terminal a list of only the creative music works thus narrowed down, and skips S39 or the creation of the list, and lists the directly selected creative music works. Open to the public with access rights via the Internet S40.
  • a user terminal can request a narrowing-down menu including such narrowing-down items from the host computer via the Internet.
  • the access information acquired in this way is stored in memory for each original music work, and is supplied via the Internet in response to a request from the creator.
  • FIG. 4 is a schematic block diagram for explaining a configuration of a system for performing the centralized mediation method for creative music works according to the present invention using the Internet.
  • one embodiment of the centralized mediation system for creative music works generally comprises a number of creator terminals 10 used by the creators of the creative music works; A host complex managed by a central intermediary, and a professional A communication line, such as the Internet, with a plurality of user terminals 30 used by a person who is involved in the production of music products, such as a dusa, a singer, a record company representative, and has access to the host computer. It can be connected via 40.
  • the number of users of the creator terminal 10 can be any number of users as long as they agree to the conditions specified by the centralized intermediary agency, for example, a membership fee of 100 yen and a registration fee of 50 yen per work per month good.
  • a membership fee of 100 yen and a registration fee of 50 yen per work per month good an extremely large number of professional composers, lyricists and artists will participate.
  • those who use the user terminal 30 need to prevent producers, singers, record company staff, etc., from knowing that preventing the theft of creative music works is a key to sound operation of this system. It is limited to a relatively small number (several hundred to several thousand) who are involved in the production of music products and have access to the host computer 40.
  • the central mediation agency When registering, if the original music work to be registered is adopted, the central mediation agency will sign a copyright-related contract with the user on behalf of the creator. However, the central intermediary may also enter into an agreement with the creator that it can enter into a management contract. This has the effect that creators who tend to be vulnerable under copyright contracts, especially newcomers who are not accustomed to such copyright contracts, will not be at a disadvantage. In this case, the central intermediary may also contract with the creator to collect a certain percentage of the royalty paid from the JASRAC to the composer and lyricist.
  • the “predetermined proportion” is determined by agreement between the two parties.
  • enrollment fees and registration fees can be kept low, and the effect of promoting the participation of new artists who are expected to have no financial resources can be promoted. There is.
  • the right to access the host computer can be obtained if it meets certain conditions, for example, a producer, singer, record company representative, or other person involved in the production of music products. Wear. Therefore, those who have not been given the right to choose a composer or lyricist, such as a new singer or a weak record company, can access the host computer 20 and create music that meets their wishes. This has the effect of giving you a chance to find your work. Also, if there is no time to sell, there is an effect that the possibility of finding high-quality creative music works quickly and easily is increased.
  • FIG. 5 is a configuration diagram showing in detail the configuration of the creator terminal 10 of the centralized mediation system for creative music works shown in FIG.
  • the creator terminal 10 sends the original music work recorded on a recording means such as a cassette tape, CD, or MO to the CPU 12 in an electronic device that can be transmitted via a communication line such as Internet.
  • a conversion means 12a for converting to electronic data to be changed, and a transmission means 12b for accessing the host computer 20 and transmitting at least the name of the creator together with the electronic data.
  • the recording means that records the original music work is connected to a computer by connecting a tape playback device for a demo tape, a CD drive for a CD, or an MO drive for an MO.
  • reference numeral 14 denotes such a playback device.
  • the original music work is converted into an electronic data that can be transmitted via a communication line such as the Internet with at least the creator's name and contact information in the conversion means 12a.
  • the electronic data concerned is transmitted to the host computer 20 via the communication circuit 40 such as the Internet by the transmission means 12.
  • reference numeral 16 indicates that when the creator requests access information from the host computer 20, the creator inputs the request by voice recognition by a keyboard, a microphone, or touches a predetermined position on a display. It is a well-known input means such as a touch panel for transmitting a command by using.
  • FIG. 6 is a configuration diagram showing in detail the configuration of the host computer 20 used in the centralized mediation system for creative music works shown in FIG.
  • the host computer 20 receives the electronic data including the name of the creator in the received electronic data. By assigning a box and storing it in the memory of the host computer or in an external memory or the like connected to the host computer (hereinafter, typically referred to as “memory 24”), the process of storing the original music work can be performed. Execute.
  • the host computer 20 generally includes an UPU 22 and a memory 24 for storing various data.
  • the UPU 22 has an electronic data storage control means 22 a for storing electronic data sent from the creator terminal 10 in association with the index information including the name of the creator, and a memory 24.
  • List creation control means 2b for creating a list containing search information such as the creator, genre, etc.
  • Access right presence / absence control means 22 c for determining whether 30 has the access right by referring to information in the third part of the memory 24 described later;
  • a list transmission control means 2 2 d for transmitting to the user terminal a list describing the search information recorded in the second part of the memory 24 described later, and a user terminal 30.
  • the electronic data of the creative music piece selected by Electronic data transmission control means 22 e for calling from the first part of the memory 24 to be transmitted and transmitting to the user terminal.
  • the memory 24 is divided into a plurality of parts according to the contents of data to be stored. Of course, these can also be independently stored in separate memories.
  • the part that records the electronic music data of the creative music work is Part 1
  • the part that records the search information is Part 2.
  • Part 3 stores the ID information that is the basis for determining whether or not you have access rights.
  • the UPU 22 of the host computer 20 further stores a large number of original music works by genre, creator, music recommended by a music expert, and multiple testers.
  • Menu creation control means 2 2 f for creating a narrow-down menu for narrowing down by narrow-down items such as one-touch song information from the creator, a specified period, etc. from the creator's side, and written in the fourth part of the memory 24 described later Refinement menu transmission control for transmitting recorded refinement menu to user terminal 30
  • Means 22g and search information narrowing-down control means 22h for narrowing search information to be listed in the list according to the narrowing items selected by the user terminal 30 are provided.
  • the memory 24 is further provided with a fourth part for recording a narrow-down menu.
  • the UPU 22 further includes access information accumulation control means 22 j for accumulating access information such as general information of the accessor, the number of times the creative music work has been released, and When a request is made from the creator terminal 10 of the creative music work, access information on the creative music work relating to the creation of the creator is called from the fifth part of the memory 24 described later, and the creator terminal 10 is called. And an access information transmission control means 22 k for transmitting the information.
  • access information accumulation control means 22 j for accumulating access information such as general information of the accessor, the number of times the creative music work has been released, and When a request is made from the creator terminal 10 of the creative music work, access information on the creative music work relating to the creation of the creator is called from the fifth part of the memory 24 described later, and the creator terminal 10 is called.
  • an access information transmission control means 22 k for transmitting the information.
  • the memory 24 is provided with a fifth part for storing access information. Further, the creator terminal 10 is provided with access information request control means 12 c for requesting access information to the host computer 20.
  • FIG. 5 is a configuration diagram showing in detail the configuration of the user terminal 30 used in the centralized mediation system for creative music works shown in FIG.
  • the user terminal 30 roughly includes an UPU 32, a memory 34 for storing various data, and a speaker means 36 for reproduction.
  • the speeding means 36 includes an earphone, a headphone or other personal hearing means.
  • the UPU 32 includes a selection control means 32 a that selects a creative music work that the user wants to hear and instructs the host computer 20 and the electronic data of the creative music work sent from the host computer to music information.
  • a means 32b for converting the electronic data to music information into music information is provided.
  • the UPU 32 of the user terminal 30 further includes a refinement menu presenting means 32c for presenting the refinement menu from the host computer 20 to the user, and a refinement menu.
  • a narrowed item selection control means 32d for selecting and specifying the described narrowed items, and a narrowed item transmission control means 32e for transmitting the selected narrowed items to the host computer.
  • 38 is used to select and execute the original music work that you want to hear from the list, or to indicate your intention when you want to adopt your favorite creative music work.
  • the input means is a conventionally known input means such as a touch panel for transmitting a command by touching a predetermined position on a display.
  • the step of receiving the name and contact information of the creator together with the creative music work recorded on recording means such as a cassette tape, CD, M0, and the like;

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Abstract

La présente invention concerne un procédé de courtage central d'oeuvres de création musicales permettant de mettre en relation les oeuvres musicales créés et les personnes travaillant dans le domaine musical et recherchant ce genre d'oeuvres, tout en empêchant le plagiat des oeuvres; l'invention concernant également un système; et un support d'enregistrement. Le procédé de courtage central d'oeuvres musicales consiste à: (S1) recevoir d'abord des oeuvres musicales enregistrées sur des supports d'enregistrement tels que cassettes audio, CD et disques magnéto-optiques, avec au moins les coordonnées de leurs auteurs (adresses, numéros de téléphones), (S4) stocker ensuite les oeuvres musicales reçues, avec, en annexe, les coordonnées de leurs auteurs, et enfin, (S12) ouvrir les oeuvres musicales enregistrées sur des supports d'enregistrements uniquement aux utilisateurs autorisées.
PCT/JP2001/006927 2000-08-18 2001-08-10 Procede de courtage central d'oeuvres de creation musicales, systeme et support d'enregistrement WO2002017169A1 (fr)

Priority Applications (1)

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AU2001277763A AU2001277763A1 (en) 2000-08-18 2001-08-10 Method of centrally brokering creative music works, system and recording medium

Applications Claiming Priority (2)

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JP2000248883A JP2002063383A (ja) 2000-08-18 2000-08-18 創作音楽作品の集中仲介方法、システム及び記録媒体
JP2000-248883 2000-08-18

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JP7023451B2 (ja) * 2021-08-31 2022-02-22 株式会社メディアンスフリー 著作権マネージメントシステム及びサーバー装置

Citations (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
EP0696121A1 (fr) * 1994-07-25 1996-02-07 AT&T Corp. Méthode et système pour assurer le paiement de royalties pour les données délivrées par un réseau
JPH11185381A (ja) * 1997-10-16 1999-07-09 Shoichi Iida パーソナル記録媒体購入システム、パーソナル記録媒体購入方法及びパーソナル記録媒体購入プログラムを記録した記録媒体
JP2000163488A (ja) * 1998-09-24 2000-06-16 Ryuichi Sasaki デジタル著作物の利用監視方法、利用監視システム、デジタル著作物記録装置およびデジタル著作物再生装置

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Publication number Priority date Publication date Assignee Title
EP0696121A1 (fr) * 1994-07-25 1996-02-07 AT&T Corp. Méthode et système pour assurer le paiement de royalties pour les données délivrées par un réseau
JPH11185381A (ja) * 1997-10-16 1999-07-09 Shoichi Iida パーソナル記録媒体購入システム、パーソナル記録媒体購入方法及びパーソナル記録媒体購入プログラムを記録した記録媒体
JP2000163488A (ja) * 1998-09-24 2000-06-16 Ryuichi Sasaki デジタル著作物の利用監視方法、利用監視システム、デジタル著作物記録装置およびデジタル著作物再生装置

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Title
"Internet ni yoru ongaku haishin no jidai ga yatte kita!, digimu", IDEA LIFE CO., LTD., vol. 3, 1 January 2000 (2000-01-01), pages 20 - 41 *

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