WO2020258482A1 - 一种应用于原石石材的漆线雕工艺 - Google Patents

一种应用于原石石材的漆线雕工艺 Download PDF

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WO2020258482A1
WO2020258482A1 PCT/CN2019/102421 CN2019102421W WO2020258482A1 WO 2020258482 A1 WO2020258482 A1 WO 2020258482A1 CN 2019102421 W CN2019102421 W CN 2019102421W WO 2020258482 A1 WO2020258482 A1 WO 2020258482A1
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lacquer
rough stone
stone
carving
thread
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钟葆思
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Guangzhou Shang Xinran Business Services Co Ltd
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    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
    • B44C1/00—Processes, not specifically provided for elsewhere, for producing decorative surface effects
    • B44C1/10—Applying flat materials, e.g. leaflets, pieces of fabrics
    • B44C1/14—Metallic leaves or foils, e.g. gold leaf
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
    • B44C1/00—Processes, not specifically provided for elsewhere, for producing decorative surface effects
    • B44C1/18—Applying ornamental structures, e.g. shaped bodies consisting of plastic material
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
    • B44C3/00—Processes, not specifically provided for elsewhere, for producing ornamental structures
    • B44C3/04—Modelling plastic materials, e.g. clay

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  • the invention relates to the field of lacquer wire carving, in particular to a lacquer wire carving process applied to rough stone.
  • lacquered wire carving originated from the heyday of the Tang Dynasty, when it was called “golden wire carving”. Later, because most of the handicrafts were used in lacquerware and ceramics, the “golden wire carving” was later renamed “lacquered wire carving”. "The lacquer thread carving is one of the artistic treasures in the cultural treasure house of Chinese lacquer art. It is a traditional craft in southern Fujian. It has been widely circulated as a special industry for a long time. The lacquer thread carving has fine and elegant workmanship, vivid image, and simple and solemn style. The picture is lifelike, called a wonderful art garden, a must in China.
  • Lacquer wire carving is blended with cooked tung oil, large lacquer, aged brick powder and other raw materials. After repeated pounding, pounding, kneading and twisting, it becomes a soft and flexible lacquer.
  • the thread soil is then twisted by hand into a hair-like "lacquered thread", and various delicate and embossed patterns and graphics are carved on the primed body using techniques such as coiling, knotting, winding, and stacking. ;
  • the existing lacquered wire carving process has certain drawbacks. In the traditional lacquered wire carving production, they are directly made on ceramics and glassware for ornamental purposes, and they are still limited to the original scope and cannot be transformed into a part of daily necessities.
  • the main purpose of the present invention is to provide a lacquer wire carving process applied to rough stone, which can effectively solve the problems in the background art.
  • the technical solution adopted by the present invention is: a lacquer wire carving process applied to raw stone stone, including raw stone stone and lacquer wire carving, the lacquer wire carving is attached to the surface of the raw stone stone, and the operation process steps are as follows: :
  • Material preparation the material of the lacquer carving is made by mixing natural lacquer and brick powder. After the brick powder is mixed with the natural lacquer, it is beaten for several hours to form a dough with moderate hardness, rubbing and plasticity. Paint wire mass;
  • step a Thread rolling: the paint thread mass in step a is manually rubbed into a variety of soft and elastic paint threads with different thicknesses with a washboard;
  • step b Coiled shape: the soft and elastic paint threads of different thicknesses in step b are tightly coiled to make a rich and complex pattern;
  • the raw materials of the lacquer wire sculpture further include lacquer wire mud raw materials and foundation raw materials.
  • the lacquer wire mud raw materials are composed of leaching powder, lacquer, and cooked tung oil
  • the foundation raw materials are composed of white clay, beef bone glue, and tung oil.
  • the lacquer wire carving can be designed with various styles of ornaments, keychains, car hangers, pendants, and tea trays.
  • the area of the lacquer line carving is half of the area of the rough stone.
  • the surface of the rough stone is polished and polished.
  • the present invention has the following beneficial effects: the lacquer wire carving process applied to the rough stone, the rough stone and the lacquered wire carving technology are integrated together to solve the problem of the existing technology and appearance of the handicraft. Moreover, it is conducive to the organic integration of traditional handicrafts and modern life, greatly improving the perfect combination of lacquered wire carving and rough, and integrating them into the work, so that the artistic value, product value, use value of the work, and the design are greatly improved.
  • the new work of the new type of rough stone lacquer line carving with high durable and waterproof collection value makes the appearance of the rough stone more vivid and has better application value.
  • Fig. 1 is a schematic diagram of the combination of a lacquer wire carving process applied to rough stone according to the present invention.
  • a lacquer line carving process applied to raw stone stone includes the original stone stone 1 and the lacquer line carving 2.
  • the lacquer line carving 2 is attached to the surface of the original stone stone 1.
  • the operation process steps are:
  • the material of the paint line carving 2 is made by mixing natural lacquer and brick powder. After the brick powder is mixed with natural lacquer, it is beaten for several hours to form a dough that is moderately hard, rubable, and plastic.
  • step a Thread rolling: the lacquer thread mass in step a is manually rubbed into a variety of soft and elastic lacquer threads with different thicknesses with a washboard;
  • step b Coiled shape: the soft and elastic paint threads of different thicknesses in step b are tightly coiled to make a rich and complex pattern;
  • the raw materials of lacquer thread carving 2 also include lacquer thread mud raw materials and foundation materials.
  • the raw materials of lacquer thread mud are composed of leaching powder, lacquer, and cooked tung oil.
  • the foundation raw materials are composed of white clay, beef bone glue, and tung oil; A variety of different styles of ornaments, keychains, car hangers, pendants, tea trays; the area of the lacquered line carving 2 is half of the area of the rough stone 1; the surface of the rough stone 1 is polished and polished.
  • the present invention is a lacquer wire carving process applied to rough stone.
  • the main points of several processes for making lacquer wire carving are:
  • the material of the lacquer wire carving is made of natural lacquer, brick powder and other materials. After the brick powder is mixed with natural lacquer and other materials, after a few hours of beating, it becomes as soft and hard as a dough. , Can be rubbed, plasticized paint thread ball;
  • Thread rubbing In order to express various patterns and shapes, special rubbing boards are used to make soft and elastic paint threads of various thicknesses by hand;
  • Coiled shape Coiled tightly with continuous lines to make rich and complex patterns, and overlapped, which is extremely three-dimensional under the light, and expresses cirrus clouds, soft water, blooming flowers and entanglement with the most subtle lines. grass;
  • lacquer wire carving After about these four procedures, a beautiful and beautiful lacquer wire carving work is basically completed.
  • the inherited handicraft of lacquer wire carving is used together with rough stone 1 and is the first to break through the traditional single handicraft. It is a breakthrough in handicraft inheritance;
  • the intangible heritage lacquer wire carving craftsmanship is designed on the rough stone 1, and various styles of ornaments, keychains, car hangers, pendants, tea trays and other crafts are designed.
  • the rough stone 1 is carved with the Chinese heritage handicraft lacquer wire
  • the craftsmanship is integrated, and its craftsmanship is the first to make the appearance pattern more three-dimensional and more attractive.

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  • Chemical & Material Sciences (AREA)
  • Dispersion Chemistry (AREA)
  • Adornments (AREA)
  • Polishing Bodies And Polishing Tools (AREA)
  • Road Repair (AREA)

Abstract

本发明公开了一种应用于原石石材的漆线雕工艺，包括原石石材与漆线雕，所述漆线雕贴于原石石材表面上，其操作工艺步骤为：a.备料：所述漆线雕的材料采用天然漆与砖粉混合而成，砖粉经与天然漆混合后，经过几个小时的捶打，形成像面团一样软硬适中、可搓、可塑的漆线团料；b.搓线：将步骤a中的漆线团料用搓板由手工搓成各种粗细不同的柔软而有弹性的漆线；c.盘绕形体；d.表层贴金。本发明所述的一种应用于原石石材的漆线雕工艺，把非遗的传承漆线雕手工艺技术，设计在原石石材上，并且可设计出各种不同款式的摆件、钥匙扣、车挂、挂件、茶盘等工艺品，使外观图案更加有立体感及更具吸引力。

Description

一种应用于原石石材的漆线雕工艺 技术领域
本发明涉及漆线雕领域，特别涉及一种应用于原石石材的漆线雕工艺。
背景技术
漆线雕”的名称源于唐朝盛世，当时称呼为“金线雕”。后来因为手工艺多数用于漆器及陶瓷上制作，后期才把“金线雕”改称为“漆线雕。”漆线雕是中国漆艺文化宝库中的艺术瑰宝之一，是闽南地区的传统工艺。长期以来一直作为一种特殊行业广泛流传。漆线雕做工精细雅致，形象逼真生动，风格古朴庄重，画面栩栩如生，堪称艺苑奇葩，中国一绝。漆线雕，是用熟桐油、大漆、陈年砖粉等原料调和，经反复舂、捶、揉、捻，成为柔软而又富有韧性的漆线土，再用手工搓成细如发丝的“漆线”，运用盘、结、绕、堆等工艺，在涂有底漆的坯体上雕出各种精致而浮凸的纹样、图形；现有的漆线雕工艺存在一定的弊端，在传统的漆线雕制作，都是直接做在观赏用的陶瓷及玻璃器皿上，依然局限于原有范畴内未能转化为生活用品的一部分，从而限制了漆线雕工艺在生活用品领域上的发展，也影响了民间工艺漆线雕不能在更多领域上推广，给人们的使用过程带来了一定的影响，为此，我们提出一种应用于原石石材的漆线雕工艺。
发明内容
本发明的主要目的在于提供一种应用于原石石材的漆线雕工艺，可以有效解决背景技术中的问题。
为实现上述目的，本发明采取的技术方案为：一种应用于原石石材的漆线雕工艺，包括原石石材与漆线雕，所述漆线雕贴于原石石材表面上，其操作工艺步骤为：
a.备料：所述漆线雕的材料采用天然漆与砖粉混合而成，砖粉经与天然漆混合后，经过几个小时的捶打，形成像面团一样软硬适中、可搓、可塑的漆线团料；
b.搓线：将步骤a中的漆线团料用搓板由手工搓成各种粗细不同的柔软而有弹性的漆线；
c.盘绕形体：将步骤b中各种粗细不同的柔软而有弹性的漆线紧密地盘绕做出层次丰富而繁复的纹样；
d.表层贴金：将24K纯金箔贴在已绕出的纹样的漆线上。
优选的，所述漆线雕的原料还包括漆线泥原料与粉底原料，漆线泥原料由沥粉、大漆、熟桐油构成，粉底原料由白土、牛骨胶、桐油构成。
优选的，所述漆线雕可设计出各种不同款式的摆件、钥匙扣、车挂、挂件、茶盘。
优选的，所述漆线雕的面积为原石石材面积的一半。优选的，所述原石石材表面经过抛光打磨处理。
与现有技术相比，本发明具有如下有益效果：该应用于原石石材的漆线雕工艺，原石石材与漆线雕技术融合一起手艺，就是解决传承手工艺现有的技术中及外观的问题，而且有利于将传统的传承手工艺与现代生活有机结合为一体，大幅度提升漆线雕与原石完美结合后，融合在作品上，让作品的艺术价值和产品价值、使用价值、大幅度提升，设计出耐用防水收藏价值高的新型原石石材漆线雕的新作品，让原石石材的外观图案更加活灵活现，具有更好的应用价值。
附图说明
图1为本发明一种应用于原石石材的漆线雕工艺的结合示意图。
图中：1、原石石材；2、漆线雕。
具体实施方式
为使本发明实现的技术手段、创作特征、达成目的与功效易于明白了解，下面结合具体实施方式，进一步阐述本发明。
如图1所示，一种应用于原石石材的漆线雕工艺，包括原石石材1与漆线雕2，所述漆线雕2贴于原石石材1表面上，其操作工艺步骤为：
a.备料：所述漆线雕2的材料采用天然漆与砖粉混合而成，砖粉经与天然漆混合后，经过几个小时的捶打，形成像面团一样软硬适中、可搓、可塑的漆线团料；
b.搓线：将步骤a中的漆线团料用搓板由手工搓成各种粗细不同的柔软而有弹性的漆线；
c.盘绕形体：将步骤b中各种粗细不同的柔软而有弹性的漆线紧密地盘绕做出层次丰富而繁复的纹样；
d.表层贴金：将24K纯金箔贴在已绕出的纹样的漆线上；
漆线雕2的原料还包括漆线泥原料与粉底原料，漆线泥原料由沥粉、大漆、熟桐油构成，粉底原料由白土、牛骨胶、桐油构成；漆线雕2可设计出各种不同款式的摆件、钥匙扣、车挂、挂件、茶盘；漆线雕2的面积为原石石材1面积的一半；原石石材1表面经过抛光打磨处理。
需要说明的是，本发明为一种应用于原石石材的漆线雕工艺，制作漆线雕的几道工序要点为：
1、备料：漆线雕的材料采用天然大漆、砖粉等多种材料混合而成，砖粉经与天然漆等材料混合后，经过几个小时的捶打，就形成像面团一样软硬适中，可搓、可塑的漆线团料；
2、搓线：为了表现各种图纹、形状，用特别的搓板，由手工搓成各种粗细不同的柔软而有弹性的漆线；
3、盘绕形体：以连绵不断的线紧密地盘绕做出层次丰富而繁复的纹样，并且重重叠叠，在光照下极为立体，以线条极尽精微地表现出卷云、柔水、繁花、缠草；
4、表层贴金：将24K纯金箔贴在已绕出的纹样的漆线上；
大约经过这四道程序，一件金碧辉煌、富丽堂皇的漆线雕作品也就基本完成了，漆线雕这种传承的手工艺与原石石材1融合在一起运用，是首创突破了传统单一的手工艺，是传承手工艺的一大突破；
另外，把非遗的传承漆线雕手工艺技术，设计在原石石材1上，并且设计出各种不同款式的摆件、钥匙扣、车挂、挂件、茶盘等工艺品，通过制备工具炉子和铁锅，将经过四道工序所得的漆线雕半成品贴在原石石材1上，经过铁锅和炉子的高温定型，最终得到富有漆线雕图案的原石石材成品，把原石石材1用中国传承手工艺漆线雕工艺技术融合在一起，其技艺是属于首创，使外观图案更加有立体感及更具吸引力。
以上显示和描述了本发明的基本原理和主要特征和本发明的优点。本行业的技术人员应该了解，本发明不受上述实施例的限制，上述实施例和说明书中描述的只是说明本发明的原理，在不脱离本发明精神和范围的前提下，本发明还会有各种变化和改进，这些变化和改进都落入要求保护的本发明范围内。本发明要求保护范围由所附的权利要求书及其等效物界定。

Claims (5)

  1. 一种应用于原石石材的漆线雕工艺，包括原石石材(1)与漆线雕(2)，其特征在于：所述漆线雕(2)贴于原石石材(1)表面上，其操作工艺步骤为：
    备料：所述漆线雕(2)的材料采用天然漆与砖粉混合而成，砖粉经与天然漆混合后，经过几个小时的捶打，形成像面团一样软硬适中、可搓、可塑的漆线团料；
    搓线：将步骤a中的漆线团料用搓板由手工搓成各种粗细不同的柔软而有弹性的漆线；
    盘绕形体：将步骤b中各种粗细不同的柔软而有弹性的漆线紧密地盘绕做出层次丰富而繁复的纹样；
    表层贴金：将24K纯金箔贴在已绕出的纹样的漆线上。
  2. 根据权利要求1所述的一种应用于原石石材的漆线雕工艺，其特征在于：所述漆线雕(2)的原料还包括漆线泥原料与粉底原料，漆线泥原料由沥粉、大漆、熟桐油构成，粉底原料由白土、牛骨胶、桐油构成。
  3. 根据权利要求1所述的一种应用于原石石材的漆线雕工艺，其特征在于：所述漆线雕(2)可设计出各种不同款式的摆件、钥匙扣、车挂、挂件、茶盘。
  4. 根据权利要求1所述的一种应用于原石石材的漆线雕工艺，其特征在于：所述漆线雕(2)的面积为原石石材(1)面积的一半。
  5. 根据权利要求1或4所述的一种应用于原石石材的漆线雕工艺，其特征在于：所述原石石材(1)表面经过抛光打磨处理。
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CN112572044A (zh) * 2020-12-16 2021-03-30 杜钟勋 线骨肌理纹图工艺

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金波 (JIN, BO): "浅析漆线雕艺术 (Non-official translation: Analysis of the Art of Lacquer Carving)", 长春理工大学学报 (JOURNAL OF CHANGCHUN UNIVERSITY OF SCIENCE AND TECHNOLOGY), vol. 6, no. 5, 31 May 2011 (2011-05-31), XP55770854, DOI: 20200318183257X *

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