JP2605821B2 - Music control device - Google Patents

Description

Description: BACKGROUND OF THE INVENTION 1. Field of the Invention The present invention relates to a musical tone control device suitable for use in an electronic musical instrument, an automatic musical instrument, and the like. Is read out from the storage means, and the sound field corresponding to the musical instrument position and the musical instrument type in the music playing field is reproduced to read the sound field. The reproduction operation is simplified.

[Prior Art] Conventionally, as a sound effect applying technique for an electronic musical instrument, effect control information for obtaining a sound effect (for example, a reverb effect) peculiar to each performance site such as a “concert hall” or a “jazz club” has been used. It is known that presetting is performed, and when a desired playing field is selected, a sound effect specific to the selected playing field is added to a musical tone signal based on preset information corresponding to the preset playing field.

[Problems to be Solved by the Invention] According to the above-described conventional technology, it is possible to enjoy a performance by reproducing an acoustic effect unique to a desired playing field, but to reproduce a sound field corresponding to a musical instrument position in the playing field. He was unable to do so and was inevitable of lack of realism. That is, in an actual music hall, the sound field feeling (for example, sound image localization, frequency component of musical sound, magnitude of sound effect, etc.) differs depending on the type and arrangement of musical instruments to be used. It was not possible to enjoy a performance simulating such a sound field feeling.

On the other hand, as an electronic musical instrument with multiple speakers,
2. Description of the Related Art It is known that a performance can be performed by appropriately operating an operator such as a volume and a switch provided on a panel surface to set a sound image localization and a sound effect of a performance sound.

In such an electronic musical instrument, it is troublesome to operate a large number of operators so that a desired sound field feeling can be obtained. It is not easy to operate various controls to reproduce the sound field. In this case, the operation of setting the tone color corresponding to the musical instrument needs to be performed independently of the operation relating to the musical instrument position, and it is very complicated to perform these operations every time a different playing field is assumed.

SUMMARY OF THE INVENTION An object of the present invention is to provide a new tone control position capable of reproducing a sound field corresponding to a musical instrument position and a musical instrument type for each musical performance.

[Means for Solving the Problems] A musical sound control device according to the present invention comprises: a selecting means [HSS in FIG. 2] for selecting an arbitrary one of a plurality of playing places; Storage means for storing musical instrument position information indicating the position of the musical instrument for each venue and timbre designation information for designating a timbre corresponding to the musical instrument) [FIG. 1], and an instrument relating to the playing field selected by the selecting means Reading means [FIG. 9] for reading the position information and the tone designation information from the storage means, and the musical instrument position information read from the storage means according to the musical instrument position in the playing field selected by the selection means. A converting means (FIGS. 1, 5, 18 and 172) for converting into a plurality of tone parameter control information for reproducing a sound field; and a tone having a tone corresponding to the tone specifying information read from the storage means. Sound source means for generating a signal [first 38 to
42], and controlling the tone signal generated from the tone generator means in accordance with a plurality of tone parameter control information from the converting means, so that the tone signal can be changed according to the position of the musical instrument in the playing field selected by the selecting means. And control means (FIG. 1, FIG. 44) for imparting a sound field characteristic.

[Operation] According to the configuration of the present invention, when a desired playing field is selected, a sound field corresponding to the position and type of the musical instrument in the playing field is reproduced, so that it is possible to enjoy a lively performance. .

Further, since the timbre and the plurality of tone parameters are automatically set in conjunction with the selection of the playing field, there is no need to manually set these parameters and the operation becomes very simple.

[Embodiment] FIG. 1 shows a circuit configuration of an electronic musical instrument according to an embodiment of the present invention. In this electronic musical instrument, tone generation is controlled by a microcomputer.

1. Configuration of Electronic Musical Instrument (FIG. 1) In FIG. 1, a bus 10 includes a keyboard circuit 12, an operator group
14, central processing unit (CPU) 16, ROM (read only
Memory) 18, RAM (random access memory) 20,
Register group 22, floppy disk unit 24, display panel interface 26, touch panel interface 2
8, sound source interface 30, external interface 32
Etc. are connected.

The keyboard circuit 12 includes, for example, an upper keyboard, a lower keyboard, and a pedal keyboard, and detects key operation information for each key of each keyboard.

The operator group 14 includes various operators for tone control or performance control provided on the instrument panel, and operation information is detected for each operator. Operators related to the embodiment of the present invention will be described later with reference to FIG.

The CPU 16 executes various processes for generating a musical tone in accordance with a program stored in the ROM 18, and these processes will be described later with reference to FIGS. RO
In addition to the program, M18 also stores tone parameter control information as described later with reference to FIG.

The RAM 20 stores the 1 read from the floppy disk drive 24.
This is for storing display / control data for the performance hall.

The register group 22 includes a large number of registers used in various processes by the CPU 16, and among these registers, those related to the implementation of the present invention will be described later.

The floppy disk device 24 has a floppy disk on which display and control data are recorded for each of a plurality of music venues.
Writing data to the RAM 20 will be described later with reference to FIG.

The display panel interface 26 and the touch panel interface 28 are connected to a display panel 34A and a touch panel 34B, respectively, that constitute the musical instrument position setting device 34.The interface 26 supplies display data DS to the display panel 34A. Touch panel 34
The touch position is detected from B, and the musical instrument position data PS corresponding to the touch position is received. The instrument position setting device 34 will be described later with reference to FIG.

The sound source interface 30 supplies sound source control information TS to the assignment circuit 36. The sound source control information TS includes a key-on signal based on a keyboard operation, a key-off signal, and key data (pitch data) corresponding to key depression. Information, tone parameter control information read from the ROM 18, and tone color designation data and reverb control data read from the RAM 20 can be supplied.

The external input interface 32 is for inputting performance information based on a keyboard operation from another electronic musical instrument or performance information read out from a storage (recording device). It can be supplied to the assignment circuit 36 via the sound source interface 30 together with or instead of the information.

The allocation circuit 36 converts the supplied sound source control information TS into a first sound source (TG1) 38, a second sound source (TG2) 40, and a third sound source (TG
3) TG1 (38) to TG3 (42) which can be assigned to the 42 or the parameter control circuit 44 and can generate digital tone signals. TG1 (38) is supplied with performance information based on the upper keyboard operation and tone color designation data corresponding to musical instrument 1 (for example, a piano) as first sound source control information S1, and TG2 (40) is supplied with second sound source control information. As information S2, performance information based on the lower keyboard operation and timbre designation data corresponding to the musical instrument 2 (for example, violin) are supplied, and TG3 (42)
As the third sound source control information S3, the performance information based on the pedal keyboard operation and the tone color designation data corresponding to the musical instrument 3 (for example, bass) are supplied as the third sound source control information S3, and the musical tone parameter control information PD and the reverb control data RVD is supplied. In this case, the performance information from the external input interface 32 can be supplied instead of the performance information based on the operation of any of the upper keyboard, the lower keyboard, and the pedal keyboard. A ensemble with a musical instrument or an automatic performance machine becomes possible.

The parameter control circuit 44 receives the digital tone signal S11 from the TG1 (38) and the digital tone signal S1 from the TG2 (40).
2. The digital tone signal S13 from TG3 (42) is used to control tone parameters based on tone parameter control information PD or to add a reverb effect based on reverb control data RVD. D / A (Digital / Analog) conversion of the received tone signal for each of the left and right channels, and analog tone signal AS (R) for right channel and analog tone signal AS for left channel
(L) is sent out. A specific example of the parameter control circuit 44 will be described later with reference to FIGS. 6 and 7.

The tone signal AS (R) is supplied to the right speaker 48R via the output amplifier 46R, and is emitted as a tone. The tone signal AS (L) is output to the left speaker 4 via the output amplifier 46L.
It is supplied to 8L and is pronounced as a musical tone.

Arrangement of Operators (FIG. 2) FIG. 2 shows an example of an arrangement of operators related to the embodiment of the present invention among the operators belonging to the operator group 14.

The performance mode switch PMS is used to specify a normal performance mode. When the performance mode switch PMS is turned on, a light emitting element PML in the vicinity thereof is turned on, and a normal manual performance (or automatic performance) without reproducing the sound field of the performance space is performed. ) Is possible.

N switches are arranged side by side as a playground selection switch HSS, and a light emitting element HS
L is provided. Switch H corresponding to the desired performance
When SS is turned on, the light emitting element HSL in the vicinity thereof is turned on, and a manual performance (or automatic performance) can be performed in a state in which the sound field of the playing field corresponding to the turned on switch is reproduced. Then, when the switch HSS in which the light emitting element HSL is being turned on is turned on, the light emitting element HSL is turned off and the light emitting element PML is turned on to return to the normal performance mode.

Musical Instrument Position Setting Apparatus (FIG. 3) FIG. 3 is a view of the musical instrument position setting apparatus 34 as viewed from above. This apparatus 34 has a display panel 34A arranged on the back of a transparent touch panel 34B having a switch matrix. Configuration.

The display panel 34A includes, for example, a symbol HSY of a music hall such as a concert hall, a music hall name HNM such as "HALL1",
An instrument display frame FLM, an instrument symbol ISY, and an instrument name INM are displayed. In this case, the musical instrument display frame FLM can be displayed in a rectangular area corresponding to the touch panel 34B, and the musical instrument symbol ISY and the musical instrument name INM are included in each musical instrument display frame FLM.
Displayed in pairs. As an example, the leftmost instrument display frame FL
In P, the symbol of the piano is displayed as the instrument symbol ISY, and the character of `` PIANO '' is displayed as the instrument name INM, and similarly, the symbol of the violin and `` VIOLIN '' are displayed in the instrument display frame FLM on the right side. The characters are displayed in the rightmost display frame FLM, and the symbol of the bus and the character of "BASS" are displayed.

Let H be the length of one side in the front-rear direction of the touch panel 34B,
Assuming that the length of one side in the left-right direction is W, H corresponds to the depth of the music hall, and W corresponds to the width (or frontage) of the music hall.
Assuming that the left rear end of the touch panel 34B is the origin P ₀ (0,0), the front-back direction is the y-axis, and the left-right direction is the x-axis, the position of the piano is
Expressed as P _P (x ₁ , y ₁ ) using xy coordinates, the position of the violin is P _V (x ₂ , y ₂ ), and the position of the bus is P _B (x
₃ , y ₃ ).

In the musical instrument position setting device 34 shown in FIG. 3, for example, when a finger or the like touches a part of the touch panel 34B corresponding to the musical instrument display frame FLM on which the piano is displayed, and moves forward, backward, left, and right with this touch state, Instrument display frame FLM is also instrument name I
It moves together with the NM and the instrument symbol ISY, and the position where the movement and touch are stopped finally becomes the display position of the piano. This means that the other instrument panes showing the violin and bass
The same applies to FML. Therefore, it is possible to easily and arbitrarily set the position of the musical instrument in the playing field for each of the three types of musical instruments only by touch operation.

Display / Control Data (FIG. 4) FIG. 4 shows the format of the display / control data. The above-mentioned floppy disk includes a playing field 1 (for example, a small hall), a playing field 2 (for example, a large hall), Performance hall 3 (for example, outdoor stage)... Display and control data for N performance halls corresponding to the performance halls N (for example, jazz clubs) are recorded.

When a desired playing field is selected by operating the playing field selection switch HSS shown in FIG. 2, display / control data relating to the selected playing field is transferred from the floppy disk device 24 to the RAM 2.
0 and written into the RAM 20 in a format as exemplified for the playing field 1 in FIG.

The data for one playing field is an arrangement of the playing field-related data and the musical instrument-related data for three musical instruments, following the first identification data ID. Performance-related data is performance name data
Data representing the number of bytes K ₀ of HNMD, data representing the number of bytes L ₀ of playing field symbol data HSYD, reverb control data data representing the number of bytes M ₀ of RVD, playing field name data HNMD for displaying the playing field name , Playing field symbol data HSYD for displaying a playing field symbol, and reverb control data RVD for controlling a reverb effect.

HAD ₀ is a head address when the performance-related data is written into the RAM 20, and this and the number of bytes K ₀ , L ₀ ,
Data HNMD from RAM20 by using the M _0, HSYD, reading of RVD is controlled.

Musical instrument related data includes musical instrument 1 (for example, piano), musical instrument 2
(For example, violin) and musical instrument 3 (for example, bass). Here, since the data formats of the three musical instruments are similar to each other, the musical instrument 1 will be described as a representative.

The musical instrument 1 related data is the number of bytes K ₁ of the musical instrument name data INMD.
Data representing the number of bytes of musical instrument symbol data ISYD L ₁
A representative of data, data representing the number of bytes M ₁ of tone color designation data TSD, instrument name data for displaying a musical instrument name INM
D, Instrument symbol data I for displaying instrument symbols
SYD, which is from the data representing the musical instrument corresponding tone (e.g., a piano tone color) specified timbre for specifying data TSD, the data representing the x-direction of the instrument position (x _1), y-direction of the instrument position (y ₁₎ . HAD _1, the musical instrument 1 is a top address at the time of writing the relevant data to RAM20, this and the number of bytes of each data K _1, L _1, M ₁ and the data from the RAM20 using the INMD, I
Reading of SYD, TSD and musical instrument position data (x ₁ , y ₁ ) is controlled. It should be noted that, for convenience of the following description, x ₁
And X1 the storage area of data representing a storage area of the data representing the y ₁ and Y1.

The head addresses HAD ₂ and HAD ₃ are also used for read control for data related to the musical instruments 2 and 3, respectively.
Further, storage areas X2 and X3 corresponding to X1 and storage areas Y2 and Y3 corresponding to Y1 exist, but these are not shown.

Information Stored in ROM 18 (FIG. 5) FIGS. 5A to 5D show five types of tone parameter control information stored in the ROM 18. FIG.

In the ROM 18, a storage unit corresponding to FIG. 5A stores a first multiplication coefficient MP for each normalized value P _y of the musical instrument's y coordinate.
1 is stored. First multiplication factor MP1 is what determines the sound image localization in the longitudinal direction of the playing field, when P _y = 1 MP1
By setting = 1, it is possible to reproduce a sound image corresponding to the position of the instrument at the forefront of the playing field.

The storage unit corresponding to FIG. 5B stores a fourth multiplication coefficient MP4 for each normalized value P _y of the y coordinate of the musical instrument. Fourth multiplication factor MP4 is for determining the magnitude of the longitudinal direction of the reverberation effect of the playing field, when P _y = 0 MP4 =
By setting it to 1, it is possible to provide a large reverb effect corresponding to the position of the instrument at the rear end of the playing field.

The storage unit corresponding to FIG. 5 (C) stores a filter constant CF for each normalized value P _y of the y coordinate of the musical instrument. Filter constant CF4 is for determining the cut-off frequency of the low-pass filter to be described later, the tone of the play field foremost by the f _S / 2 when P _y = 1 (the sampling frequency of f _S is digital musical tone signal) It enables the range to be extended to the treble side according to the position.

The storage unit corresponding to FIG. 5 (D), and the second and third multiplication coefficient MP2 and MP3 are stored for each normalized value P _x of the y-coordinate of the instrument, the line L ₂ and L ₃ Are MP2 and MP3 respectively
Shows the change in the value of. These multiplication factors MP2 and MP3
It is intended to determine the sound image localization of the left and right direction of the playing field, P _x
By setting MP1 = 1 and MP2 = 1 and MP3 = 0, it is possible to reproduce a sound image corresponding to the musical instrument position at the rightmost part of the playing field, and P _x
By setting = 0, MP2 = 0 and MP3 = 1, it is possible to reproduce a sound image corresponding to the instrument at the leftmost part of the playing field.

Incidentally, the normalized value P _x of the normalized value P _y and x-coordinate of the y-coordinate of the instrument, the read musical instrument position data from the RAM 20 (for example x _1,
are those determined according to the instrument position data PS from y data representative of a ₁₎ or instrument position setting device 34.

Parameter Control Circuit (FIGS. 6 and 7) FIG. 6 shows an example of the configuration of a parameter control circuit 44. This circuit 44 comprises digital tone signals S11, S12, S13 from TG1, TG2, TG3. Are respectively input as three parameter control units CN1, CN2, and CN3. Since these parameter control units CN1 to CN3 have the same configuration, CN1 will be described as a representative.

The digital tone signal S11 from TG1 is supplied to a multiplier 50, where it is multiplied by a first multiplication coefficient MP1. The multiplied output from the multiplier 50 is supplied to the low-pass filter 52, and the frequency characteristic is controlled according to the filter constant CF.

The output from the low-pass filter 52 is supplied to a multiplier 54, where it is multiplied by a second multiplication coefficient MP2.
, Is multiplied by a third multiplication coefficient MP3, and further supplied to a multiplier 58 to be multiplied by a fourth multiplication coefficient MP4.

The multiplied outputs of multipliers 54 and 56 are added to adders 60 and
While being supplied to 62, the multiplied output of the multiplier 58 is supplied to the reverb circuit 64.

As the reverb circuit 64, one having the configuration shown in FIG. 7 can be used as an example. 7, the input data IN is supplied to the delay circuit DL via the adder ADD, and the output of the delay circuit DL is supplied to the adder A via the multiplier MPL.
DD, the delay time of the delay circuit DL is set according to the delay control data RVD ₁ of the reverb control data RVD, and the multiplication coefficient data RVD ₂ of the data RVD is supplied to the multiplier MPL. The output data OUT to which the reverb effect is added is extracted from the delay circuit DL by multiplying the output of the DL.

The output of the reverb circuit 64 is supplied to adders 60 and 62, and is added to the outputs of the multipliers 54 and 56, respectively.

The output of the adder 60 is a digital musical tone signal SR ₁ for the right channel is supplied to the adder 66. Adder 6
The output of the 2 is a digital musical tone signal SL ₁ for the left channel, it is supplied to the adder 70.

The adder 66, the right channel digital sound signal SR ₂ and SR ₃ is supplied from the parameter control unit CN2 and CN3,
It is added to the signal SR _1. Further, the adder 70, the left-channel digital sound signal SL ₂ and SL ₃ is supplied from the parameter control unit CN2 and CN3, is added to the signal SL _1.

The added output of the adder 66 is converted by the D / A converter 68 into a right channel analog tone signal AS (R). Also,
The added output of the adder 70 is converted by the D / A converter 72 into an analog tone signal AS (L) for the left channel.

According to the circuit configuration of FIG.
It is possible to sound image in the longitudinal direction of the multiplication factor MP1 playing field by changing in accordance with the y coordinate normalized value P _y of the instrument as shown in FIG. 5 (A). In the low-pass filter 52, the longitudinal direction of the instrument positions the playing field by changing in accordance with the instrument y coordinate normalized value P _y to indicate the filter constant CF of determining the cutoff frequency in FIG. 5 (C) You can simulate subtle changes in tone. Multipliers 54 and 56
In the second and third multiplication coefficient MP2 and MP3 FIG. 5 (D) are shown as possible the sound image in the lateral direction of the play field by changing in accordance with the instrument x coordinate normalized value P _x Becomes In the multiplier 58, the fourth multiplication coefficient MP4 is changed to the fifth multiplication coefficient MP4.
By changing according to the y coordinate normalized value P _y of the musical instrument as shown in FIG. 7B, it is possible to simulate the magnitude change of the reverb effect according to the musical instrument position in the front and rear direction of the playing field.

In this embodiment, adders 60, 62, 66, and 70 are provided to electrically mix the controlled tone signals and then emit the sound with two speakers. However, more speakers are provided for control. The already-processed tone signals may be spatially mixed, and in this case, the mixing adder can be omitted as appropriate.

Register Group 22 Among the registers belonging to the register group 22, those related to the embodiment of the present invention are listed as follows.

(1) Mode register MOD: This register is set to any value from 0 to 2. If 0, normal performance mode, 1 if instrument position setting mode, 2 if sound field reproduction of the playing field (Hereinafter simply referred to as a reproduction performance mode).

(2) Switch number register SNO... This is the number of the switch which is turned on among the playing field selection switches HSS.
(Any of 1 to N) is set.

(3) Switch flags SFL _{1 to} SFL _N ... These flags are
Each of them corresponds to the first to Nth playing field selection switches HSS, and 1 is set to a flag corresponding to the switch that has been turned on.

(4) Start address registers ADR _{0 to} ADR ₃ ... These registers set the start addresses HAD _{0 to} HAD _{3 of} FIG. 4, respectively.

(5) x coordinate register P _x ... This is an x coordinate normalized value P _x
Is set.

(6) y-coordinate register P _Y ... This is where the y-coordinate normalized value P _y is set.

(7) Control variable register i... This is where the control variable i is set.

Main Routine (FIG. 8) FIG. 8 shows the flow of the processing of the main routine, and this routine is started when the power is turned on or the like.

First, in step 80, an initialization routine is executed to initially set various registers. Then, the process proceeds to step 82.

At step 82, MOD is set to 0 to set the normal performance mode. The light emitting element PML is turned on based on MOD = 0.

Next, in step 84, it is determined whether the value of MOD is 0 or 2 (performance mode). If the determination result is affirmative (Y), the process proceeds to step 86.

In step 86, the keyboard circuit 12 determines whether any key has a key-on event, and if the determination result is affirmative (Y), the flow proceeds to step 88 to perform sound generation processing. That is, a key-on signal and key data corresponding to a key press are supplied to a sound source corresponding to a key having a key-on event, and a tone corresponding to a pressed key is generated.

When the processing in step 88 is completed or when the determination result in step 86 is negative (N), the process proceeds to step 90, and it is determined whether any key has a key-off event. If the result of this determination is affirmative (Y), the routine proceeds to step 92, where a silencing process is performed. That is, a key-off signal and key data corresponding to a key release are supplied to a sound source corresponding to a keyboard having a key-off event, and a tone corresponding to a released key is attenuated.

When the processing in step 92 is completed or when the result of the determination in step 84 or 90 is negative (N), the process proceeds to step 94, and it is determined whether or not any of the playing field selection switches HSS has an ON event. This determination result is positive (Y)
If so, the process proceeds to step 96, where a HSS-on subroutine is executed as described later with reference to FIG.

When the process of step 96 is completed or the determination result of step 94 is negative (N), the process proceeds to step 98 to perform other processes (for example, processes according to setting operations of tone color, volume, etc.). .

Thereafter, the process returns to step 84, and the subsequent processes are repeated in the same manner as described above.

HSS-On Subroutine (FIG. 9) FIG. 9 shows a HSS-on subroutine. In step 100, the number n of the switch HSS that has been turned on is set to SN.
Set to O. Then, the process proceeds to step 102.

In step 102, it is determined whether the value of MOD is 2 (reproduction performance mode), and if the determination result is affirmative (Y), the process proceeds to step 104. In step 104, the flag SFL _n g1 is (number n corresponding playing field sound field or in reproducibility of) corresponding to the set number n to SNO determines. If the result of this determination is affirmative (Y), the routine proceeds to step 106.

In step 106, MOD is set to 0 and PML is turned on. Also, set SFL _{1 to} SFL _N to 0,
All the HSLs are turned off, and thereafter, the process returns to the routine of FIG. This is the case where the switch HSS of the number n is turned on while reproducing the sound field of the music hall corresponding to the number n,
In this case, the reproduction performance mode is canceled and the mode returns to the normal performance mode.

If the determination result in step 102 or 104 is negative (N), the process proceeds to step 108, in which MOD is set to 1 and PML is turned off. As a result, when the process proceeds from step 102 to step 108, the mode shifts from the normal performance mode to the instrument position setting mode, and when the process proceeds from step 104 to step 108, the mode shifts from the reproduction performance mode to the instrument position setting mode. become.

Next, in step 110, SFL _n is set to 1 and the corresponding light emitting element HSL is turned on. Also, SFL
The flags SFL other than _n are set to 0, and the corresponding light emitting elements HSL are turned off. As a result, the fact that the playing field corresponding to the switch HSS which has been turned on is selected is indicated by the lighting of the light emitting element corresponding to the number n. Thereafter, the process proceeds to step 112.

In step 112, the display / control data relating to the playing area corresponding to the number n is transferred from the floppy disk
Transfer to and write to. Then, the routine proceeds to step 114, where the fourth
The start address HAD ₀ ~HAD ₃ as shown in FIG respectively AD
It is set to R ₀ ~ADR _3. Then, the process proceeds to step 116.

In step 116, an initial display is performed on the display panel 34A. That is, among the playground-related data corresponding to the number n, the playground name data HNMD and the playground symbol data HSYD are read out from the RAM 20, and the display panel is read out based on these data.
A playground name HNM and a playground symbol HSY are displayed at predetermined positions of 34A. Here, when reading the data HNMD,
Start address of HNMD by adding the start address HAD ₀ to 3 set in ADR ₀ is specified, the number of bytes K ₀ minute reading of HNMD is performed. Further, when the reading of data HSYD, [HAD ₀ +3] to the start address of HSYD by adding K ₀ is specified, the number of bytes L ₀ minute reading of HSYD is performed.

Following the display of HNM and HSY, the instrument name data INMD for two instruments out of the instrument-related data corresponding to the number n from the RAM 20 are displayed.
Reading instrument symbol data ISYD and instrument position data (data representing the x _1, y _1, etc.), enclose the instrument name INM and instrument symbol ISY an instrument display frame FLM every instrument located on the display panel 34A on the basis of these data And display them as if they were. Here, we describe instrument 1 data reading for each instrument as a representative, top address HAD ₁ to 3 set in ADR ₁
INMD start address in adding is specified and the number of bytes K ₁ minute reading of INMD is performed. [HAD ₁ +
3] Start address of ISYD by adding K ₁ is designated, the number of bytes L ₁ minute reading of ISYD is performed. _{Furthermore, [HAD 1 + 3 + K} 1] Start address of the instrument position data by adding the L ₁ and M ₁ is specified, the data representing the x ₁ and y ₁ are read sequentially.

Thereafter, in step 118, a sound image initialization subroutine is executed as described later with reference to FIG. Then, after executing the subroutine for moving the sound image in step 120 as described later with reference to FIG. 11, the process returns to the routine of FIG.

Sound image initialization subroutine (FIG. 10 FIG. 10 shows a sound image initialization subroutine.
In step 122, the reverb control data RVD is read from the RAM 20 and set in the reverb circuit 64. When reading data RVD, [HAD ₀ + 3 + K ₀ ] contains the number of bytes of HSYD
Start address of the RVD in this addition of L ₀ is designated, reading out the carbide number M ₀ min RVD.

Next, in step 124, the control variable i is set to 1. Then, the process proceeds to step 126, where it is determined whether i> 3. If the result of this determination is negative (N), the operation proceeds to step 128.

At step 128, the tone color designation data of the musical instrument i is read from the RAM 20.
The TSD is read out and set to the i-th sound source TGi. Data TS
In the D reading _{of, [HAD 1 + 3 + K} 1] to the start address specified in TSD by adding bytes L ₁ of ISYD, reading out bytes M ₁ minute TSD. Step 128
After that, the process goes to step 130.

In step 130, a characteristic setting subroutine is executed as described later with reference to FIG. And step 13
After the value of i is increased by 1 in step 2, the process returns to step 126, and the subsequent processing is repeated until i> 3.

If i> 3, the tone color setting process and the characteristic setting process for three musical instruments are completed, and the process returns to the routine of FIG. 9 in response to a positive (Y) determination in step 126.

Sound Image Movement Subroutine (FIG. 11) FIG. 11 shows a sound image movement subroutine. In step 140, it is determined from the touch panel 34B whether or not there is musical instrument position data (coordinate values x, y). If it is the target (Y), the process proceeds to step 142.

In step 142, the control variable i is set to 1. And
Proceeding to step 144, the coordinate values x and y are set to the musical instrument display frame FL of the musical instrument i.
Determine if it is within M. If the result of this determination is affirmative (Y), the flow proceeds to step 146.

In step 146, the coordinate values x and y are written in the storage areas Xi and Yi of the RAM 20, respectively. Then, the process proceeds to step 148, where the display position of the musical instrument i on the display panel 34A is changed according to the Xi, Yi coordinate values.

Thereafter, at step 150, a characteristic setting subroutine is executed as described later with reference to FIG.
The process proceeds to step 2 to determine whether there is data from panel 34B or the like in the same manner as in step 140. If the determination result is affirmative (Y), the process returns to step 146, and the subsequent processes are repeated in the same manner as described above. As a result, if the touch position is changed while touching the panel 34B, the contents of Xi and Yi are rewritten in accordance with the change of the touch position, and the display position of the musical instrument i on the panel 34A is also changed.

If the determination result in step 152 is negative (N), the process returns to step 140, and the subsequent processing is repeated in the same manner as described above.

For example, after the position of the musical instrument 1 is set as described above, when the user touches the panel 34B to perform the position setting for the musical instrument 2, the step 144 and the steps 144 and 142 are performed.
However, the determination result in step 144 at this time is negative (N) because x and y are present in the musical instrument display frame FLM of the musical instrument 2, and the process proceeds to step 154.

In step 154, the value of i is increased by one. And
Moving to step 156, it is determined whether i> 3. In this example,
Since i = 2, the determination result of step 156 is negative (N), and the process returns to step 144.

In step 144, since x and y are in the FLM of the musical instrument 2,
The determination result is positive (Y). After this, step 146
By performing the following processing in the same manner as described above, the musical instrument 2
Can be changed.

Thereafter, a panel is set to set the position of the musical instrument 3.
If the user touches 34B, the routine proceeds to step 144 via steps 140 and 142, and after passing through steps 154 and 156 twice, the determination result of step 144 becomes positive (Y). The position of the musical instrument 3 can be changed by performing the processing from step 146 onward in the same manner as described above.

If the user touches a place on the panel 34B that does not correspond to any of the musical instrument display frames FLM, the result of the determination at the step 156 becomes affirmative (Y) after three passes through the step 154,
Return to step 140. If the panel 36B has not been touched, the result of the determination at step 140 is negative (N), and the routine proceeds to step 158. In step 158, it is determined whether or not the performance mode switch PMS has an ON event.
If so, the process returns to step 140.

If the switch PMS is turned on after performing the position setting for at least one of the musical instruments 1 to 3 as described above or before performing such position setting, the determination result of step 158 is positive (Y). Then, the process proceeds to Step 160.

In step 160, MOD is set to 2 and the light emitting element PML is turned on. Then, the process returns to the routine of FIG. As a result, the mode shifts from the musical instrument position setting mode to the reproduction performance mode, and the manual performance (or automatic performance) can be performed with the reproduction of the sound field of the selected playing field.

The musical tone position newly set in steps 146 to 152 (the content after rewriting of Xi and Yi) may be transferred to a floppy disk in the device 24 and stored.

Characteristic setting subroutine (FIG. 12) FIG. 12 shows a characteristic setting subroutine. In step 170, the coordinate value x stored in Xi is divided by the length W shown in FIG. the normalized value P _x with set to P _X has, to set the coordinate value y stored in the Yi normalized value P _y obtained by dividing the length H shown in FIG. 3 to P _Y.

Next, in step 172, the contents of P _X and P _Y (P _x and P _y ) are stored in the ROM 18 using the five types of tone parameter control information PD (first to fourth multiplications) as described in FIG. Coefficients MP1 to MP4
And a filter constant CF), and these pieces of information are set in the controlled parts of the parameter control circuit 44 as shown in FIG.

As a result, in the case of FIG. 10, the sound field of the selected playing field is reproduced based on the read data from the RAM 20, and in the case of FIG. 11, the sound field of the selected playing field is reproduced. The sound is reproduced based on the position set by the musical instrument position setting device.

After step 172, the original routine (FIG. 10 or 11) is executed.
(Figure).

[Effects of the Invention] As described above, according to the present invention, the timbre and various tone parameters are automatically set in conjunction with the selection of a playing field, and the sound field according to the position and type of the musical instrument in the playing field Is reproduced, so that it is possible to obtain an effect that allows the user to enjoy a realistic performance without any troublesome setting operation.

[Brief description of the drawings]

FIG. 1 is a block diagram showing the configuration of an electronic musical instrument according to an embodiment of the present invention, FIG. 2 is a plan view showing the arrangement of controls, FIG. 3 is a top view of a musical instrument position setting device 34, FIG. FIGS. 5A to 5D are diagrams showing the format of display / control data, FIGS. 5A to 5D are diagrams showing information stored in the ROM 18, FIG. 6 is a circuit diagram of the parameter control circuit 44, and FIG. FIG. 8 is a flowchart showing a main routine, FIG. 9 is a flowchart showing a subroutine for turning on a playing field selection switch HSS, FIG. 10 is a flowchart showing a subroutine for initializing a sound image, FIG. 11 is a flowchart showing a subroutine for moving a sound image, and FIG. 12 is a flowchart showing a subroutine for setting characteristics. 10 ... bus, 12 ... keyboard circuit, 14 ... operator group, 16 ...
Central processing unit, 18 ... Read only memory, 20 ...
... random access memory, 22 ... registers, 24
…… Floppy disk unit, 26 …… Display panel interface, 28 …… Touch panel interface, 30
…… Sound source interface, 32… External input interface, 34 …… Musical instrument position setting device, 34A …… Display panel, 3
4B Touch panel, 36 Assignment circuit, 38, 40, 42 First to third sound sources, 44 Parameter control circuit, 46R, 46L
…… Output amplifier, 48R, 48L …… Speaker.

Claims (1)

(57) [Claims] 1. A selecting means for selecting an arbitrary one of a plurality of playing fields, musical instrument position information indicating a position of an instrument for each of the plurality of playing fields, and a tone color corresponding to the musical instrument. Storage means for storing specified tone color designation information; readout means for reading from the storage means musical instrument position information and tone color designation information relating to the playing field selected by the selection means; and musical instrument position read from the storage means. Converting means for converting information into a plurality of tone parameter control information for reproducing a sound field corresponding to a musical instrument position in the playing field selected by the selecting means; and corresponding to tone color designation information read from the storage means. Sound source means for generating a tone signal having a selected tone color, and controlling the tone signal generated from the tone source means in accordance with a plurality of tone parameter control information from the conversion means. Musical tone control apparatus and a control unit to give a sound field characteristic corresponding to the musical instrument position of the selected played hall by the selecting means to the musical tone signal.