JPS5848089B2 - gravure seihanhou - Google Patents

gravure seihanhou

Info

Publication number
JPS5848089B2
JPS5848089B2 JP12681075A JP12681075A JPS5848089B2 JP S5848089 B2 JPS5848089 B2 JP S5848089B2 JP 12681075 A JP12681075 A JP 12681075A JP 12681075 A JP12681075 A JP 12681075A JP S5848089 B2 JPS5848089 B2 JP S5848089B2
Authority
JP
Japan
Prior art keywords
gravure
plate
screen
area
plain
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Expired
Application number
JP12681075A
Other languages
Japanese (ja)
Other versions
JPS5251205A (en
Inventor
大之輔 渡辺
浩吉 本間
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Toppan Inc
Original Assignee
Toppan Printing Co Ltd
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Toppan Printing Co Ltd filed Critical Toppan Printing Co Ltd
Priority to JP12681075A priority Critical patent/JPS5848089B2/en
Priority to GB2733576A priority patent/GB1557673A/en
Priority to DE19762631097 priority patent/DE2631097A1/en
Priority to FR7621416A priority patent/FR2328991A1/en
Priority to CH953376A priority patent/CH627289A5/en
Publication of JPS5251205A publication Critical patent/JPS5251205A/en
Priority to US05/936,058 priority patent/US4187107A/en
Publication of JPS5848089B2 publication Critical patent/JPS5848089B2/en
Expired legal-status Critical Current

Links

Classifications

    • GPHYSICS
    • G03PHOTOGRAPHY; CINEMATOGRAPHY; ANALOGOUS TECHNIQUES USING WAVES OTHER THAN OPTICAL WAVES; ELECTROGRAPHY; HOLOGRAPHY
    • G03FPHOTOMECHANICAL PRODUCTION OF TEXTURED OR PATTERNED SURFACES, e.g. FOR PRINTING, FOR PROCESSING OF SEMICONDUCTOR DEVICES; MATERIALS THEREFOR; ORIGINALS THEREFOR; APPARATUS SPECIALLY ADAPTED THEREFOR
    • G03F5/00Screening processes; Screens therefor
    • G03F5/20Screening processes; Screens therefor using screens for gravure printing

Landscapes

  • Physics & Mathematics (AREA)
  • General Physics & Mathematics (AREA)
  • Photosensitive Polymer And Photoresist Processing (AREA)
  • Manufacture Or Reproduction Of Printing Formes (AREA)
  • Printing Plates And Materials Therefor (AREA)
  • Printing Methods (AREA)

Description

【発明の詳細な説明】 本発明は、カーボンチツシュを用いるグラビア製版法に
おいて連続階調のポジチブを用い、任意の無地網と組合
わせることにより版の深浅及び網点の大小の両方の要素
を兼ね備え、階調の再現を行うグラビア製版法に関する
ものである。
DETAILED DESCRIPTION OF THE INVENTION The present invention uses a continuous tone positive in the gravure plate making method using carbon tissue, and by combining it with an arbitrary plain screen, it is possible to improve both the depth and depth of the plate and the size of halftone dots. It is related to the gravure plate-making method that reproduces gradation.

従来のグラビア製版法を大別すると、グラビア版のセル
の面積が一定で、セルの深浅の変化のみで階調を表現す
るコンベンショナル法と、セルの深さは一定で、網点の
大小のみで階調を表現する単一網グラビア法に分けられ
る。
Conventional gravure plate making methods can be roughly divided into two: the conventional method, where the area of the gravure plate cells is constant and gradation is expressed only by changing the depth and depth of the cells; and the conventional method, where the cell depth is constant and the gradation is expressed only by changing the size of the halftone dots. It can be divided into single mesh gravure methods that express gradation.

コンベンショナル法は、センシタイズされたカーボンチ
ツシュのゼラチン層の光硬化によって生じたレジストの
膜厚の差をエッチングにより版の深浅に置き換えるもの
で、カーボンチツシュを使用する為、焼付、現像、腐蝕
の各工程において不安定な要素を多く持っている。
In the conventional method, the difference in resist film thickness caused by photo-curing of the gelatin layer of sensitized carbon tissue is replaced by etching into the depth and depth of the plate. Because carbon tissue is used, there are no problems with baking, development, and corrosion. Each process has many unstable elements.

特に絵柄のハイライト部は版の深さが1μ程度必要であ
るが、安定して所望の深さを得る事はむずかしい。
In particular, the depth of the plate needs to be about 1 μm for the highlighted part of the image, but it is difficult to stably obtain the desired depth.

一方単一網グラビア法は、版材に感光液を塗布し、網ポ
ジを密着焼付けした後、現像及びエッチングを施す方法
であるが、絵柄のハイライト部からライト部にかけての
小さな網点は印刷の際、インキの転移が不安定で、この
為、点とびが多く、ざらついた感じの印刷物になり、特
に被印刷体が紙の場合には、紙表面の粗さと相俟って顕
著になる。
On the other hand, in the single-dot gravure method, a photosensitive liquid is applied to the plate material, a halftone positive is printed in close contact with the plate material, and then developed and etched. When printing, the ink transfer is unstable, resulting in many dots and a rough-looking printed matter, which becomes especially noticeable when the printing material is paper, combined with the roughness of the paper surface. .

また、コンベンショナル法と単一網グラビア法の欠点を
補う為、版の深浅と網点の大小に両方で階調を表現する
方法が考えられている。
Additionally, in order to compensate for the drawbacks of the conventional method and the single-dot gravure method, a method has been considered in which gradation is expressed by both the depth and depth of the plate and the size of the halftone dots.

代表的なものは、2枚ポジ法と言われるもので、版の製
作に当たって、版の深浅の要素を盛込む為の連続階調ポ
ジチブと、網点の大小の要素を盛込む為の網ポジチブの
2枚のポジチブを用い、センシタイズされたカーボンチ
ツシュにそれぞれのポジチブを分割露光する方法である
が、同寸法の2種類のポジチブを使用することに起因し
ての製版工程−ヒの問題点が多い。
The most typical method is the two-plate positive method, in which a continuous tone positive method is used to incorporate the deep and shallow elements of the plate, and a halftone positive method is used to incorporate the large and small elements of the halftone dots. This method uses two positive plates and exposes each positive plate separately to a sensitized carbon tissue, but there are problems in the plate-making process due to the use of two types of positive plates with the same size. There are many.

例えば、この方法では、1色について連続階調ボジチブ
と網ポジチブの2枚が必要で4色刷では、都合8枚のポ
ジチブが必要で且つ相互にレジスターが合わねばならな
い。
For example, this method requires two continuous tone positives and halftone positives for each color, and for four-color printing, a total of eight positives are required and must be in register with each other.

この為、ポジチブを貼込んだり、修正する手間が極めて
煩雑になる。
For this reason, the effort of pasting in positives and making corrections becomes extremely complicated.

また、製版終了後、指定変更があった場合、手直しの手
間もさることながら、感光材料の使用量も多くなり、コ
スト的にも問題点が多い。
Further, if there is a change in specifications after the plate making is completed, not only does it take time and effort to make adjustments, but it also increases the amount of photosensitive material used, which poses many problems in terms of cost.

前述の如くコンベンショナル法と単一網グラビア法はい
ずれもライト部の調子の再現に問題が多く、その原因を
詳述すれば次の通りである。
As mentioned above, both the conventional method and the single mesh gravure method have many problems in reproducing the tone of the light area, and the causes of this problem are as follows.

第1図は、コンベンショナル法のグラビア版とドクター
ブレードの接触部分の拡大断面図で、ハイライト部のセ
ル断面を示しており、1はグラビア版胴、2はセル、3
はドクター.ブレード、4はドクターを支えるドテ部を
示す。
Figure 1 is an enlarged sectional view of the contact area between the gravure plate and the doctor blade in the conventional method, showing the cell cross section of the highlighted part, where 1 is the gravure plate cylinder, 2 is the cell, and 3
is a doctor. Blade 4 indicates the dowel part that supports the doctor.

第1図からセル1個の巾に対してドクターブレードの接
触巾が非常に広く、セルの巾に対して深さが極めて浅い
為、ドクターブレードで版上のインキを掻き取った時に
セルに残るインキ量が不安定になり易いことや、版の深
さが一寸変っただけでセル容積の変動が大きくなること
がわかる。
From Figure 1, the contact width of the doctor blade is very wide relative to the width of one cell, and the depth is extremely shallow relative to the width of the cell, so when ink is scraped off on the plate with the doctor blade, it remains on the cell. It can be seen that the amount of ink tends to become unstable, and that even a slight change in the depth of the plate causes large fluctuations in cell volume.

この様に不安定なハイライト部も中間部へ移り、版深度
が増してくるのに従って安定してくる。
In this way, the unstable highlight area moves to the middle area and becomes stable as the plate depth increases.

一方、単一網グラビア法のライト部は、コンベンショナ
ル法の場合と全く逆で、セルの面積に比べて深さが著し
く深く、線数1 7 5 17 inchで5%の網点
部はその巾が約30μで、深さは約30μ程度である。
On the other hand, the light area of the single-dot gravure method is completely opposite to that of the conventional method; the depth is extremely deep compared to the area of the cell, and the width of the 5% halftone area with a line count of 17517 inches is is about 30μ, and the depth is about 30μ.

この様な状態のセルは印刷時、ドクターブレードで版上
のインキを掻き取る場合、セルの中央部のインキが凹ん
だ状態になり、被印刷体である紙の微細な凹部にライト
部のセルが一致した場合、転移が著しく悪くなる。
When a cell in this state is used to scrape off ink on the plate with a doctor blade during printing, the ink in the center of the cell becomes depressed, and the light area of the cell is deposited in the minute depressions in the paper that is the printing material. If they match, metastasis will be significantly worse.

また紙と版が離れる際、インキはその時の条件に応じ一
定の比率で一部は紙に転移し、残りは版にとどまるが、
この際、網点面積に比べ版が深いと底部のインキは転移
に関与しなくなり、印刷条件が一寸変わると紙へのイン
キ転移率が変動し、延いては印刷物の濃度、階調が不安
定になる。
Also, when the paper and plate are separated, some of the ink is transferred to the paper at a certain rate depending on the conditions at the time, and the rest remains on the plate.
At this time, if the plate is deep compared to the halftone dot area, the ink at the bottom will not be involved in the transfer, and if the printing conditions change even slightly, the ink transfer rate to the paper will fluctuate, and the density and gradation of the printed matter will become unstable. become.

これらの問題を解決する方法として、ハイライトの網点
の大きさを被印刷体の表面平滑性に合わせて、インキの
転移が安定する最低限度まで大きくする方法が考えられ
る。
As a method to solve these problems, a method can be considered to increase the size of the highlight halftone dot to the minimum size that allows stable ink transfer in accordance with the surface smoothness of the printing medium.

本発明は、コンベンショナル法、単一グラビア法の両者
の長所をそのまま生かし、且つライト部の階調再現の不
安定を解消し、しかも簡便な方法を提供するものである
The present invention makes full use of the advantages of both the conventional method and the single gravure method, eliminates the instability of gradation reproduction in light areas, and provides a simple method.

次に図に従って各工程を説明する。Next, each process will be explained according to the drawings.

第2図は、第1工程を示し、5はセンシタイズされたカ
ーボンチツシュ、6,7がカーボンチツシュの各構成要
素で、それぞれバライタ紙とゼラチン層である。
FIG. 2 shows the first step, in which 5 is a sensitized carbon tissue, and 6 and 7 are the constituent elements of the carbon tissue, which are a baryta paper and a gelatin layer, respectively.

8は白線グラビアスクリーン、14はゼラチン層の光硬
化した部分、9は焼付の際の光の方向を示す。
Reference numeral 8 indicates a white line gravure screen, 14 indicates a photocured portion of the gelatin layer, and 9 indicates the direction of light during printing.

カーボンチツシュは市販のもので良く、カーボンチツシ
ュの代わりにグラビア用フォトレジストを使用しても良
い。
A commercially available carbon tissue may be used, and a gravure photoresist may be used instead of the carbon tissue.

焼付に使用する白線グラビアスクリーンはコンベンショ
ナル法で使用するスクリーンで良く、必要に応じて15
0,175,200,250,3 0 0 t/ in
ch等のものを使用する。
The white line gravure screen used for printing may be the screen used in the conventional method, and if necessary,
0,175,200,250,300t/in
Use something like ch.

この工程では、白線グラビアスクリーンとセンシタイズ
されたカーボンチッシュを図に示す如く密着し、焼付け
るもので、ゼラチン層のドテに相当する部分が光硬化す
る。
In this step, the white line gravure screen and the sensitized carbon tissue are brought into close contact with each other as shown in the figure and baked, and the portions of the gelatin layer corresponding to the dots are photocured.

第3図は第2工程を示し、10は連続階調ボジチブ、1
1はハイライト部、12はシャド一部、13は無地網フ
イルムで、13aは光を通さない不透明部、13bは透
明部を、15は第2工程の露光で硬化したゼラチン部を
示す。
FIG. 3 shows the second step, where 10 is a continuous tone positive, 1
1 is a highlight part, 12 is a shadow part, 13 is a plain mesh film, 13a is an opaque part that does not transmit light, 13b is a transparent part, and 15 is a gelatin part hardened by exposure in the second step.

この工程は図に示すように前工程で得られたカーボンチ
ソシュに無地網、連続階調ポジチブを順次重ね合わせ密
着焼付けするもので、その目的とするところはセルに網
点の大小の要素を入れることにある。
As shown in the figure, this process involves sequentially superimposing plain mesh and continuous tone positive on the carbon chisosh obtained in the previous process and baking them in close contact. It's about putting it in.

ここに用いる無地網の線数、網点の形状は被印刷体の表
面平滑性や期待される調子により任意に選ばれるもので
あって、この無地網はオフセットやグラビア用のコンタ
クトスクリーンから容易に任意のものを作ることが出来
る。
The number of lines and the shape of the halftone dots of the plain screen used here are arbitrarily selected depending on the surface smoothness of the printing material and the expected tone, and this plain screen can be easily used from offset and gravure contact screens. You can make anything you want.

なお無地網の形状としては周知のものでよくて特に制限
はなく、円形、三角形、四角形、六角形その他適宜のも
のを採用することができる。
Note that the shape of the plain mesh may be any well-known shape and is not particularly limited, and circular, triangular, quadrangular, hexagonal, and other appropriate shapes may be adopted.

しかしながら一般的には前記の如きコンタクトスクリー
ンを用いて無地網を作る場合には円形のものが得られ易
い。
However, in general, when a plain net is made using the contact screen as described above, a circular net is likely to be obtained.

円形のものを用いることは、インキのグラビア版から紙
への転移は円形のセルの方が良好であることは公知であ
るため、円形の網点を有する無地網を用いることが好ま
しい。
It is preferable to use a plain mesh having circular halftone dots because it is known that circular cells transfer the ink from the gravure plate to the paper better.

また無地網の線数はグラビア印刷を行なう場合に一般的
に用いられる通常のグラビアスクリーンの線数と同様の
ものを用いればよく特に制限はない。
The number of lines of the plain mesh is not particularly limited as long as it is the same as the number of lines of an ordinary gravure screen commonly used in gravure printing.

前述の如くグラビ了スクリーンは一般的には1インチ当
り150,175,200,250,300線のものを
用いるので150線/インチ以上のものを用いることは
印刷品質上好ましい。
As mentioned above, since the gravure screen is generally used with 150, 175, 200, 250, or 300 lines per inch, it is preferable to use 150 lines/inch or more in terms of print quality.

ライト部の再現を安定させる為に必要な網点の大きさと
、版の深さとの関係は紙質、インキの粘性や表面張力、
ドクターブレードの形状及び角度等C印刷条件によって
変って来るが、無地網の選択に当たっては、その中で一
番問題になる被印刷体の表面の状態により、ハイライト
部の網点の最少点の大きさと深さを決め、それに必要な
無地網を選択する。
The relationship between the size of halftone dots required to stabilize the reproduction of light areas and the depth of the plate depends on the paper quality, ink viscosity and surface tension,
The shape and angle of the doctor blade will vary depending on the C printing conditions, but when selecting a plain screen, the most important issue is the condition of the surface of the printing material, and the minimum number of halftone dots in the highlighted area Decide on the size and depth and choose the plain netting you need.

無地網と連続階調ポジチブを重ねて密着焼付けすると、
ライト部では光がポジチブを通過して、無地網の不透明
部以外の所のゼラチンが硬化し、不透明部は光が露光さ
れないので、その下にあるゼラチンは未硬化のまま残っ
ている。
When plain mesh and continuous tone positive are layered and baked in close contact,
In the light area, light passes through the positive and hardens the gelatin in areas other than the opaque area of the plain screen, and since the opaque area is not exposed to light, the gelatin underneath remains unhardened.

一方、絵柄のシャド一部では、ポジチブの濃度が高い為
、光は殆んど通過せず、無地網の有無にかかわらず光硬
化反応は起さない。
On the other hand, in the shadow part of the pattern, the concentration of positive is high, so almost no light passes through it, and no photocuring reaction occurs regardless of the presence or absence of a plain screen.

中間調の部分では、ポジ濃度に反比例した光の量がゼラ
チン層に達し、無地網の透明部に対応する所はその光量
に比例した光硬化を起し、不透明部に対応する所は未硬
化のまま残る。
In the middle tone areas, the amount of light that is inversely proportional to the positive density reaches the gelatin layer, and the areas that correspond to the transparent areas of the plain screen are photocured in proportion to the amount of light, and the areas that correspond to the opaque areas are not cured. remain as is.

そしてゼラチン層では、ライトからシャド一部にかけて
光の透過量に比例したゼラチン硬化部が順次形成されて
いることになる。
In the gelatin layer, hardened gelatin parts proportional to the amount of light transmitted are sequentially formed from the light to the shadow part.

第4図は第3工程を示し、16はゼラチン硬化部を示す
FIG. 4 shows the third step, and 16 shows the gelatin hardening section.

この工程は連続階調ポジチブの階調をセルの深浅の要素
に置き換えることを目的とする。
The purpose of this process is to replace the continuous tone positive tone with the deep and shallow elements of the cell.

連続階調ポジチブを前工程で得られたカーボンチツシュ
に密着焼付けすると、絵柄のライト部では第2工程で無
地網の不透明部により遮光されていた部分に、露光がさ
れゼラチンの硬化が起る。
When continuous tone positive is printed in close contact with the carbon tissue obtained in the previous process, the light areas of the pattern that were blocked by the opaque areas of the plain screen in the second process are exposed to light and the gelatin hardens. .

シャド一部では、白線グラビアスクリーンにより、ドテ
部が硬化されたままになっており、この第3工程の焼付
けでもポジ濃度が高い為、若干のカブリ硬化を起す程度
である。
In a part of the shadow, the dotted area remains hardened by the white line gravure screen, and even in this third baking step, since the positive density is high, only slight fog hardening occurs.

それ以外の中間調部分では第2工程で無地網の不透明部
に覆われていた部分にはじめて露光が行わ札光の量に比
例してゼラチン層が硬化し、無地網の透明部では第2工
程の露光で硬化した薄い層に加えて、第3工程の焼付け
でさらにゼラチン層の硬化が起る。
In other half-tone areas, the area covered by the opaque area of the plain screen is exposed to light for the first time in the second process, and the gelatin layer hardens in proportion to the amount of light, and in the transparent area of the plain screen, the second process In addition to the thin layer hardened by exposure to light, the third baking step causes further hardening of the gelatin layer.

従って、全体的にポジの濃度に反比例したゼラチンの硬
化レリーフが形成される。
Thus, a hardened relief of gelatin is formed which is inversely proportional to the overall positive concentration.

第4工程はコンベンショナル法の製版工程と概ね同じで
良いが、前述の如くハイライト部に網点の大小の要素も
盛込まれている為、ゼラチン層のレリーフはコンベンシ
ョナル法の場合よりも薄くなり、従ってハイライト部の
腐蝕が比較的早く開始さ札全体の腐蝕時間も短かくて済
むことになり、腐蝕工程でのセル深度の変動要素が減少
する。
The fourth step is generally the same as the plate-making process of the conventional method, but as mentioned above, the size of the halftone dots is included in the highlighted area, so the relief of the gelatin layer will be thinner than that of the conventional method. Therefore, the corrosion of the highlighted portion starts relatively quickly, and the corrosion time of the entire tag is shortened, and the factors that vary the cell depth during the corrosion process are reduced.

絵柄のシャド一部では、無地網パターンに関係なくスク
リーンの白線のみが焼込まれているので、腐蝕して得ら
れたセルの形状はコンベンショナル法のセルと全く同じ
ものが得られる。
In the shadow part of the picture, only the white line of the screen is burned in regardless of the plain net pattern, so the shape of the cell obtained by corrosion is exactly the same as that of the conventional method cell.

ハイライト部では、無地網の透明部に対応するゼラチン
硬化層の厚さがシャド一部の厚さに比べて厚いので、シ
ャド一部で必要なセルの深度を得るのに必要な腐蝕時間
以内に、ハイライト部での腐蝕が終ってしまうことはな
い。
In the highlight area, the thickness of the hardened gelatin layer corresponding to the transparent area of the plain mesh is thicker than that in the shadow area, so the etching time is within the required time to obtain the required cell depth in the shadow area. However, the corrosion in the highlighted areas never ends.

また、セル面積を所値の大きさに縮少した分だけ深さの
要素を加味することができる。
Furthermore, the element of depth can be taken into account by reducing the cell area to a desired size.

例えば、ハイライトのセル面積を通常の17/3になる
様無地網を選んだとすれば、深さは通常の3倍、つまり
3〜5μ程度に設定することが出来る。
For example, if a plain mesh is selected so that the highlight cell area is 17/3 of the normal size, the depth can be set to three times the normal size, that is, about 3 to 5 μm.

従つ゛(、インキ転移機構上非常に安定する形の版が得
られる。
Accordingly, a plate having a very stable form due to the ink transfer mechanism can be obtained.

また、中間調部分では腐蝕の工程で、まず無地網の不透
明部に相当する部分に腐蝕が進行し、ひき続いて無地網
の透明部のセルの部分に腐蝕が進行する。
Furthermore, during the corrosion process in the halftone area, corrosion first progresses to the portion corresponding to the opaque portion of the plain screen, and then corrosion progresses to the cell portion of the transparent portion of the plain screen.

従って、1個のセルの中に若干深い部分と浅い部分を含
む版が得られる。
Therefore, a plate containing a slightly deeper portion and a shallower portion within one cell is obtained.

以上の様にして得られた版の断面図を第5図に、中間調
部とハイライト部の平面図を第6図A,Hに示す。
A cross-sectional view of the plate obtained as described above is shown in FIG. 5, and a plan view of the halftone area and highlight area is shown in FIGS. 6A and 6H.

なお、第3図〜第5図においては、グラビアスクリーン
の不透明部の位置と無地網の不透明部の位置とが同一に
なるように示されているが、これは本発明の露光工程の
効果を理解し易いようにこのように示したものである。
In addition, in FIGS. 3 to 5, the position of the opaque part of the gravure screen and the position of the opaque part of the plain screen are shown to be the same, but this does not affect the effect of the exposure process of the present invention. It is shown this way for easy understanding.

実際上はグラビアスクリーンの不透明部の位置と無地網
の不透明部の位置とが同一にすることは必ずしも容易で
はなく、また2種類の規則的網点パターン間ではモアレ
パターンが発生し易いことは周知であり、このモアレパ
ターンの発生を防止する上からもグラビアスクリーンの
網点配列角度と無地網の網点配列角度とは異ならしめる
ことが好ましい。
In practice, it is not always easy to make the position of the opaque part of the gravure screen the same as the position of the opaque part of the plain screen, and it is well known that moiré patterns are likely to occur between two types of regular halftone dot patterns. Therefore, in order to prevent the occurrence of this moiré pattern, it is preferable that the halftone dot arrangement angle of the gravure screen and the halftone dot arrangement angle of the plain screen be different.

また第6図においては無地網の不透明部とグラビアスク
リーンの不透明部の位置関係は第3図〜第5図のものと
は異なっているが、これは上記の点をも考慮して、グラ
ビアスクリーンと無地網の角度関係をも理解できるよう
にしたものであって第6図の方がより実際に近い姿を示
している。
Also, in Figure 6, the positional relationship between the opaque area of the plain mesh and the opaque area of the gravure screen is different from that of Figures 3 to 5, but this is done by taking the above points into account. Figure 6 is designed to help you understand the angular relationship between the figure and the plain net, and Figure 6 shows the figure closer to the actual figure.

17はハイライト部のセル、18は中間調部のセルの断
面で、浅い部分20と深い部分21に分かれている。
17 is a cross section of a cell in a highlight portion, and 18 is a cross section of a cell in a halftone portion, which is divided into a shallow portion 20 and a deep portion 21.

19はシャド一部の断面、22はセルの間のドテをそれ
ぞれ示す。
Reference numeral 19 shows a cross section of a portion of the shadow, and reference numeral 22 shows dots between cells.

本発明は以上のような構成の為、従来の2枚ポジ法や特
殊なフォトレジストを用いる方法のように写真製版工程
の複雑さやコスト高の問題を解消出来る事、網点再現上
のモワレに対しては無地網を若干大きめにすることによ
りスクリーン角度を変えなくとも、モワレを起こさない
網点再現を行える事、更に製版終了後、部分的に版を修
正する場合、本発明により得られる版のハイライト部の
深さはコンベンショナル法の数倍の深さを持つ為、修正
部分に腐蝕液をかけて版を深くするか、メッキを施して
盛り上げ、セルを浅くするときは、コンベンショナル法
のハイライト部の修正に比べて非常に楽になる事、また
、無地網を適宜に選択する事により、写真製版工程を変
えずして階調再現に変化をもたらすことも可能な事など
、優れた効果が得られる。
Because the present invention has the above-mentioned configuration, it is possible to solve the problems of complexity and high cost of the photolithography process, such as the conventional two-sheet positive method and methods using special photoresists, and to prevent moiré in halftone dot reproduction. On the other hand, by making the plain screen slightly larger, it is possible to reproduce halftone dots without causing moire without changing the screen angle, and furthermore, when partially correcting the plate after plate making, the plate obtained by the present invention can be used. The depth of the highlighted area is several times as deep using the conventional method, so if you apply an etchant to the corrected area to make the plate deeper, or plate it to raise it up and make the cells shallower, use the conventional method. It is much easier than correcting highlight areas, and by appropriately selecting the plain mesh, it is possible to change the gradation reproduction without changing the photolithography process. Effects can be obtained.

【図面の簡単な説明】[Brief explanation of drawings]

第1図はコンベンショナル法のグラビア版とドクターブ
レードの拡大断面図、第2図は本発明における製版工程
を示す第1工程図、第3図は同じく第2工程図、第4図
は同じく第3工程図、第5図、第6図は本発明によって
得られる版の断面図及び平面図である。
Fig. 1 is an enlarged sectional view of a conventional gravure plate and a doctor blade, Fig. 2 is a first process drawing showing the plate making process of the present invention, Fig. 3 is a second process drawing, and Fig. 4 is a third process drawing. The process diagram, FIGS. 5 and 6 are a sectional view and a plan view of a plate obtained by the present invention.

Claims (1)

【特許請求の範囲】[Claims] 1 連続階調ポジチブを用いたグラビア製版法において
センシタイズされたカーボンチツシュに所望の線数の白
線グラビアスクリーンを密着焼付けする工程と、該白線
グラビアスクリーンのセル面積よりも小さい網点面積を
持つ無地網と該連続階調ポジチブをカーボンチツシュに
密着焼付けする工程と、カーボンチツシュに該連続階調
ポジチブを密着焼付けする工程とによって得られたカー
ボンチツシュをグラビアシリンダに転写し、現像、腐蝕
する工程からなるグラビア製版法。
1. A step of closely printing a white line gravure screen with a desired number of lines onto a sensitized carbon tissue in a gravure plate making method using continuous tone positive, and a plain color having a halftone dot area smaller than the cell area of the white line gravure screen. The carbon tissue obtained by the step of closely baking the mesh and the continuous tone positive onto the carbon tissue, and the step of closely baking the continuous tone positive onto the carbon tissue, is transferred to a gravure cylinder, developed, and etched. The gravure plate-making method consists of a process of
JP12681075A 1975-10-21 1975-10-21 gravure seihanhou Expired JPS5848089B2 (en)

Priority Applications (6)

Application Number Priority Date Filing Date Title
JP12681075A JPS5848089B2 (en) 1975-10-21 1975-10-21 gravure seihanhou
GB2733576A GB1557673A (en) 1975-10-21 1976-06-30 Gravure printing
DE19762631097 DE2631097A1 (en) 1975-10-21 1976-07-10 METHOD OF MANUFACTURING gravure printing plates
FR7621416A FR2328991A1 (en) 1975-10-21 1976-07-13 PROCESS FOR PREPARING PLATES INTENDED FOR PHOTOGRAVURE
CH953376A CH627289A5 (en) 1975-10-21 1976-07-26 Method for obtaining a photogravure-printing forme
US05/936,058 US4187107A (en) 1975-10-21 1978-08-23 Making gravure plate with tint screen

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP12681075A JPS5848089B2 (en) 1975-10-21 1975-10-21 gravure seihanhou

Publications (2)

Publication Number Publication Date
JPS5251205A JPS5251205A (en) 1977-04-25
JPS5848089B2 true JPS5848089B2 (en) 1983-10-26

Family

ID=14944507

Family Applications (1)

Application Number Title Priority Date Filing Date
JP12681075A Expired JPS5848089B2 (en) 1975-10-21 1975-10-21 gravure seihanhou

Country Status (5)

Country Link
JP (1) JPS5848089B2 (en)
CH (1) CH627289A5 (en)
DE (1) DE2631097A1 (en)
FR (1) FR2328991A1 (en)
GB (1) GB1557673A (en)

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS6179823U (en) * 1984-10-30 1986-05-28
JPH0439885U (en) * 1990-08-02 1992-04-03

Families Citing this family (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS55105250A (en) * 1979-02-07 1980-08-12 Nissha Printing Co Ltd Gravure plate for pottery printing
CA2036424A1 (en) * 1990-02-23 1991-08-24 Albert C. Chiang Photopolymer printing plates having a dimpled printing surface
JP2005343134A (en) * 2004-06-07 2005-12-15 Nippon Decor Inc Photogravure plate
KR101476146B1 (en) * 2013-12-06 2014-12-24 킴스홀딩스 주식회사 method for manufacturing the cookware

Family Cites Families (5)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2528007A (en) * 1947-10-25 1950-10-31 Hagop H Kubeserian Method for producing gravure printing plates
US2628903A (en) * 1950-06-10 1953-02-17 Publication Corp Preparation of printing plates and cylinders with chloro-bromide resist-forming film
SE319975B (en) * 1962-01-05 1970-01-26 A Jemseby
BE660598A (en) * 1965-03-04 1965-07-01
DE1522472A1 (en) * 1967-02-03 1969-07-31 Burda Druck Und Verlag Gmbh Gravure printing process and screen for its implementation

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS6179823U (en) * 1984-10-30 1986-05-28
JPH0439885U (en) * 1990-08-02 1992-04-03

Also Published As

Publication number Publication date
DE2631097A1 (en) 1977-05-05
CH627289A5 (en) 1981-12-31
GB1557673A (en) 1979-12-12
FR2328991B1 (en) 1983-02-11
JPS5251205A (en) 1977-04-25
FR2328991A1 (en) 1977-05-20

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