US3202031A - Bassoon - Google Patents
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- US3202031A US3202031A US383561A US38356164A US3202031A US 3202031 A US3202031 A US 3202031A US 383561 A US383561 A US 383561A US 38356164 A US38356164 A US 38356164A US 3202031 A US3202031 A US 3202031A
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- bocal
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- 210000001503 Joints Anatomy 0.000 claims description 54
- 210000003811 Fingers Anatomy 0.000 description 48
- 210000003165 Abomasum Anatomy 0.000 description 20
- 235000014676 Phragmites communis Nutrition 0.000 description 20
- 230000000875 corresponding Effects 0.000 description 18
- 239000007799 cork Substances 0.000 description 14
- 230000000994 depressed Effects 0.000 description 14
- 210000004936 left thumb Anatomy 0.000 description 14
- 210000003296 Saliva Anatomy 0.000 description 12
- 230000000881 depressing Effects 0.000 description 10
- 239000002184 metal Substances 0.000 description 8
- 210000000088 Lip Anatomy 0.000 description 6
- 239000000463 material Substances 0.000 description 4
- 210000004935 right thumb Anatomy 0.000 description 4
- 239000002023 wood Substances 0.000 description 4
- 210000001145 Finger Joint Anatomy 0.000 description 2
- 241000282322 Panthera Species 0.000 description 2
- 210000003813 Thumb Anatomy 0.000 description 2
- 210000003484 anatomy Anatomy 0.000 description 2
- 230000004323 axial length Effects 0.000 description 2
- 230000023298 conjugation with cellular fusion Effects 0.000 description 2
- 238000010276 construction Methods 0.000 description 2
- 230000003993 interaction Effects 0.000 description 2
- 238000004519 manufacturing process Methods 0.000 description 2
- 230000013011 mating Effects 0.000 description 2
- 230000004048 modification Effects 0.000 description 2
- 238000006011 modification reaction Methods 0.000 description 2
- 238000007789 sealing Methods 0.000 description 2
- 238000006467 substitution reaction Methods 0.000 description 2
- 230000021037 unidirectional conjugation Effects 0.000 description 2
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Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D7/00—General design of wind musical instruments
- G10D7/06—Beating-reed wind instruments, e.g. single or double reed wind instruments
- G10D7/063—Oboes; Bassoons; Bagpipes
Description
1965 w. c. POLISI 3,202,031
BASSOON Original Filed June 13, 1961 3 Sheets-Sheet 1 INVENTOR. William C. Polisi SWH FA-M ATTORN EY W. C. POLISI Aug. 24, 1965 BASSOON 5 Sheets-Sheet 2 Original Filed June 15. 1961 INVENTOR. Williom C.Polisi ATTORNEY.
I Aug. 24, 1965 w. c. POLIS! 3,202,031
BASSOON Original Filed June 13, 1961 3 Sheets-Sheet 3 so FIGJO FIG." FIGJIa M612 INVENTOR. William C.Po|isi XR M ATTORNEY.
United States Patent 3,202,031 BASSOON William C. Polisi, 5420 Kissena Blvd, Fiushing, N.Y. Original application June 13, 1961, Ser. No. 116,801, new Patent No. 3,142,222, dated July 28, 1964. Divided and this, application July 15, 1964, Ser. No. 383,561
4 Claims. (Cl. 84380) This invention relates to wind instruments, and more particularly is concerned with improvements in the bassoon. This application is a division of my copending application S.N. 116,801, filed June 13, 1961, now US. Patent No. 3,142,222, dated July 28, 1964.
The modern bassoon has become fairly closely standardized in many respects and the difference between bassoons made by different manufacturers do not affect the general structure and mode of operation of the bassoon. The term bassoon, as employed hereinafter, will thus be understood to relate to the instrument now in common use in orchestras all over the world.
The bassoon comprises five major elements which jointly constitute a folded pipe of an overall length of more than eight feet that tapers from the bell, from which emanates the sound produced, the crook or bocal to which a double reed is attached. The reed is gripped by means of the players lips. The major element adjacent the bocal is the wing or tenor joint, that adjacent the bell is the long joint. The butt joint is interposed between the wing and long joints. Its tapering bore is Vshaped. The elements of the conventional bassoon are connected by frictional engagement of conical male and female terminal portions. The connections are made airtight by resilient gaskets, usually made of cork but not restricted thereto. The bocal is a metal tube, but wood is the preferred material of construction of the other major elements. 4
The instrument has a very wide range and a complete chromatic compass and has found Wide acceptance in symphonic musical productions. The many tones of which the bassoon is capable are produced by covering or uncovering holes which are bored at suitably chosen points through the walls of the several major bassoon elements or joints. To select a tone, the player controls some of the holes with his fingers, and others by means of keys which actuate movements of pads of cork toward and away from corresponding holes, and which are spring biased toward the open or closed condition. Operation of the reed by the player influences not only the quality of the sound produced, but also the frequency of the sound generated.
The number of open holes and of holes controlled by keys is very substantially smaller than the number of different notes that can be played on the bassoon, and many notes require complex fingering in which several holes are simultaneously opened or closed. The demands on the manual dexterity of the player are so great that even highly skilled professionals cannot always produce certain desired notes within the compass of the instrument with certainty and with a pleasing tone quality. Interlocking connections between several keys on the instrument somewhat reduce the difficulties, but much reliance is placed on proper embouchure, the operation of the reed. Because of the necessity of shifting fingers between keys for many notes, certain trills and fast passages cannot be cleanly or neatly produced on the best bassoons now in use, even when the instruments are handled by virtuosi. With the above in view, it is to be noted that:
The general object of this invention is an improvement in the mechanical features of the bassoon which facilitate the playing of the instrument.
Another object is the provision of improved key mechanism which reduces the demands for manual dexterity, and permits the convenient playing of fast passages not heretofore properly playable on the instrument.
An additional object is the provision of mechanical devices which reduce the criticality of reed operation.
Other objects and many of the attendant advantages of this invention will be readily appreciated as the same become better understood by reference to the following detailed description of a preferred embodiment when considered in connection with the accompanying drawing wherein:
FIG. 1 is a front view of a bassoon ferred embodiment of my invention;
FIG. 2 shows the same instrument in a back view;
FIG. 3 is an enlarged detail of a portion of the bassoon of FIG. 1;
FIG. 4 shows a portion of the wall of the same bassoon in enlarged axial section;
FIG. 5 illustrates an expanded portion of a detail part of FIG. 3 in a lateral view;
FIG. 6 shows an enlarged detail of a key arrangement of the instrument of FIG. 1;
P16. 7 shows a portion of the wing joint of the bassoon of FIG. 1 together with an adjacent portion of the bocal on a larger scale;
FIG. 8 shows a portion of the butt joint of the bassoon of FIGS. 1 and 2 in a view corresponding to that of FIG. 2 but on an enlarged scale;
FIG. 9 is a fragmental enlarged view of the same embodiment taken in the direction of the arrow 9 in FIG. 2;
forming a pre- FIG. 10 shows the instrument in another enlarged fragmentary view taken in the direction of the arrow 10 in FIG. 2;
P16. 11 shows a portion of the long joint of the bassoon in a view corresponding to that of FIG. 2, but somewhat enlarged;
FIG. 11a shows a detail of FIG. 11 on a further enlarged scale; and
FIG. 12 is a lateral detail view of the device of FIG. 11 on the scale of FIG. 11a and taken in the direction of the arrow 12.
Referring now to the drawing in detail wherein like numerals refer to like parts throughout and initially to FIGS. 1 and 2, there is seen a bassoon of a basically known type, usually described as the German of Heckel system. The five basic elements are shown in the assembled condition in which the instrument is played with the bell 24 extending upwardly of the instrument. The lower end of the bell 261 is engaged in a mating terminal opening of the long joint 3b, the outer and inner diameters of which taper toward the butt joint 40 and has a flap 51 which overlaps the long joint 30. Terminal portions of the long joint 30 and the wing joint 50, not visible in the drawing, are sealingly inserted in two juxtaposed openings of the butt joint 4%.
The free end of the wing joint 50 carries the crook or bocal 60 in a manner seen in more detatil in FIGS. 7 and 9. A double reed 61 attached to the free end of the bocal 60 is gripped between the players lips. The wall thickness of the upper end of the wing joint 50 is very much greater than that of the attached bocal 60, but the internal bores constitute a continuously tapering conduit. The outermost portion 52 of the bore in the wing joint is radially enlarged and substantially cylindrical in shape. It receives a cork gasket 62 mounted on the lower end of the bocal. The gasket 62 is cylindrical when in the relaxed condition and has a larger outside diameter than the conduit portion 52. The bocal 60 is thus axially slidable in the conduit portion 52 of the wing joint, and firmly held in the axially adjusted po- 3 sition by the resilient frictional engagement of the gasket 62 with the internal cylindrical wall of the wing joint bore 52.
Axial movement of the bocal 60 varies the overall length of the internal conduit of the bassoon, and thus also the pitch of the instrument. The bassoon of my invention is capable of being tuned over the entire required range of approximately Me of an interval by axial adjustment of the position of the bocal. This permits a more convenient and finer tuning adjustment thanthe conventional tuning method which involves interchange of bocals of different length for relatively coarse adjustment, and further pitch control by suitable gripping action of the reed.
The bocal 60 has a pin hole 63' which is drilled in a boss 63 as is conventional. The pin hole cooperates with a key, the so-called piano crook or whisper key, by means of which the pin hole 63 may be opened and closed. Since the position of hole 63' shifts axially during tuning, I make the whisper key of correspondingly adjustable length.
- The key includes longitudinally extending linkages 65 rotatable mounted in posts 66 which radially project from the surface of the instrument. The uppermost portion of the linkages 65 carries two laterally projecting and axially spaced lugs 67 and 67' having axially aligned openings in which an extension rod 68 is movable. The upper end of the extension rod carries a stopper 69 consisting of a rigid metal cover and a resilient cork pad. The reseilient pad on the underside of the cover is moved into sealing engagement with the boss 63 by suitable rotation of the linkage 65. A set screw 610 is threadedly mounted on the lug 67 and projects into an axial groove 611 in the extension rod 68. When released, the set screw 610 permits the extension rod 68 to be moved axially for proper registry between the stopper 69 and the boss 63 while preventing'rotary movement of the rod about its axis.
The whisper key of conventional bassoons of the general type illustrated is operated by means of a lever arm 612 located on the flap 51 of the wing joint 50. The key is spring biased toward the open position and closed when the arm 612 is depressed by theleft thumb of the musician which actuates the several key lever arms arranged for this purpose of the flap 51.
It is also conventional to connect the linkages 65 of the whisper key or crook key 64 with a normally open key 41 on the butt joint 40, normally referred to as the low E key. This interlocking operation of the whisper key with the low E key 41 is necessary because of the particular tone quality of the open low E. To operate the whisper key independent of the E key, the usual bassoon relies only on the lever arm 612.
It is to be noted that the left thumb of the bassoon player is called upon to operate a multiplicity of keys. In fast passage work, it is particularly difficult, and frequently outright impossible to make use of the whisper key on the known bassoons. To overcome this difficulty, I have modified the interconnecting linkage between the low E key 41 and the whisper key.
The low E key 41 is conventionally supported on an axially elongated connecting rod rotatable in suitable posts. This rod transmits the movement of the E key to the whisper key. I longitudinally divide the connecting rod into two portions. The lower end of the lower portion 42 carries the stopper of the E key which is moved toward a corresponding tone hole in the butt joint by the right thumb of the musician depressing the cover of the stopper and moved away from the hole by a return spring.
The upper end of the portion 42 is of reduced diameter and is journaled in the axial bore of the upper portion 43. Respective abutment flaps 44 and 45 on the uper and lower rod potrions are positioned for engagement when the E key 41 is depressed, but permit the upper rod portion 43 to be rotated independently of the lower portion 42 when a lug 46 fixedly attached to the upper portion 43 and constituting a lever arm is depressed. The upper rod portion 43 is independently spring biased toward mutual abutment on the flaps 44 and 45. The upper rod portion 43 actuates the whisper key in the usual manner by means of basically conventional linkages 65 whether rotation of the upper portion 43 is initiated by depressing the cover of the low E key or by depressing the lever arm 46. In both instances the musician will use his right thumb, a finger much more readily available for additional functions in the operation of a bassoon than the left thumb.
The flap 51 of the wing joint 50 and the novel mechanical devices of my invention mounted thereon are best seen in FIG. 3. The flap 51 and the adjoining portion of the wing joint visible in FIG. 3 are bored with five tone holes partly obscured by the stoppers of corresponding keys.
In descending order, from the bocal end of the wing joint toward the butt joint end, there is seen a high E key 53, an F sharp trill key 54, an F hole cover 55, an open D hole 56, and a C key 57. The keys and holes of the wing flap are operated by the second, third, and fourth fingers of the right hand as is usual.
The F sharp key 54 finds its equivalent on conventional bassoons where it is pivotally mounted on the instrument body by means of posts which rotatably support the con-' necting rod of the key to which the stopper and the actuating lever ar mare attached. I provide my bassoon with an additional high E key 53 not found in other bassoons and selectively lockable with the F sharp trill key 54.
The keys 53 and 54 are mounted on the wing joint 50 by means of two posts 58 and 58 in which two coaxial and axially contiguous connecting rods 59 and 510 are journaled. The connecting rod 59 is hollow and its end adjacent the rod 510 is axially split. The rod 510 extends into the axial cavity of the rod 59 and may be secured therein against rotation by a clamping screw 511 engaging respective lugs on the split portions of the tubular rod 59. Lever arms 512 and 513 have respective ends attached to the rods 59 and 514i and free ends approximately aligned in an axially extending row with the cover 55, the D hole 56, and the stopper of the C key 57.
The F sharp key and the high E key may be operated separately when the screw 511 is released, or jointly, when the clamping screw is tightened. Whereas a rapid sequence of F and G in a trill or in a passage can be achieved in the usual bassoon only by complex fingering, the high E key of my invention and its interlock with the conventional F sharp trill key on the Wing joint makes such a rapid sequence quite easy.
In the preferred embodiment of the invention illustrated in the drawings the high E hole covered by the high E key 53 is axially aligned with the F sharp trill key, and spaced therefrom 22 millimeters center to center. Both holes are bored radial and parallel. Both corresponding stoppers are spring biased toward the closed position.
The F hole on the wing flap of the usual German type bassoon is normally open, and is stopped by placing a finger over it. Playing an F sharp, G, or G sharp note requires the F hole to be partly covered by the finger. The extent of the coverage is critical not only for the pitch of the sound produced, but even more for its quality. Since the flap of' the wing joint is not within the field of vision of the player, control of half hole coverage is entirely by feel. Even for a highly experienced rnu sician, such an arrangement is not satisfactory, and the purity of the F sharp, G, and G sharp notes produced on the half hole frequently leaves something to be desired.
I overcome the hazards of the partial finger coverage of the F hole by covering the hole with a metal cover 55 and a corresponding cork pad 51 better seen in FIG. 5, and having respective central holes 515 aligned with the F hole 516. The cross sectional area of the passage formed by the hole 515 is approximately one half of that of the F hole 516, but experience has shown that minor Variations from a 1:2 relationship are desirable in different instruments for reasons not fully understood, but probably related to the acoustical peculiarities of the bassoon which give every instrument individual minor features not shared by any other bassoon.
The cover 55 is mounted on a rod 517 which is rotatable about a longitudinal axis and spring biased toward a position in which the cover 55 is spaced from the orifice of the F hole 516 as shown in FIG. 5. Movement of the cover toward the orifice is actuated by placing a finger on a tab 513 integral with and laterally projecting from the cover 55. When the cover 55 is pressed against the orifice of the F hole 516, perfectly reproducible F sharp, G, and G sharp notes of clear pitch and good tone quality are obtained from the instrument.
As seen in FIG. 5, and further represented in a sectional view in FIG. 4, the orifice of the F hole 516 is formed by an annular raised rim 519 on the wing joint St The rim 519 is an axially terminal portion of a tubular plastic insert 529 which projects outward and inward beyond the wall of the wing joint. The outwardly projecting rim 519 provides leak proof engagement with the cork pad 514 of the cover 55 because of the stress concentration in a narrow area which deforms the resilient cork until no air can bypass the hole 515.
The inwardly projecting portion 521 of the insert 520, the axial length of which is but a small fraction of its diameter, does not influence the tone or pitch of the instrument in a significant manner. It deflects the saliva flowing downward along the several portions of the bore of the instrument, and prevents it from running outward through the F hole.
I prefer to install similar saliva tubes in all those holes of the bassoon which are notorious for their saliva discharge on the usual instruments. These holes include the D, C, B, high G, low A, and C sharp holes, but may be provided elsewhere if so desired. Saliva tubes of the type described are not limited in their utility to the bassoon, but are also effective on other wind instruments, and particularly wood winds of the clarinet or oboe t e.
'The raised outer rim provided in a very simple manner by the saliva tube of my invention is important in those holes of the bassoon in which the closure obtained by a key is least secured because of the unfavorable, leverage. In FIG. 6, I show the C sharp hole 522 near the lower end of the wing joint 5%. The. projecting rim 519 of the saliva tube inserted in the hole securely prevents air leakage past the pad 523 of the long key 524 which is normally closed, without requiring the key to be equipped with an unduly heavy spring which would make key operation difficult.
Reverting now to FIG. 3, there is seen a key 57, the stopper of which obscures the C hole 525. On the conventional bassoon of the German type, the C hole is associated with a key equipped with a ring coaxial with the hole but not instrumental in-closing the same. When the hole is covered by the fourth finger for which it is positioned, the ring is simultaneously depressed and actuates stoppers on other tone holes. In the normal playing position of the left hand, covering the C hole requires the fourth finger to be spread relatively far from the third finger.
It is well known that for reasons of anatomy, the fourth finger of the human hand is least capable of independent movement, that is, of movement independent of the ad jacent third and fifth fingers. When the fourth finger is spread from the third finger, it becomes even more difficult to perform intricate movements with it. The spacing of the D and C holes on the flap of the wing joint, which cannot be altered for obvious reasons, provides a serious handicap of bassoon players with short fingers,
and makes the playing of certain notes difficult even for a musician having fingers of more than average length. This wide spacing of the C and D holes makes it impossible for most children under approximately 14 years of age to study the bassoon, and the short supply of bassoon players of high caliber can probably be attributed to the fact that study of the usual instrument is not available to the very young.
I replace the conventional ring on the C hole by a full stopper S26 equipped with a lateral cover extension 527 projecting toward the D hole 56. Although the extension 527 is not very wide, barely one half of the diameter of the stopper 526, it materially reduces the spreading of the fourth finger necessary for closing the C hole. Whereas proper closing of the hole by a finger requires the center of the terminal finger joint to be aligned with the axis of the hole, any portion of the finger touching the rim of the extension 527 will securely close the C hole.
Even very young children can be taught to play my improved bassoon without serious difiiculties being caused by the shortness of their fingers. While they may not yet be able to handle the instrument with the fluency of the trained musician, there is nothing which would inherently prevent them from producing all the tones encompassed by the instrument.
The butt joint 4t) of the bassoon is adjacent the musicians clothing and it is not an entirely unusual experience to find a loose portion of a coat caught between the instrument body and one of the stoppers which cooperate with holes in the back side of the bassoon. Any foreign body wedged between a key and a tone hole in the instrument of course results in the production of uncontrolled sounds.
To avoid such accidents, I provide a guard 47 on the back side of the butt or double joint 40. The guard,
seen on an enlarged scale in FIG. 8, consists of several fiat metal bars vaulting over the covers of the F sharp key 43 and B fiat key 49 which are positioned approximately centrally between the top and bottom ends of the butt joint 40 in the usual maner.
The long joint 30 of my bassoon is approximately 4; inch longer than that of the conventional Heckel type bassoon. It is well known. that the low register of the commonly used bassoons of this type is sharp, that is, the pitch of the low register is relatively higher than that of the higher registers. This sharpness can be compensated for by proper interaction of the lips with the reed, but this method is difiicult and not entirely satisfactory. It makes a complex instrument even more unreliable and difiicult to master.
Lengthening the long joint by about /8 inch over the normal length overcomes this difficulty, but it requires the holes on other joints to be displaced approximately A3 inch in a direction'toward the bell, as will be readily appreciated. I
The long joint has five tone holes, all operated by means of keys. The stoppers of these keys which obscure the holes are visible in FIGS. 1 and 2. They are in axial sequence from the bell joint 20 toward the butt joint 50, as follows: The low B natural key 31 the low C sharp key 32, the low C key 33, the E flat key 34, and the low D key 35.
Details of the long joint are shown in F168. 10, 11, 11a, and 12. The long joint illustrated has several novel features which permit the bassoon to be operated in a particularly secure and convenient manner.
The C sharp, or D fiat, key 32 is conventionally operated by the left fifth finger which depresses an arm 36 of a lever, the other arm 36 of which acts upon an arm projecting from the connecting rod 37 to which the stopper of the C sharp or D fiat key is fastened. The fifth finger also has to operate the E flat key 34 by means of a lever arm 38 adjacent the arm 35. It is obviously very difficult to play a fast sequence of D fiat and E flat tones with the conventional arrangement. A D
flatE flat trill of properly spaced and clearly defined notes is almost impossible to produce.
, This difficulty is overcome in the bassoon of my invention by the provision of an arm 39 on the connecting rod 37 which extends from the latter rod in a direction toward the flap 51 of the wing joint '0, and toward the keys which are grouped on the long joint for operation by the left thumb, thus permitting the two notes of a D flat-E flat trill to be produced by two different fingers.
In the playing of the low E on the conventional German type bassoon, the low B natural key 31, the C key 33, and the D key 35 as shown in FIG. 2, are normally open. An E tone produced in this manner has a very bright, open sound. A duller, darker, more mellow E sound is desirable in solo passages for the bassoon in symphonic music. Attempts to produce such a softer sound by means of mutes have not been fully successful. I have been able to modify the bright open E sound by providing an abutment which permits the B, C, and D keys mentioned above to be partially closed by the left thumb normally idle in playing the open E note, and I can thereby modify the sound of the open E to achieve a more pleasant tone. The B, C, and D keys are normally open and interlocked conventionally in such a manner that the D key 35 may be operated individually or jointly with the C key 33. However, both the C key and the D key are closed when the actuating lever 310 of the B key is depressed. By providing the abutment on the actuating lever 310, I can thus hold all three keys in any desired partly open position when the lever 3ft) is depressed.
The abutment device is seen to some extent in FIG. 11, and in greater detail in FIGS. 11a and 12 which show that portion of the lever 310 on which the abutment device is mounted. The latter consists of a stop member 311 supported on a leaf spring 312 which is pivotally fastened to the lever 310 by a screw 312. Pivotal movement of the spring 312 about the axis of the screw 313 thus causes the stop member 311 to move toward and away from the surface of the long joint 30. The lever 313 has two superimposed transverse holes 314 adjacent the stop member 311, and a pin 315 on the latter may be alternatingly engaged with either hole. The holes are differently spaced from the main body of the instrument. When the pin 315 is engaged in one of the holes, the underside of the stop member 311 is approximately flush with that of the lever 310, and the stop member is inoperative. When the pin 315 engages the other hole, the stop member projects downward from the lever and prevents the stoppers of the B, C, and D keys from approaching the corresponding tone holes more closely than approximately to inch, and the desired mellow E sound can be produced.
The C key on the long joint is conventionally operated by depressing a tab 316 on the one armed lever at the end of which the stopper of the key is mounted. This tab interlocks with the end of the lever 318 which actuates the D key 35 in such a manner that the D key may be operated independently, but will follow movement of the C key. The lever arm of the latter passes under the lever 310 of the B key so that depressing the latter will actuate all three keys simultaneously as described above.
Use of the C key is frequently required, and the conventional tab 316 is relatively difiicult of access to the left thumb by means of which it is to be operated. I, therefore, provide a second tab 317 for the C key lever which projects from the rod of the key toward the flap 51 of the wing joint and may be depressed by the left thumb while the latter also actuates one of the several keys on the flap 51. This additional tab also greatly improves the speed with which the left thumb may be shifted to and from the C key, and thus the overall fluency of the performance.
. It should be understood, of course, that the several novel features of the bassoon illustrated for the purposes ii) of the disclosure may also be employed separately, and in conjunction with other improvements on other woodwind instruments, or on wind instruments generally. They jointly facilitate fingering and cross fingering, necessary on the bassoon more than on other wood-wind instruments, and reduce reliance on the reed for modifying the pitch and sound quality of the instrument. The substitution of mechanical devices the action of which is exactly reproducible and predictable for the reed, uncertain in its operation even for the most expert player, increases the utility of the bassoon as an orchestra instrument. The improvements brought about by this invention also facilitate the teaching of bassoon playing, and may be expected to bring about a general rise in the level of performance on this instrument.
While a preferred embodiment of my invention has been disclosed and illustrated, various modifications as to form, arrangement of parts and use of materials may be madewithout departing from the spirit and scope of the invention as hereinafter defined by the appended claims.
What I claim is: V
1. In a bassoon, in combination, a bocal; a wing joint; a butt joint; a long joint; and a bell joint, said bocal and said joints being formed with elongated bores and connectable in the above order in such a manner that the bores thereof form a continuous elongated conduit tapering from said bell joint toward said bocal, said butt joint having a front side, and back side directed toward the player when the bassoon is held by the latter in the normal playing position, said back side being formed with a plurality of tone holes, key means movably mounted on said butt joint for stopping said tone holes thereof, and guard means on said butt joint and substantially enveloping at least a portion of said key means.
2. In a bassoon, in combination, a bocal; a wing joint; a butt joint; a long joint; and a bell joint, said bocal and said joints being formed with elongated bores and connectable in the above order in such a manner that the bores thereof form a continuous elongated conduit tapering from said bell joint toward said bocal; said long joint being formed with a plurality of tone holes including a low B natural hole, a low C sharp hole, a low C hole, a low E fiat hole, and a low D hole, said holes being spaced in that order in the direction of elongation of the bore of said long joint; an E fiat key and a C sharp key including respective stoppers movable toward and away from said low C sharp and low E fiat holes, and respective actuating arms juxtaposed adjacent each other near said low E flat hole and remote from said low C sharp hole, said C sharp key further including a motion transmitting rod movable for transmitting the movement of the corresponding actuating arm to said low C sharp stopper; and an additional actuating arm fixedly fastened to said motion transmitting rod and located near said low C hole.
3. In a bassoon, in combination, a bocal; a wing joint; a butt joint; a long joint; and a bell joint, said bocal and said joints being formed with elongated bores and connectable in the above order in such a manner that the bores thereof form a continuous elongated conduit tapering from said bell joint toward said bocal, said long joint being formed with a plurality of tone holes including a low B natural hole, and a low D hole, said holes being spaced in that order in the direction of elongation of the bore of said long joint; key means on saidlong joint and movable thereon between a first position in which said key means simultaneously close said low B natural hole, said low C hole, and said low D hole, and a second position in which said key means fully open said holes; and abutment means for selectively arresting movement of said key means from said second toward said first positon a butt joint; a long joint; and a bell joint, said bocal and 9 said joint being formed with elongated bores and connectable in the above order in such a manner that the bores thereof form a continuous elongated conduit tapering from said bell joint toward said bocal, said long joint being formed with a plurality of tone holes including a low B natural hole, and a low D hole, said holes being spaced in that order in the direction of elongation of the bore of said long joint; the bores of said wing joint and of said long joint being approximately parallel, and said wing joint having a flap portion overlapping a portion of said long joint adjacent said low C hole; key means for stopping said low C hold and including a stopper member movable toward and away from said low C hole; a rod 19 member movably fastened to said long joint and carrying said stopper member; and a first actuating tab on said rod member and extending therefrom in a direction away from said flap portion; and a second actuating tab on said rod member and extending therefrom in a direction toward said flap portion.
References Cited by the Examiner UNITED STATES PATENTS LEO SMILOW, Primary Examiner.
Claims (1)
1. IN A BASSOON, IN COMBINATION, A BOCAL; A WING JOINT; A BUTT JOINT; A LONG JOINT; AND A BELL JOINT, SAID BOCAL AND SAID JOINTS BEING FORMED WITH ELONGATED BORES AND CONNECTABLE IN THE ABOVE ORDER IN SUCH A MANNER THAT THE BORES THEREOF FORM A CONTINUOUS ELONGATED CONDUIT TAPERING FROM SAID BELL JOINT TOWARD SAID BOCAL, SAID BUTT JOINT HAVING A FRONT SIDE, AND BACK SIDE DIRECTED TOWARD THE PLAYER WHEN THE BASSON IS HELD BY THE LATTER IN THE NORMAL PLAYING POSITION, SAID BACK SIDE BEING FORMED WITH A PLURALITY OF TONE HOLE, KEY MEANS MOVABLY MOUNTED ON SAID BUTT JOINT FOR STOPPING SAID TONE HOLES THEREOF, AND GUARD MEANS ON SAID BUTT JOINTT AND SUBSTANTIALLY ENVELOPING AT LEAST A PORTION OF SAID KEY MEANS.
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
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US383561A US3202031A (en) | 1961-06-13 | 1964-07-15 | Bassoon |
Applications Claiming Priority (2)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
US116801A US3142222A (en) | 1961-06-13 | 1961-06-13 | Bassoon |
US383561A US3202031A (en) | 1961-06-13 | 1964-07-15 | Bassoon |
Publications (1)
Publication Number | Publication Date |
---|---|
US3202031A true US3202031A (en) | 1965-08-24 |
Family
ID=26814637
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
US383561A Expired - Lifetime US3202031A (en) | 1961-06-13 | 1964-07-15 | Bassoon |
Country Status (1)
Country | Link |
---|---|
US (1) | US3202031A (en) |
Cited By (4)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
DE4034196A1 (en) * | 1989-10-27 | 1991-05-08 | Yamaha Corp | PIANISSIMO FLAP MECHANISM FOR A GERMAN FAGOTO |
US6765138B1 (en) * | 2001-10-17 | 2004-07-20 | Fox Products Corporation | Register system for contrabassoon |
WO2012032539A2 (en) * | 2010-09-06 | 2012-03-15 | Sankarasubrahmani Uday Shankar | A continuous pitch wind musical instrument |
US9412343B2 (en) | 2010-09-06 | 2016-08-09 | Sankarasubrahmani Uday Shankar | Continuous pitch wind musical instrument and a composite string instrument and continuous pitch wind musical instrument |
Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3094032A (en) * | 1960-04-04 | 1963-06-18 | Linton Mfg Company Inc | Musical instrument of the bassoon type |
US3142222A (en) * | 1961-06-13 | 1964-07-28 | William C Polisi | Bassoon |
-
1964
- 1964-07-15 US US383561A patent/US3202031A/en not_active Expired - Lifetime
Patent Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3094032A (en) * | 1960-04-04 | 1963-06-18 | Linton Mfg Company Inc | Musical instrument of the bassoon type |
US3142222A (en) * | 1961-06-13 | 1964-07-28 | William C Polisi | Bassoon |
Cited By (6)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
DE4034196A1 (en) * | 1989-10-27 | 1991-05-08 | Yamaha Corp | PIANISSIMO FLAP MECHANISM FOR A GERMAN FAGOTO |
US6765138B1 (en) * | 2001-10-17 | 2004-07-20 | Fox Products Corporation | Register system for contrabassoon |
WO2012032539A2 (en) * | 2010-09-06 | 2012-03-15 | Sankarasubrahmani Uday Shankar | A continuous pitch wind musical instrument |
WO2012032539A3 (en) * | 2010-09-06 | 2012-05-10 | Sankarasubrahmani Uday Shankar | A continuous pitch wind musical instrument |
US8822797B2 (en) | 2010-09-06 | 2014-09-02 | Sankarasubrahmani Uday Shankar | Continuous pitch wind musical instrument |
US9412343B2 (en) | 2010-09-06 | 2016-08-09 | Sankarasubrahmani Uday Shankar | Continuous pitch wind musical instrument and a composite string instrument and continuous pitch wind musical instrument |
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