US3440325A - Transistorized hartley oscillator tone generator circuit producing glissando and vibrato effects by voltage detuning - Google Patents
Transistorized hartley oscillator tone generator circuit producing glissando and vibrato effects by voltage detuning Download PDFInfo
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- US3440325A US3440325A US340274A US3440325DA US3440325A US 3440325 A US3440325 A US 3440325A US 340274 A US340274 A US 340274A US 3440325D A US3440325D A US 3440325DA US 3440325 A US3440325 A US 3440325A
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- 230000000694 effects Effects 0.000 title description 12
- 239000003990 capacitor Substances 0.000 description 9
- 230000010355 oscillation Effects 0.000 description 7
- 238000010586 diagram Methods 0.000 description 5
- 230000008901 benefit Effects 0.000 description 3
- 210000000056 organ Anatomy 0.000 description 3
- 230000008878 coupling Effects 0.000 description 2
- 238000010168 coupling process Methods 0.000 description 2
- 238000005859 coupling reaction Methods 0.000 description 2
- 230000009471 action Effects 0.000 description 1
- 125000004122 cyclic group Chemical group 0.000 description 1
- 230000001419 dependent effect Effects 0.000 description 1
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
- G10H1/02—Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
- G10H1/04—Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos by additional modulation
- G10H1/043—Continuous modulation
Definitions
- This application relates to the electronic musical art, and more particularly to an improved oscillator for producing vibrato and glissando or slide effects.
- keyboard instruments Various types of electronic musical instruments are well known, particularly keyboard instruments generically referred to as electronic organs.
- tone generators are known therefor, some being monophonic in which only a single tone is generated at a time, and some being polyphonic, wherein a plurality of tones is sounded.
- the most desirable and practical type of such a keyboard instrument has been found to be one in which a complete octave of master oscillators is provided with various strings of controlled or slave divider oscillators for producing subharmonics or suboctaves thereof. It has been found that the musical tones produced by instruments of this type can be made more pleasing by the provision of means for producing a vibrato wherein the tone is frequency modulated.
- the nominal frequency of the tone is first made flat, and then sharp at a sub audio rate, preferably on the order of about seven cycles per second. It also has been discovered that certain types of music, as a Hawaiian guitar, can best be produced with the addition of means for producing a glissando or portamento effect, sometimes known as a slide.
- FIG. 1 is a block diagram of an electronic musical instrument constructed in accordance with the present invention
- FIG. 2 is a diagram illustrating the tone generators in somewhat greater detail, somewhat combining the features of a block diagram and of a wiring diagram;
- FIG. 3 is a fragmentary wiring diagram of the oscillators constructed in accordance with the present invention.
- FIG. 1 There is a series of tone generators designated generally by the numeral 10, each of which has connected thereto a vibrato 12 and a slide 14.
- the tone generators lead through a series of key switches 16 respectively controlled by the keys of one or more manuals of an instrument, and also by a pedal board, if so desired.
- the electronic oscillations corresponding to the tones which are passed or controlled by the key switches are applied to appropriate stops and filters 18, and the filtered oscillations are applied to an amplifier 20.
- the amplifier is connected to a loudspeaker 22 or the like for converting the amplified electronic oscillations into audible musical tones.
- each master oscillator 24 is coupled at 26 to a first divider 28.
- the first divider 28 in each instance is connected at 30 to a second divider 32.
- each divider halves the frequency of oscillations provided to it, thereby providing the same note one octave lower.
- the number of dividers can be strung out indefinitely, depending on the number of octaves desired, and a coupling for subsequent dividers is indicated at 34.
- each master oscillator is connected at 36 to the key switches, while the first dividers are connected at 38, and the second dividers at 40 to the key switches.
- a vibrato oscillator is indicated generally at 42, and is shown as being grounded on one side.
- the opposite side of the vibrato oscillator is connected to a junction 44, and this junction is connected to a normally closed vibrato switch 46, the other side of which is connected to ground at 48, whereby to short out or bypass the output of the vibrato oscillator.
- the junction 44 also is connection to a vibrato bus '50, and the vibrato oscillations appear on this bus when the switch 46 is open.
- the vibrato oscillator operates in the range of five to seven cycles per second in accordance with standard practices. The speed may be variable over a limited range, and the amplitude of the vibrato oscillations also may be variable, as is known. Connections are made from the vibrato bus 50 through isolating resistors 52 to each master oscillator to impose the vibrato oscillations thereon, and through the frequency dividers subsequently to provide vibrato on the divider oscillators also.
- a slide switch 54 has a grounded fixed contact 56, and the switch 54 is connected to a slide bus 58. This bus is connected through isolating resistors to the master oscillators.
- the exact operation of the slide mcch- 3 anism will be explained hereinafter, but it will be understood that it is provided to obtain sliding effects, often known as portamento or glissando.
- the master oscillator comprises a p-n-ptransistor 62 (FIG. 3).
- the emiter 64 is grounded through a resistor 66.
- the base 68 is connected to a junction 70 which is grounded through a resistor 72.
- the junction 70 also is connected to the vibrato and slide isolating resistors 52 and 60.
- the collector 74 is connected to a junction 76.
- This junction is connected through a resistor 78 to a bias voltage supply line 80 supplied from suitable power supply as indicated by the arrowhead at 82, and maintained at 20 volts DC.
- the junction 76 also is connected through a capacitor 84 to a junction is connected to one end of a tunable inductance 88, and the other end of the inductance 88 is grounded.
- the inductance 88 is provided with a tap 90 near the center thereof, and this tap is connected to a junction 92.
- a capacitor 94 is connected between the junction 92 and the junction 86, thus being connected in parallel with substantially half of the inductance 88.
- a capacitor 96 is connected between the junction 92 and 70.
- the master oscillator 24 thus comprises a transistorized Hartley oscillator.
- junction 76 is connected to a further junction 98, and this is connected to a master take off, which for example may comprise the wire 36 leading to the key switches.
- a master take off which for example may comprise the wire 36 leading to the key switches.
- the junction 98 also is connected to the coupling 26 which comprises a wire 100, a capacitor 102 connected to a junction 104, a grounded resistor 106 connected to this junction, and a diode 108 likewise connected to the junction 104.
- the first divider oscillator 28 comprises a transistorized flip-flop divider or Eccles-Jordan circuit.
- the capacitor 102 and resistor 106 act with the diode 108 to provide a more or less square Wave input to the divider 28, and
- the diode 108 provides for applying a synchronizing pulse from the master oscillator to the first divider without the possibility of any signal from the first divider appearing on the master take off.
- the first divider comprises a pair of p-n-ptransistors 110 and 112 cross coupled in the usual manner. It is believed that it is not necessary in view of the state of the art to go into the specific connections that are well illustrated in the drawing, nor to assign circuit values thereto, since these will be apparent to anyone skilled in the art. However, it should be noted that the collector of the transistor 110 is connected to a keyboard take off for the first divider, and this may be the same as the wire 38. This collector also is connected through a resistor 114 to a pedal take off 116. As will be appreciated, further dividers are used in accordance with conventional practice to provide the pedal tones.
- the diode 108 is connected to the top of the grounded resistor 118, and through similar resistors to the bases of the transistors 110 and 112. It will also be observed that the emitters are connected through a common grounded resistor 120.
- a connection is made from the first divider to the second divider by means such as a wire 30.
- the second divider also is inherently provided with a square wave output which is taken from the collector of the transistor 128, as through the wire 40 leading to the key switches, or otherwise to suitable keying mechanisms.
- An additional pedal take off is provided from the collector of the transistor 128 through a resistor 130.
- the master oscillator 24 produces a substantially sine wave output, and it is for this reason that the square wave producing network comprising the capacitor 102, resistor 1 06 and diode 108 must be used in known manner to provide a pulse or square wave properly to trigger the first divider 28.
- transistor oscillators are inherently voltage sensitive. This characteristic is taken advantage of in the present invention wherein the vibrato oscillator 42 causes the bias on the base 68 of the transistor 62 to rise above its normal value, and alternately to drop below its normal value. This causes the oscillator cyclically to be detuned sharp and flat, thereby producing a true frequency vibrato. This in turn, causes the divider oscillators to have a cyclic sharpening and fiatting to produce a true frequency shift vibrato therein. It will be apparent that the amount of frequency shift is dependent on the amount of voltage deviation, and that the frequency shift will be proportional to the frequency due to the divider action of the divider oscillators.
- the detuning with voltage variation also is taken advantage of in connection with slide or portamento.
- the slide switch 54, 56 When the slide switch 54, 56 is closed, the biasing of the base is changed so that the voltage thereon is lowered. This causes all of the oscillators in the instrument to be detuned flat, and preferably the biasing is such that all oscillators are detuned a half tone flat.
- the switch 54, 56 is reopened, the voltage comes back up to normal, and the generators return to their normal frequencies, thereby providing a sliding, or portamento or glissando effect from the flattened tone to the nominal frequency thereof. This is effective in producing a tone in the nature of a Hawaiian guitar.
- the vibrato switch is conveniently placed adjacent one of the organ manuals along with the remainder of the stop tablets.
- the slide switch is normally in an open position, and conveniently is placed on the conventional swell pedal for operation by a sidewise movement of the foot.
- a tone generating circuit for an electronic musical instrument comprising a tuned circuit master oscillator having an inductance and a capacitor and including a transistor having a base element, a collector element, and an emitter element, and a string of divider oscillators connected to and controlled by said master oscillator, said master oscillator being susceptible to frequency shifting by voltage variations on one of said elements other than said collector element; said tone generating circuit further including means biasing said one element to -a predetermined potential, means for applying a vibrato voltage to said one element of said master oscillator to shift the bias of said one element above and below said predetermined bias to provide a frequency shift vibrato, and means connected to said one element of said master oscillator and including a manually operable switch for varying the voltage on said one element of the master oscillator in one direction only from said predetermined bias to produce a fiat frequency shift of said oscillator to effect a slide or glissando effect.
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Description
April 22, 1969 0, SCHWARTZ ET AL 3,440,325
TRANSISTORIZED HARTLEY OSCILLATOR TONE GENERATOR CIRCUIT PRODUCING GLISSANDO AND VIBRATO EFFECTS BY VOLTAGE DETUNING Filed Jan. 27, 1964 I I TONE m/ 255 GENERHTUAS w! TCl/ES H1. T585 .1? l l I Z3 v/Bmro 5.4/05 ,114
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Of 4 Y L 5 l2 5 Z I I M I51 END lVo DIV/DER DIV/DER VIBRHTO swncu I Q 55 I \r/ JL/DE 4 SWITCH 48 56 Knew/m 1 mm: arr
OSCILLATOR 0 D I SLIDE Kzyaanm V B fl O Taxsarr 68 Man/- PEDAL rmrson l l I 1 l I I 1 l l l l l l l l United States Patent Oflice 3,440,325 Patented Apr. 22, 1969 3,440,325 TRANSISTORIZED HARTLEY OSCILLATOR TONE GENERATOR CIRCUIT PRODUCING GLISSANDO AND VIBRATO EFFECTS BY VOLTAGE DETUNING Harold O. Schwartz and William V. Machaniau, North Tonawanda, N.Y., assignors to The Wurlitzer Company, Chicago, Ill., a corporation of Ohio Filed Jan. 27, 1964, Ser. No. 340,274 Int. Cl. Gh 1/04 US. Cl. 841.25 4 Claims ABSTRACT OF THE DISCLOSURE An electronic musical instrument, such as an organ, having transistorized tone generators and having provision for varying the voltage applied to the base of each master oscillator to detune the oscillators to produce vibrato and glissando or slide effects.
This application relates to the electronic musical art, and more particularly to an improved oscillator for producing vibrato and glissando or slide effects.
Various types of electronic musical instruments are well known, particularly keyboard instruments generically referred to as electronic organs. Various tone generators are known therefor, some being monophonic in which only a single tone is generated at a time, and some being polyphonic, wherein a plurality of tones is sounded. The most desirable and practical type of such a keyboard instrument has been found to be one in which a complete octave of master oscillators is provided with various strings of controlled or slave divider oscillators for producing subharmonics or suboctaves thereof. It has been found that the musical tones produced by instruments of this type can be made more pleasing by the provision of means for producing a vibrato wherein the tone is frequency modulated. As stated otherwise, the nominal frequency of the tone is first made flat, and then sharp at a sub audio rate, preferably on the order of about seven cycles per second. It also has been discovered that certain types of music, as a Hawaiian guitar, can best be produced with the addition of means for producing a glissando or portamento effect, sometimes known as a slide.
Accordingly, it is an object of this invention to provide oscillator or tonev generating means for an electronic musical instrument with means for producing a vibrato or a slide effect.
More particularly, it is an object of this invention to provide a transistor oscillator with means for controlling detuning thereof to produce vibrato and slide effects.
Other and further objects and advantages of the present invention will be apparent from the following description when taken in connection with the accompanying drawings wherein:
FIG. 1 is a block diagram of an electronic musical instrument constructed in accordance with the present invention;
FIG. 2 is a diagram illustrating the tone generators in somewhat greater detail, somewhat combining the features of a block diagram and of a wiring diagram; and
FIG. 3 is a fragmentary wiring diagram of the oscillators constructed in accordance with the present invention.
The general organization of an electronic musical instrument constructed in accordance with the present invention will be seen with reference to FIG. 1. There is a series of tone generators designated generally by the numeral 10, each of which has connected thereto a vibrato 12 and a slide 14. The tone generators lead through a series of key switches 16 respectively controlled by the keys of one or more manuals of an instrument, and also by a pedal board, if so desired. The electronic oscillations corresponding to the tones which are passed or controlled by the key switches are applied to appropriate stops and filters 18, and the filtered oscillations are applied to an amplifier 20. The amplifier is connected to a loudspeaker 22 or the like for converting the amplified electronic oscillations into audible musical tones.
Referring now to FIG. 2, there will be seen a plurality of master oscillators 24. Conveniently, there are 12 such master oscillators, comprising the top octave, including semi-tones. Each master oscillator 24 is coupled at 26 to a first divider 28. The first divider 28 in each instance is connected at 30 to a second divider 32. As will be appreciated, each divider halves the frequency of oscillations provided to it, thereby providing the same note one octave lower. As is illustrated in FIG. 2, there is one master oscillator, a first divider, and a second divider for each note, thus providing three octaves of tone. As will be appreciated, the number of dividers can be strung out indefinitely, depending on the number of octaves desired, and a coupling for subsequent dividers is indicated at 34.
As will be appreciated, all of the master oscillators and dividers comprise the tone generators 10 indicated in FIG. 1. Each master oscillator is connected at 36 to the key switches, while the first dividers are connected at 38, and the second dividers at 40 to the key switches.
A vibrato oscillator is indicated generally at 42, and is shown as being grounded on one side. The opposite side of the vibrato oscillator is connected to a junction 44, and this junction is connected to a normally closed vibrato switch 46, the other side of which is connected to ground at 48, whereby to short out or bypass the output of the vibrato oscillator. The junction 44 also is connection to a vibrato bus '50, and the vibrato oscillations appear on this bus when the switch 46 is open. It will be appreciated that the vibrato oscillator operates in the range of five to seven cycles per second in accordance with standard practices. The speed may be variable over a limited range, and the amplitude of the vibrato oscillations also may be variable, as is known. Connections are made from the vibrato bus 50 through isolating resistors 52 to each master oscillator to impose the vibrato oscillations thereon, and through the frequency dividers subsequently to provide vibrato on the divider oscillators also.
A slide switch 54 has a grounded fixed contact 56, and the switch 54 is connected to a slide bus 58. This bus is connected through isolating resistors to the master oscillators. The exact operation of the slide mcch- 3 anism will be explained hereinafter, but it will be understood that it is provided to obtain sliding effects, often known as portamento or glissando.
The master oscillator comprises a p-n-ptransistor 62 (FIG. 3). The emiter 64 is grounded through a resistor 66. The base 68 is connected to a junction 70 which is grounded through a resistor 72. The junction 70 also is connected to the vibrato and slide isolating resistors 52 and 60.
The collector 74 is connected to a junction 76. This junction is connected through a resistor 78 to a bias voltage supply line 80 supplied from suitable power supply as indicated by the arrowhead at 82, and maintained at 20 volts DC. The junction 76 also is connected through a capacitor 84 to a junction is connected to one end of a tunable inductance 88, and the other end of the inductance 88 is grounded. The inductance 88 is provided with a tap 90 near the center thereof, and this tap is connected to a junction 92. A capacitor 94 is connected between the junction 92 and the junction 86, thus being connected in parallel with substantially half of the inductance 88. A capacitor 96 is connected between the junction 92 and 70.
It will be seen that the master oscillator 24 thus comprises a transistorized Hartley oscillator.
The junction 76 is connected to a further junction 98, and this is connected to a master take off, which for example may comprise the wire 36 leading to the key switches. In this connection, it will be understood that the specific manner of switching is not particularly important to the subject of the oscillators and the vibrato and slide, as herein shown and described. The junction 98 also is connected to the coupling 26 which comprises a wire 100, a capacitor 102 connected to a junction 104, a grounded resistor 106 connected to this junction, and a diode 108 likewise connected to the junction 104.
The first divider oscillator 28 comprises a transistorized flip-flop divider or Eccles-Jordan circuit. The capacitor 102 and resistor 106 act with the diode 108 to provide a more or less square Wave input to the divider 28, and
- this triggers the divider to operate on every other cycle to produce a frequency half that of the master oscillator. As will be appreciated, the diode 108 provides for applying a synchronizing pulse from the master oscillator to the first divider without the possibility of any signal from the first divider appearing on the master take off.
The first divider comprises a pair of p-n-ptransistors 110 and 112 cross coupled in the usual manner. It is believed that it is not necessary in view of the state of the art to go into the specific connections that are well illustrated in the drawing, nor to assign circuit values thereto, since these will be apparent to anyone skilled in the art. However, it should be noted that the collector of the transistor 110 is connected to a keyboard take off for the first divider, and this may be the same as the wire 38. This collector also is connected through a resistor 114 to a pedal take off 116. As will be appreciated, further dividers are used in accordance with conventional practice to provide the pedal tones. It may also be worthy of note to observe that the diode 108 is connected to the top of the grounded resistor 118, and through similar resistors to the bases of the transistors 110 and 112. It will also be observed that the emitters are connected through a common grounded resistor 120.
A connection is made from the first divider to the second divider by means such as a wire 30. This leads from the collector of the transistor 112 through a capacitor 122 to the top of a grounded resistor 124, the second divider 32 being similar to the first and in the form of an Eccles- Jordan or flip-flop circuit having a pair of p-n-ptranssistors 126 and 128. Since the output of the first divider 28 is inherently a square wave, it is unnecessary to provide a wave shaping network in the connection from the first divider to the second divider. The second divider also is inherently provided with a square wave output which is taken from the collector of the transistor 128, as through the wire 40 leading to the key switches, or otherwise to suitable keying mechanisms. An additional pedal take off is provided from the collector of the transistor 128 through a resistor 130.
The master oscillator 24 produces a substantially sine wave output, and it is for this reason that the square wave producing network comprising the capacitor 102, resistor 1 06 and diode 108 must be used in known manner to provide a pulse or square wave properly to trigger the first divider 28.
It is recognized that transistor oscillators are inherently voltage sensitive. This characteristic is taken advantage of in the present invention wherein the vibrato oscillator 42 causes the bias on the base 68 of the transistor 62 to rise above its normal value, and alternately to drop below its normal value. This causes the oscillator cyclically to be detuned sharp and flat, thereby producing a true frequency vibrato. This in turn, causes the divider oscillators to have a cyclic sharpening and fiatting to produce a true frequency shift vibrato therein. It will be apparent that the amount of frequency shift is dependent on the amount of voltage deviation, and that the frequency shift will be proportional to the frequency due to the divider action of the divider oscillators.
The detuning with voltage variation also is taken advantage of in connection with slide or portamento. When the slide switch 54, 56 is closed, the biasing of the base is changed so that the voltage thereon is lowered. This causes all of the oscillators in the instrument to be detuned flat, and preferably the biasing is such that all oscillators are detuned a half tone flat. As soon as the switch 54, 56 is reopened, the voltage comes back up to normal, and the generators return to their normal frequencies, thereby providing a sliding, or portamento or glissando effect from the flattened tone to the nominal frequency thereof. This is effective in producing a tone in the nature of a Hawaiian guitar.
Although the physical location of the vibrato and slide switches has not been specifically shown, the vibrato switch is conveniently placed adjacent one of the organ manuals along with the remainder of the stop tablets. The slide switch is normally in an open position, and conveniently is placed on the conventional swell pedal for operation by a sidewise movement of the foot.
It is to be understood that the specific example of the invention as herein shown and described is for illustrative purposes only. Various changes in structure will no doubt occur to those skilled in the art, and will be understood as forming a part of the present invention in-so-far as they fall within the spirit and scope of the appended claims.
The invention is hereby claimed as follows:
1. A tone generating circuit for an electronic musical instrument comprising a tuned circuit master oscillator having an inductance and a capacitor and including a transistor having a base element, a collector element, and an emitter element, and a string of divider oscillators connected to and controlled by said master oscillator, said master oscillator being susceptible to frequency shifting by voltage variations on one of said elements other than said collector element; said tone generating circuit further including means biasing said one element to -a predetermined potential, means for applying a vibrato voltage to said one element of said master oscillator to shift the bias of said one element above and below said predetermined bias to provide a frequency shift vibrato, and means connected to said one element of said master oscillator and including a manually operable switch for varying the voltage on said one element of the master oscillator in one direction only from said predetermined bias to produce a fiat frequency shift of said oscillator to effect a slide or glissando effect.
2. A tone generating circuit as set forth in claim 1 wherein said one element comprises said base element.
3. A tone generating circuit as set forth in claim 2 wherein the means for varying the voltage on the transistor base in one direction only comprises resistance means and means for selectively connecting said resistance means to control the self bias of said transistor base.
4. A tone generating circuit as set forth in claim 1 wherein said master oscillator produces a sine wave output and said divider oscillators produce substantially square wave outputs, and including means connecting the output of said master oscillator to the first of said string of divider oscillators including a square wave producing circuit to produce a synchronizing pulse from said master oscillator to said first divider oscillator, said square wave producing circuit including a resistor, a capacitor, and a diode, said diode further preventing feeding back of divided frequency.
References Cited UNITED STATES PATENTS ARTHUR GAUSS, Primary Examiner.
10 ROBERT H. PLOTKIN, Assistant Examiner.
US. Cl. X.R.
Applications Claiming Priority (2)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| US1204505XA | 1964-01-27 | 1964-01-27 | |
| US34027464A | 1964-01-27 | 1964-01-27 |
Publications (1)
| Publication Number | Publication Date |
|---|---|
| US3440325A true US3440325A (en) | 1969-04-22 |
Family
ID=63721155
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| US340274A Expired - Lifetime US3440325A (en) | 1964-01-27 | 1964-01-27 | Transistorized hartley oscillator tone generator circuit producing glissando and vibrato effects by voltage detuning |
Country Status (3)
| Country | Link |
|---|---|
| US (1) | US3440325A (en) |
| DE (1) | DE1204505B (en) |
| GB (1) | GB1026660A (en) |
Cited By (6)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US3590133A (en) * | 1968-11-15 | 1971-06-29 | Wurlitzer Co | Variable amplitude vibrato and glissando circuitry for electronic musical instruments |
| US3715443A (en) * | 1970-12-03 | 1973-02-06 | Nippon Musical Instruments Mfg | Wiring system between sound source circuits and keyer circuits in an electronic musical instrument |
| US3735013A (en) * | 1970-09-22 | 1973-05-22 | Philips Corp | System for producing an aperiodic vibrato signal |
| US3847050A (en) * | 1970-08-26 | 1974-11-12 | Audio Synthesisers Ltd | Electronic organ with plural master oscillators and plural vibrato oscillators for each note |
| US4191932A (en) * | 1976-01-16 | 1980-03-04 | Nippon Gakki Seizo Kabushiki Kaisha | Voltage-controlled oscillator |
| US20110185943A1 (en) * | 2005-09-22 | 2011-08-04 | Stokes David B | Deicing Composition |
Citations (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| USRE24743E (en) * | 1959-12-01 | Electmcal musical instrument | ||
| US3223768A (en) * | 1961-08-28 | 1965-12-14 | Baldwin Co D H | Keying systems for electric musical instruments |
| US3263018A (en) * | 1963-06-21 | 1966-07-26 | Warwick Electronics Inc | Diode disconnect circuit, for electronic musical instruments, isolating variable load means from tone generator means |
| US3288904A (en) * | 1962-09-25 | 1966-11-29 | Hammond Organ Co | Tone frequency control system for electronic musical instruments |
-
1964
- 1964-01-27 US US340274A patent/US3440325A/en not_active Expired - Lifetime
-
1965
- 1965-01-26 DE DEW38411A patent/DE1204505B/en active Pending
- 1965-01-27 GB GB3608/65A patent/GB1026660A/en not_active Expired
Patent Citations (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| USRE24743E (en) * | 1959-12-01 | Electmcal musical instrument | ||
| US3223768A (en) * | 1961-08-28 | 1965-12-14 | Baldwin Co D H | Keying systems for electric musical instruments |
| US3288904A (en) * | 1962-09-25 | 1966-11-29 | Hammond Organ Co | Tone frequency control system for electronic musical instruments |
| US3263018A (en) * | 1963-06-21 | 1966-07-26 | Warwick Electronics Inc | Diode disconnect circuit, for electronic musical instruments, isolating variable load means from tone generator means |
Cited By (6)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US3590133A (en) * | 1968-11-15 | 1971-06-29 | Wurlitzer Co | Variable amplitude vibrato and glissando circuitry for electronic musical instruments |
| US3847050A (en) * | 1970-08-26 | 1974-11-12 | Audio Synthesisers Ltd | Electronic organ with plural master oscillators and plural vibrato oscillators for each note |
| US3735013A (en) * | 1970-09-22 | 1973-05-22 | Philips Corp | System for producing an aperiodic vibrato signal |
| US3715443A (en) * | 1970-12-03 | 1973-02-06 | Nippon Musical Instruments Mfg | Wiring system between sound source circuits and keyer circuits in an electronic musical instrument |
| US4191932A (en) * | 1976-01-16 | 1980-03-04 | Nippon Gakki Seizo Kabushiki Kaisha | Voltage-controlled oscillator |
| US20110185943A1 (en) * | 2005-09-22 | 2011-08-04 | Stokes David B | Deicing Composition |
Also Published As
| Publication number | Publication date |
|---|---|
| DE1204505B (en) | 1965-11-04 |
| GB1026660A (en) | 1966-04-20 |
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