US218535A - Improvement in piano-fortes - Google Patents

Improvement in piano-fortes Download PDF

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US218535A
US218535A US218535DA US218535A US 218535 A US218535 A US 218535A US 218535D A US218535D A US 218535DA US 218535 A US218535 A US 218535A
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strings
piano
improvement
sounding
fortes
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10CPIANOS, HARPSICHORDS, SPINETS OR SIMILAR STRINGED MUSICAL INSTRUMENTS WITH ONE OR MORE KEYBOARDS
    • G10C3/00Details or accessories
    • G10C3/06Resonating means, e.g. soundboards or resonant strings; Fastenings thereof

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  • This improvement is adapted to grand, square, cottage, and other piano-fortes, and is made for the purpose of amplifiying and improving the tone.
  • the wires or strings composing one note are passed through a resonator, that is made as a case, that allows the strings to vibrate freely, and in which the air-vibrations are amplified and rendered more melodious.
  • the 'improvementis especially adapted to the middle and treble notes, but it may be applied to any of the notes.
  • Figure l is a section lengthwise of the strings; and Fig. 2 is a cross-section of w,- and Fig. 3 is a plan of a portion of. the resonator.
  • a represents the sounding board; I), the frame, with the hitch-pins c.
  • d are the wires or strings of the pianos.
  • f is the soundingboard bridge, with its pins, and g is the wrestplank; ii, the tuning-pins, and 7c the downbearing for the strings.
  • My resonator is applied to the strings or chords, near the sounding-board bridge, between the same and the place w, where the hammers strike, such resonator consisting of a ran go of boxes through which the chords or strings pass, and which resonator is connected with the soinnling-board, and has holes through it for the passage of the acoustic vibrations.
  • the resonator of one or more plates. i, of wood or other suitable material, that are above the strings, and one or more plates, 0, of wood or other suitable material, between the strings and the sounding-boarda, and to connect these plates i and 0 by the vertical partitions s s, so that each chord or group of strings is in its own rectangular resonant case.
  • These partitions s are preferably narrower at the end next the sounding-board bridge, so that the resonant case is tapering, and there are holes at proper places through both the plates i and 0, as shown at 1".
  • the screws 25 should pass through the plate t'and partitions 8 into the plate 0, and this plate 0 is connected to the sounding-board by the screws 4).
  • Each resonant case maybe of a size and length to respond acoustically to the note of the strings passing through it.
  • the resonant cases form in the aggregate what I term a sound-hood.
  • the sound-hood formed of a series of resonant boxes, in combination with the soundingboard and the strings of the piano, and applied near the sounding-board bridge, and with the strings passing through the boxes, substantially as set forth.

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
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  • Stringed Musical Instruments (AREA)

Description

E- KAPS Piano-Forte.
Patented Aug. 12,1879.
( /mat 7 3' N.PETERS, PHOTO-LTHOGRAFHER, WASHINGTON, 0 c.
UNITED STATES PATENT OFFICE ERNST KAPS, OF D RESDEN, SAXONY.
IMPROVEMENT IN PIANO-FORTES.
Specification forming part of Letters Patent No. 2] 8,535, dated August 12, 1879; application filed June 7,
To all whom it may concern:
Be it known that I, ERNST KAPs, of Dresden, Saxony, pianoforte maker to the royal court of Saxony, have invented an Improvement in Piano-Fortes, of which the following is a specification.
This improvement is adapted to grand, square, cottage, and other piano-fortes, and is made for the purpose of amplifiying and improving the tone.
The wires or strings composing one note are passed through a resonator, that is made as a case, that allows the strings to vibrate freely, and in which the air-vibrations are amplified and rendered more melodious. The 'improvementis especially adapted to the middle and treble notes, but it may be applied to any of the notes.
In the drawings, Figure l is a section lengthwise of the strings; and Fig. 2 is a cross-section of w,- and Fig. 3 is a plan of a portion of. the resonator.
a represents the sounding board; I), the frame, with the hitch-pins c. d are the wires or strings of the pianos. f is the soundingboard bridge, with its pins, and g is the wrestplank; ii, the tuning-pins, and 7c the downbearing for the strings. These parts may be of any desired character.
My resonator is applied to the strings or chords, near the sounding-board bridge, between the same and the place w, where the hammers strike, such resonator consisting of a ran go of boxes through which the chords or strings pass, and which resonator is connected with the soinnling-board, and has holes through it for the passage of the acoustic vibrations.
it is generally preferable to make the resonator of one or more plates. i, of wood or other suitable material, that are above the strings, and one or more plates, 0, of wood or other suitable material, between the strings and the sounding-boarda, and to connect these plates i and 0 by the vertical partitions s s, so that each chord or group of strings is in its own rectangular resonant case. These partitions s are preferably narrower at the end next the sounding-board bridge, so that the resonant case is tapering, and there are holes at proper places through both the plates i and 0, as shown at 1".
The screws 25 should pass through the plate t'and partitions 8 into the plate 0, and this plate 0 is connected to the sounding-board by the screws 4). There are to be vertical sup ports or partitions between the soundingboard and the plate 0 at suitable intervals, so as to keep the parts in their proper relative positions, and, if desired, there may be a bottom plate, a, and strips m, to form a resonant case between the strings and sonndingboard, the same being closed except at the openings 1 that are adjacent to the strings.
Each resonant case maybe of a size and length to respond acoustically to the note of the strings passing through it.
The resonant cases form in the aggregate what I term a sound-hood.
I am aware that sounding-boxes have been attached to different parts of a piano, such as to the frame or the sounding-board. In all such cases the vibration of the sounding board or case was depended upon to give vibrations to the boxes. In my improvement the air in each resonant case receives a vibration from the string itself when it is struck, thereby the resonant vibrations of the string are communicated directly to the air of the case, which responds thereto.
I claim as my invention 1. The sound-hood formed of a series of resonant boxes, in combination with the soundingboard and the strings of the piano, and applied near the sounding-board bridge, and with the strings passing through the boxes, substantially as set forth.
2. In combination with the strings, soundin g-board, and sounding-board bridge, a range of resonant cases through which the strings pass, which cases are narrowest at the end that is adjacent to the bridge, substantially as set forth.
This specification signed by me this 21st day of April, 1879.
ERNST KAPS.
Witnesses WILHELM WmsENI-H'JTTER, MARTIN Keenan.
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