US2073071A - Instrument producing music - Google Patents

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US2073071A
US2073071A US705047A US70504734A US2073071A US 2073071 A US2073071 A US 2073071A US 705047 A US705047 A US 705047A US 70504734 A US70504734 A US 70504734A US 2073071 A US2073071 A US 2073071A
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strings
support
damping
bridge
elastic
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Nernst Walther
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H3/00Instruments in which the tones are generated by electromechanical means
    • G10H3/12Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/14Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
    • G10H3/18Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar

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  • llfhis invention concerns a stringed musical instrument as described in previous applications of mine still pending.
  • Such an instrument comprises a solid frame of any suitable material like 5 iron, brass, Wood, or the like, to which the strings are fastened in a preierably adjustable way.
  • the strings are caused to vibrate by any suitable means. If a piano is concerned, the regular keyboard is used, actuating hammers striking upon the strings. Ii a violin is concerned, the strings are actuated by the bow.
  • the Vibrations are not transferred to any resonant body, 'but the vibrating strings are electrically influencing coils or other suitable means into which 15 corresponding electrical vibrations are being induced by the vibrating strings.
  • the electrical currents thus induced may be in a magnetic, may be in an electrostatic way, are then amplied by means of well-known amplifiers as, for example, thermionic amplifiers and the currents thus amplified are then Operating loudspeakers.
  • amplifiers as, for example, thermionic amplifiers and the currents thus amplified are then Operating loudspeakers.
  • One may also distribute the amplified currents over wires or by wireless and 'then conduct the currents or electrical impulses received, after having them amplified once more 'or not, ⁇ to loudspeakers or any other acoustic reproducers.
  • the intermediate chevalets over which the strings run are connected with the frame or any other holding means for the strings in both a resilient or elastic way in an energy-absorbing manner.
  • such support is not directly or .solidly connected with the frame or the like, but there is interposed a cushion of elastic and damping properties.
  • such interposed means are of such dimensions as to be capable of absorbing -the relatively small energy of harmonics without, however, agitating the surrounding air in a way similar to that of a resonant body.
  • the undesired harmonics will be suppressed without being rendered audible.
  • Figs. 1, 2, 3, 3a, 4, 5 show in a more diagrammatic way, in cross section and with parts broken away, various embodiments of the invention pertaining'to the bridge supporting strings of a musical instrument
  • Figs. 6, '7, 8, 9 show the general arrangement of strings, microphones, amplifiers and' loudspealrers to be used with any arrangement of strings suiting the invention, but in particular applica- 45 tion to a piano, of which only one pair of strings and part "of the irame, and only one hammer are conveniently shown.
  • Fig. 10 shows a plurality of strings of such an instrument, but only that part to which one end-of the strings is fastened, and
  • !4 is a bridge consisting of wood in a Violin, or of metal in a piano; it is supported by means of a resilient and elastic case !5.which may consist of wood, metal, or the like, stufied inside at !6 with a porous or soft material as felt, cork, rubber, or the like.
  • This case is mounted on the frame !0, but preferably indirectly.
  • a piece !1 of cork or other resilient material is interposed which, at the same time, insulates the case a little more acoustically against the frame !0 of Wood or metal.
  • the bridge !4 is supported by a U-shaped elastic intermediate body !8, which may consist of wood, metal, or the like. Between the legs'!!! of the device !8, a soft or porous piece 20 is placed for the pur- 'pose of damping the. vibrations of the legs !9 under the influence of the bridge !4. Its function is adequate to that of the stumng !6, used in Figure 1.
  • Piece l'! serves the same purpose as in Figure 1; Own oscillations of the body !8, if any, lie in any case outside the range of audible frequency.
  • the performance of the feature in Figure 3 shows a combination of both elastic and damping properties in one piece.
  • the bridge !4 is positioned upon a support 2 I, consisting of wood, cork, or anothe preferably porous or soft material.
  • Piece 2! nas an oblong shape which presents adequate elasticity in itself, while the material, because of its porosity and its softness, provides for the necessary damping.
  • the frame !0, supporting bridge !4, and the support 2!, respectively, have preferably a U-shaped cross section in order to receive properly the oblong piece 2!. ⁇
  • !3 shows more schematically an electromagnetic pick-up device, according to my co-pending applications 516,480 and 577,082, which is connected with the frame !ll by a rigid support 23.
  • any wanted damping of harmonics can be obtained, without the use of any further means for filtering electrically, or otherwise, the sounds produced.
  • any other means can be used for obtaining other and additional effects, as for instance' adjustable condensers, connected in parallel to the electromagnetic microphones, solidly fastered to the frame !0. 4, the frame !0. of the U-shaped cross-section According to the-example of Figure.
  • ' receives a support for the bridge "M, consisting of two or more sheets 24 of steel, or another elastic material, which are separated one from the other by means of sheets 25 of leather or any other resilient and soft and, consequently, damping material.
  • bridge "M consisting of two or more sheets 24 of steel, or another elastic material, which are separated one from the other by means of sheets 25 of leather or any other resilient and soft and, consequently, damping material.
  • Such structure allows to use sheets of steel of different thickness and different dimensions, and intermediate layers of leather of difierent thickness and dimensions.
  • any wanted elasticity aiforded by the sheets of steel, and any wanted damping given by the layers of leather can easily and cheaply be obtained.
  • Any wanted timbre of the sound to be produced can be achieved thereby.
  • !3 is a pick-up of the same character as pointed out hereinbefore in connection with the description of Fig. 3.
  • Figs. 6, 7, 8 and 9 the arrangement of two strings 21, 28, side by side, for creating the same sound is shown.
  • the strings are fixed at one end, 69, '10 to a part 1! of a non-resonant frame and at their other ends by means of keys 30, 3! to another part 29 of the non-resonant frame.
  • One of the strings 2'! is supported by a rigid bridge 12, while the other string .28 is supported according to this invention by means of a both elastic and damping support 84, !4.
  • the tension of the strings may be adjusted by means of the keys 30, 3! which are being provided with e. g. square heads.
  • a hammer 32 is provided in the Way well known for pianos and adapted -to strike both strings 21, 28 simultaneously so that they oscillate at the same height of tone. While the string 2'! may freely oscillate due to its rigid support 12, the string 28 will oscillate in a different way due to its elastic and damping support 84, !6. The tone created by string 2'! will therefore be organ-like, while that of the string 28 will be piano-like due to the action of' theelastc and damping support, thereby selectively acti ng upon the harmonics of the tone produced, as described above.
  • Electro-magnetic microphones 33, 36 are ar- L ranged close to the strings 27, 28, grespectively, and rigidly connected to crossbars 13, 16, respectively, by means of arm 15, 16. Thereby these electro-magnetic microphones are supported in a non-resonant way, as being described in my co-pending application which resulted in Patent 1,988,564.
  • Themicrophones are provided with terminals 35, 36 adapted to be connected with ampliers.
  • the terminals of the microphone 33 are connected by means of conductors 3'! to contacts 383039' of a switch 40, M: the terminals 36 of the nicrophone 34 are connected by conductors 32' to the contacts 43, 44 of the switch 45,
  • ⁇ secondary 52 of the transformer is connected to the input circuit of an amplifying means diagrammed in the casing 53 and fed by any suitable source of current by means of the conductor 66-.
  • the degree of amplification may be suitably adjusted by handle 63.
  • the amplified currents are supplied to the loudspeaker 56. 'In operation, the switch members 50, al, 45, 46 being in the position shown, the oscillations produced by both strings 27, 28 are directly inducing electro-magnetic impulses in the microphones 33, 36 and, thereby, correspondingly Varying Currents which are fed in parallel to the transformer 5!, 52 and suitably amplied and rendered audible in the loudspeaker. In this case, a mixture of pianolike and organ-like sounds will be reproduced.
  • Fig. 9 a somewhat different ⁇ arrangement of transformers and amplifiers' is shown -in a connection otherwise similar to Fig. 8.
  • a common ampiier 53 for both microphones separate ampliers 51, 58 are provided, each of which may be regulated by a handle 64, 65 and be supplied with current from a suitable source by means of the conductors 61, 68.
  • the output coils 59, 60. of the amplifiers may be arranged on a common core SI on which the secondary 62 is arranged con- .nected to the loudspeaker 54.
  • the sheet 84 of steel, or other elastic material is not fiat but curved for the' purpose ot' producing in it a wanted elastic tension.
  • a support 26 is arranged in the U- shaped cross section in order to receive the sheet 84.
  • the piece 26 may be of wood, brass, or any other material.
  • the sheet 84 may be curved in any other suitable form than is shown in Figure 5, and may include a flat middle portion.
  • the support may either be arranged separately for each of the strings present,
  • Figs. 1 to 5 or for a pair of strings present, as shown in Figs. 6, 7, or for a plurality of strings, as shown in Fig. 10 where the ends of a multitude of strings ll are fastened to keys 30 and supported by a bridge 84, 26, I4 in accordance with *the invention.
  • the supports may be equal among themselves or difier from each other insofar as elasticity and damping action is concerned by correspondingly dimensioning the co-ordinating parts and choosin'g the material thereof.
  • a system for reproducing sounds comprising a stringed musical non-resonant instrument, the strings of which are stretched between their ends' over a support carried by a nonresonant frame and capable of being mechanically actu'ated to vibrate; electrical means arranged close tosaid strings adapted to be electrically influenced directly by said strings themselves on vibrating; amplifying means of the so directly induced electrical impulses and means for acoustically reproducing the so amplified impulsesthe novel feature of a support for said strings, said support capable of vibrating at selected frequencies within the audible frequency range of vibrations of said strings, thereby damping said selected vibrations of said strings.
  • a system for reproducing sounds comprising a stringed musical non-resonant instrument, the strings of which are stretched between their ends over a support carried 'by a nonresonant frame and capable of being mechanically actuated to vibrate; electrical means arranged close to said strings adapted to be'electrically influenced directly by said strings themselves on vibrating; amplifying means of.
  • said novel support comprising an elastic case stuffed with damping material.
  • said novel support consisting of 'elastic and, damping material.
  • said novel support consisting of at least two sheets of steel and at least one layer of damping material.
  • said novel support comprising at least two sheets of resonant frame and capable of being mechanically actuated to vibrate; electrical means arranged close to said strings adapted to be electrically influenced directly by said strings themselves on vibrating; amplifying means of the so directly induced electrical impulses and means for acoustically reproducing the so amplified impulses-the novel feature of at least two strings being provided for producing the same sound; a rigid support for one and an elastic and resilient support for another of said strings.
  • a system for reproducing sounds comprising a, stringed musical non-resonant instrument, the strings of which are stretched between their ends over a support carried by a nonresonant frame and capable of being mechanicalfrequency range of said strings, thereby damping' the selected vibrations of said strings, the frequencies at which said supports are capable of vibrating being dierent for at least two supports.

Description

A 71 y i March 9,1937. w. NERNST I 2',o73,o7
INSTRUHENT PRODUCING MUSIC Filed Jan. 3, 1934 2 shons-sheet 2 INVENTOR WA THER NERNST W ATTORNEY Patented Maro 9, i937 UNETED TATS maa INSTRTUMENT PRODUCENG MUSHC Walther Nernst, Berlin, Germany Application January 3, 319 34, Serial No. 705 047 En Germany January 4, 1933 12 Clains.,
llfhis invention concerns a stringed musical instrument as described in previous applications of mine still pending. Such an instrument comprises a solid frame of any suitable material like 5 iron, brass, Wood, or the like, to which the strings are fastened in a preierably adjustable way. The strings are caused to vibrate by any suitable means. If a piano is concerned, the regular keyboard is used, actuating hammers striking upon the strings. Ii a violin is concerned, the strings are actuated by the bow. The Vibrations, however, are not transferred to any resonant body, 'but the vibrating strings are electrically influencing coils or other suitable means into which 15 corresponding electrical vibrations are being induced by the vibrating strings. The electrical currents thus induced, may be in a magnetic, may be in an electrostatic way, are then amplied by means of well-known amplifiers as, for example, thermionic amplifiers and the currents thus amplified are then Operating loudspeakers. One may also distribute the amplified currents over wires or by wireless and 'then conduct the currents or electrical impulses received, after having them amplified once more 'or not,` to loudspeakers or any other acoustic reproducers.
In such instruments, the Vibrations of the strings are only slightly damped, while in regular pianos relatively strongda'mping takes place I because of the resonant body absorbing mechanical energy to a high degree. consequently, the sound reprodueed by my arrangement differs somewhat irom'thetregular sound of a piano. Especially the ha`rmonic upper tones are of very 33 long durationin my instrument, Compared to normal pianos, since the relatively small energy of such harmonics is first absorbed by the resonant body of a regular piano and thereby is suppressed 'very quickly, while the other tones still 40 continue.
It has been suggested, therefore to apply electrical means in order to absorb such harmonics quickly, and to assimilate in such way the sound reproduced to those of regular instruments. But
it 's necessary to use for such purposes electric condensers properly adjusted in the electrical connections between the coils to be electrically infiuenced and the acoustic reproducers.
ro It is one object of my invention to' assimilater" the sounds reproduced to those of corresponding regular instruments by other than electrical means, as condensers.
It is a further object of my invention to pro- 55 Vide mechanical means absorbing to a suficient the bridge.
extent undesired harmonics as quick as regular resonant bodies would do.
It is a further object of my invention to provide Very simple and efcient mechanical means for damping the harmonics contained in the vibrations of the strings.
According to this invention, the intermediate chevalets over which the strings run, are connected with the frame or any other holding means for the strings in both a resilient or elastic way in an energy-absorbing manner. In other Words, such support is not directly or .solidly connected with the frame or the like, but there is interposed a cushion of elastic and damping properties. i
According to the invention, such interposed means are of such dimensions as to be capable of absorbing -the relatively small energy of harmonics without, however, agitating the surrounding air in a way similar to that of a resonant body. In other words, the undesired harmonics will be suppressed without being rendered audible.
According to my experience, only elastic or only absorbing means would not be sufi'cient in every case for the purpose of my invention. But it is not necessary to provide elastic and absorbing means separately. It is possible, however, to choose a material or a structure, combining both properties.
Further objects of my invention may be described by means of the drawings in which examples of possible performances of my invention are shown without limiting, however, my invention thereby in any way.
In the drawings various features of the invention are shown." Figs. 1, 2, 3, 3a, 4, 5 show in a more diagrammatic way, in cross section and with parts broken away, various embodiments of the invention pertaining'to the bridge supporting strings of a musical instrument,while Figs. 6, '7, 8, 9 show the general arrangement of strings, microphones, amplifiers and' loudspealrers to be used with any arrangement of strings suiting the invention, but in particular applica- 45 tion to a piano, of which only one pair of strings and part "of the irame, and only one hammer are conveniently shown. Fig. 10 shows a plurality of strings of such an instrument, but only that part to which one end-of the strings is fastened, and
Thus, any man skilled in the art is in a position to apply the invention to any known stringed musical instrument.
\ In the drawings, Figura 1 shows in cross section, with parts broken away, a bridge supported according to this invention; Figure 2 shows in the same way another support of the bridge; Figure 3 shows in the same way another support of the bridge; Figure 4 shows another such support for a piano in cross section, other parts being broken away, while Figure 5 shows in cross section another feature of such support.
In Figure 1, !4 is a bridge consisting of wood in a Violin, or of metal in a piano; it is supported by means of a resilient and elastic case !5.which may consist of wood, metal, or the like, stufied inside at !6 with a porous or soft material as felt, cork, rubber, or the like. This case is mounted on the frame !0, but preferably indirectly. For this purpose a piece !1 of cork or other resilient material is interposed which, at the same time, insulates the case a little more acoustically against the frame !0 of Wood or metal. As far as' other details of performance are concerned, I refer to my co-pending applications, Serial No. 516,480 and Serial No. 577,082. i
In the feature shown in Figure 2, the bridge !4 is supported by a U-shaped elastic intermediate body !8, which may consist of wood, metal, or the like. Between the legs'!!! of the device !8, a soft or porous piece 20 is placed for the pur- 'pose of damping the. vibrations of the legs !9 under the influence of the bridge !4. Its function is adequate to that of the stumng !6, used in Figure 1. Piece l'! serves the same purpose as in Figure 1; Own oscillations of the body !8, if any, lie in any case outside the range of audible frequency.
The performance of the feature in Figure 3 shows a combination of both elastic and damping properties in one piece. The bridge !4 is positioned upon a support 2 I, consisting of wood, cork, or anothe preferably porous or soft material. Piece 2! nas an oblong shape which presents suficient elasticity in itself, while the material, because of its porosity and its softness, provides for the necessary damping. The frame !0, supporting bridge !4, and the support 2!, respectively, have preferably a U-shaped cross section in order to receive properly the oblong piece 2!.`
!3 shows more schematically an electromagnetic pick-up device, according to my co-pending applications 516,480 and 577,082, which is connected with the frame !ll by a rigid support 23.
In all these performances of the invention, by properly choosing the damping' material and properly determining the dimensions of the pieces used, any wanted damping of harmonics can be obtained, without the use of any further means for filtering electrically, or otherwise, the sounds produced.
In case one wants to eliminate the efiect of the intermediate pieces !5, !6, 20, 2!, respectively, there exists a possibility of interposing tapered pieces between the bridge and the frame, as shown in the cross section of Figure sa, at 22, for the purpose of directly connecting the bridge with the frame, and preventing any independent movement (vibration) of the bridge i l. such pieces 22 can be inserted by hand, or in any other suitable way. If arresting tfie bridge in such way, the original sound is reproduced with its harmonics.
It is obvious that beside of the invention, any other means can be used for obtaining other and additional effects, as for instance' adjustable condensers, connected in parallel to the electromagnetic microphones, solidly fastered to the frame !0. 4, the frame !0. of the U-shaped cross-section According to the-example of Figure.
' receives a support for the bridge "M, consisting of two or more sheets 24 of steel, or another elastic material, which are separated one from the other by means of sheets 25 of leather or any other resilient and soft and, consequently, damping material. such structure allows to use sheets of steel of different thickness and different dimensions, and intermediate layers of leather of difierent thickness and dimensions. In' other words, any wanted elasticity aiforded by the sheets of steel, and any wanted damping given by the layers of leather, can easily and cheaply be obtained. Any wanted timbre of the sound to be produced can be achieved thereby. !3 is a pick-up of the same character as pointed out hereinbefore in connection with the description of Fig. 3.
In Figs. 6, 7, 8 and 9 the arrangement of two strings 21, 28, side by side, for creating the same sound is shown. The strings are fixed at one end, 69, '10 to a part 1! of a non-resonant frame and at their other ends by means of keys 30, 3! to another part 29 of the non-resonant frame. One of the strings 2'! is supported by a rigid bridge 12, while the other string .28 is supported according to this invention by means of a both elastic and damping support 84, !4. The tension of the strings may be adjusted by means of the keys 30, 3! which are being provided with e. g. square heads. A hammer 32 is provided in the Way well known for pianos and adapted -to strike both strings 21, 28 simultaneously so that they oscillate at the same height of tone. While the string 2'! may freely oscillate due to its rigid support 12, the string 28 will oscillate in a different way due to its elastic and damping support 84, !6. The tone created by string 2'! will therefore be organ-like, while that of the string 28 will be piano-like due to the action of' theelastc and damping support, thereby selectively acti ng upon the harmonics of the tone produced, as described above.
Electro- magnetic microphones 33, 36 are ar- L ranged close to the strings 27, 28, grespectively, and rigidly connected to crossbars 13, 16, respectively, by means of arm 15, 16. Thereby these electro-magnetic microphones are supported in a non-resonant way, as being described in my co-pending application which resulted in Patent 1,988,564. Themicrophones are provided with terminals 35, 36 adapted to be connected with ampliers. The terminals of the microphone 33 are connected by means of conductors 3'! to contacts 383039' of a switch 40, M: the terminals 36 of the nicrophone 34 are connected by conductors 32' to the contacts 43, 44 of the switch 45,
56. The switch members ao, 4.5are connected by conductors 68 to one terminal of the primary 5! of a transformer and thf 'switch members M, 66 are connected by conductors 49, to the other terminal of the primary 5!. The
`secondary 52 of the transformer is connected to the input circuit of an amplifying means diagrammed in the casing 53 and fed by any suitable source of current by means of the conductor 66-. The degree of amplification may be suitably adjusted by handle 63. The amplified currents are supplied to the loudspeaker 56. 'In operation, the switch members 50, al, 45, 46 being in the position shown, the oscillations produced by both strings 27, 28 are directly inducing electro-magnetic impulses in the microphones 33, 36 and, thereby, correspondingly Varying Currents which are fed in parallel to the transformer 5!, 52 and suitably amplied and rendered audible in the loudspeaker. In this case, a mixture of pianolike and organ-like sounds will be reproduced.
- It putting the switch members in the position I (shown only for the members 40, 4I) then, due to the length of the contacts 38, 39, the microphone 33 will still be connected with the primary oif the transformer, while the microphone 34 will be disconnected. Therefore the loudspeaker will produce solely organ-like sounds. If moving the switch member in position II (shown only for the members 45, 46), then only the microphone 34 will be connected to the primary 5| of the transformer and the loudspeaker will produoe therefore solely piano-like sounds. The switch members being moved in position III', all microphones are disconnected and no reproduction occurs. In such way, one can choose to have reproduced both kinds, or only one kind of the vibrations of the strings.
In Fig. 9 a somewhat different\ arrangement of transformers and amplifiers' is shown -in a connection otherwise similar to Fig. 8. Instead of a common ampiier 53 for both microphones, separate ampliers 51, 58 are provided, each of which may be regulated by a handle 64, 65 and be supplied with current from a suitable source by means of the conductors 61, 68. In this case, the switch members 40, 4ltare connected to separate transformers 55, 56 co-ordinated to the amplifiers 51, 58. The output coils 59, 60. of the amplifiers may be arranged on a common core SI on which the secondary 62 is arranged con- .nected to the loudspeaker 54. By suitably adjusting the amplifiers 51, 58 by means of the handles 64, 65 either'equal or difierent amplifications of the vibrations of the two 'strings may be obtained and, thereby, any desired combination of both timbres, piano and organ, provided the 'switchmembers are positioned corresponding to that shown in full lines in Fig. 8. v
It is understood that instead of leather, any other soft and resilient substance can' be used for the layers 25. i
In the feature according to Flgure 5, the sheet 84 of steel, or other elastic material, is not fiat but curved for the' purpose ot' producing in it a wanted elastic tension. Between the sheet 84 and the frame n a support 26 is arranged in the U- shaped cross section in order to receive the sheet 84. The piece 26 may be of wood, brass, or any other material.
The sheet 84 may be curved in any other suitable form than is shown in Figure 5, and may include a flat middle portion. By suitably adjusting the tension required and suitably choosing the dimensions and also the elasticity o! it, one
can obtain any wanted elastic and nevertheless damping support, such damping being due to the infier friction in the sheet while under tension. Of course, it is possible 'to combine three or more such sheets, as is known to be done in the case of regular springs.
It is to be understood that according to the invention the support (bridge) may either be arranged separately for each of the strings present,
' as shown in Figs. 1 to 5, or for a pair of strings present, as shown in Figs. 6, 7, or for a plurality of strings, as shown in Fig. 10 where the ends of a multitude of strings ll are fastened to keys 30 and supported by a bridge 84, 26, I4 in accordance with *the invention. If co-ordinating a plurality 'of supports to a plurality of strings, the supports may be equal among themselves or difier from each other insofar as elasticity and damping action is concerned by correspondingly dimensioning the co-ordinating parts and choosin'g the material thereof.
what I claim is:
1. In a system for reproducing sounds, comprising a stringed musical non-resonant instrument, the strings of which are stretched between their ends' over a support carried by a nonresonant frame and capable of being mechanically actu'ated to vibrate; electrical means arranged close tosaid strings adapted to be electrically influenced directly by said strings themselves on vibrating; amplifying means of the so directly induced electrical impulses and means for acoustically reproducing the so amplified impulsesthe novel feature of a support for said strings, said support capable of vibrating at selected frequencies within the audible frequency range of vibrations of said strings, thereby damping said selected vibrations of said strings.
2. In a system for reproducing sounds, comprising a stringed musical non-resonant instrument, the strings of which are stretched between their ends over a support carried 'by a nonresonant frame and capable of being mechanically actuated to vibrate; electrical means arranged close to said strings adapted to be'electrically influenced directly by said strings themselves on vibrating; amplifying means of. the so directly induced electrical impulses and means for acoustically reproducing the so amplified impulses-the novel feature of an elastic and resilient, support for said strings, said support due to its elasticity capable of vibrating at selected requencies of ;vibrations within the audible frequency range of vibrationsof said strings, thereby damping said selected vibrations, while resiliently supporting said strings when vibrating at other requencies without substantially damping said last mentioned vibrations.
3. In a system according to claim 2, said novel support being adapted to quicker damp harmonics contained in the vibrations of said strings than the 'basic vibrations.
4. In a system according to claim 2, said novel support being adapted to absorb the relatively small energy of harmonics contained in the vibrations of said strings.
5. In a system according' to claim 2, said novel support comprising an elastic case stuffed with damping material.
6. In a system according to claim 2, said novel support consisting of 'elastic and, damping material.
7. In a system according to claim 2, said novel support consisting of at least two sheets of steel and at least one layer of damping material.
8. In a system according to claim 2, said novel support comprising at least two sheets of resonant frame and capable of being mechanically actuated to vibrate; electrical means arranged close to said strings adapted to be electrically influenced directly by said strings themselves on vibrating; amplifying means of the so directly induced electrical impulses and means for acoustically reproducing the so amplified impulses-the novel feature of at least two strings being provided for producing the same sound; a rigid support for one and an elastic and resilient support for another of said strings.
11. In a. system according to claim 10, separate electromagnetic means arranged close to each of said difierently supported strings.
12. In a system for reproducing sounds, comprising a, stringed musical non-resonant instrument, the strings of which are stretched between their ends over a support carried by a nonresonant frame and capable of being mechanicalfrequency range of said strings, thereby damping' the selected vibrations of said strings, the frequencies at which said supports are capable of vibrating being dierent for at least two supports.
WAL'I'I-IER NERNST.
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Cited By (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2627555A (en) * 1950-04-13 1953-02-03 Luberoff Louis Method and apparatus for sound recording and reproducing
US3049958A (en) * 1959-02-13 1962-08-21 Baldwin Piano Co Electro-piano
US3069955A (en) * 1958-10-20 1962-12-25 Meridan Corp Piano string and frame assembly
US3080785A (en) * 1958-08-25 1963-03-12 Atuk Corp Electroacoustic tone modifying systems for stringed musical instruments

Cited By (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2627555A (en) * 1950-04-13 1953-02-03 Luberoff Louis Method and apparatus for sound recording and reproducing
US3080785A (en) * 1958-08-25 1963-03-12 Atuk Corp Electroacoustic tone modifying systems for stringed musical instruments
US3069955A (en) * 1958-10-20 1962-12-25 Meridan Corp Piano string and frame assembly
US3049958A (en) * 1959-02-13 1962-08-21 Baldwin Piano Co Electro-piano

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