US1996669A - Electrical musical instrument - Google Patents

Electrical musical instrument Download PDF

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US1996669A
US1996669A US712724A US71272434A US1996669A US 1996669 A US1996669 A US 1996669A US 712724 A US712724 A US 712724A US 71272434 A US71272434 A US 71272434A US 1996669 A US1996669 A US 1996669A
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rings
undulating
musical instrument
ring
potential
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US712724A
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Bourn Leslie Edwin Alexander
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H3/00Instruments in which the tones are generated by electromechanical means
    • G10H3/03Instruments in which the tones are generated by electromechanical means using pick-up means for reading recorded waves, e.g. on rotating discs drums, tapes or wires
    • G10H3/10Instruments in which the tones are generated by electromechanical means using pick-up means for reading recorded waves, e.g. on rotating discs drums, tapes or wires using capacitive pick-up means

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  • This invention relates to electrical musical instruments and has for its object the provision of an improved musical instrument which, while being without organ'pipes, will in general fulfil the function of an organ, or any other musical instrument.
  • the invention consists broadly in the arrangement that each note is produced by an undulating potential electrostatically induced in a secondary element by relative movement between said secondary element and aprimary element which is charged, one of said elements being of undulating formation.
  • Figure 1 is a fundamental diagram of connections illustrating the manner of generation of each individual partial note.
  • Figure 2 illustrates the correlation between the generators for six octaves of a given note (together with their partials), and the six corresponding keys of the keyboard.
  • Figure 3 illustrates the operation of the stops for predetermining the quality of the notes.
  • Fig. 4 illustrates in cross szction the structure of a generator unit comprising the generators for six octaves of a given note together with their partials.
  • Fig. 5 is a sectional view of the electrically secondary element 4 of Fig. 4.
  • Fig. 6 is a plan of the portion of the generator unit which carries the primary elements.
  • each individual note is produced by the application of an undulating potential of the required frequency to a common amplifier l which supplies a loud speaker 2 ( Figure 1).
  • This undulating potential is generated by means of a generator consisting of a ring 3 of conducting material having an undulating form as will hereinafter appear and an electrode '4 which revolves about the axis of said ring keeping close thereto.
  • This electrode 4 is connected to the said amplifier I and when the ring is connected to a source of potential an undulating potential will be electrostatically induced on the electrode 4 of a frequency depending on the speed of rotation of said electrode and the distance apart of the undulations of the ring 3.
  • This undulating potential will be applied to the amplifier l and a musical note, whose pitch depends on the said frequency and whose intensity depends on the REI-SSUE-i) potential to which the ringwas raised, will be emitted from the loud speaker 2.
  • the sourceof potential may be any suitable source and the connection of said ring 3 to said. source is through the medium of a bus bar 6 adapted to be connected to the ring 3 by means of a contact I on a key 8 and adapted to be connected to said source by means of a contact 9 on a stop III.
  • rings 3 for the partials of all six octaves of each note are included in one se'; so that there are in all twelve sets of rings 3 each set having associated with it six keys 8.
  • each set is co-planar and concentric with one another, being mounted on a common insulating disc 12 ( Figure 4).
  • a common electrode 4 serves for each set and takes the form of a radial arm rotating about. the axis of the set and passing over the surfaces of all the rings.
  • different partials of different octaves are of the same pitch but it is preferable to provide a ring proper to each partial in every case so that the total number of rings in each set is six times eight or forty eight, the eight partials of the lowest octave being generated by the first eight rings, that of the next lowest octave by the next eight rings and so on.
  • each set of generatorsis made identical and the whole tempered musical scale is covered by rotating the successive electrode arms 4 of each set at a speed of times that of the preceding.
  • Each of the six keys 8 associated with each set of rings is provided with eight contacts I for the eight partials of the octave represented by that particular key, each contact 1 being connected to the appropriate ring as illustrated in Figure 2.
  • bus bars 6 Eight of the bus bars 6 are provided which are common throughout the whole scale and it will be seen from Figure 2 that when any key 8 is depressed all of its contacts 1 will be connected to respective bus bars, the first to the first bus bar, the second to the second bus bar and so on.
  • the energization of the bus bars is controlled by the stops l0.-
  • Each of the stops is has a number of the contacts a each connected to the source of potential, which contacts 9 when the stop is drawn, engage with, and efiect energization of,
  • a stop '50 is illustrated by way of example in Figure 3 which upon depression eifects energization of the first, third and seventh of the bus bars 0 so that when this stop is drawn the subsequent'depression of each key 8 willsound the first, third and seventh partial'of the note appertaining to that key.
  • Each bus bar 6 is permanently connected to earth through a resistance ii to say 100,000 ohms and its connection to the source of potential by each contact 9 is through an independent path including a resistance 93 of the same order.
  • Each contact i is connected to its proper ring 3 through an adjustable resistance i l and a leak W of say 20 megohms in series, a leak I 9 of say 5 megohms extending to earth from a point between said resistance 88 and leak i6, and a condenser 20 being connected between the earth and the ring 3.
  • the adjustable resistance It is adjusted once and for all after the whole apparatus is assembled until the correct sound intensity is generated'from that particular ring 3.
  • the purpose of the condenser 20 is that of causing the potential of the ring 3 to build up slowly when the contact 1 engages the bus bar 8 thereby preventing a s'harpsound from being generated immediately contact is established.
  • - Figure 4 illustrates the structional details of one of the generator units showing the forty eight rings 3 mounted on the insulating disc i2, and the common arm 4 rotatable about the axis of said rings.
  • said arm 0 is mounted on a spindle i5 carrying a driving pulley l5,'a counter weight ll being provided for counter-balancing the weight of said arm.
  • said arm d is of i section presenting a relatively sharp edge to the rings 3.
  • the rings 3 are constituted by first providing the insulating disc 6 2 with a coating of graphita'then dividing this coating into rings by means of concentric circular cuts C (Fig. 6) and finally dividing each such ring into a pair of rings by means of a longitudinal sine wave cut C? of the required wavelength; 0f the pair of rings thus produced one is earthed, as an alternative to its being removed.
  • the other constitutes the ring 3.
  • An electrical musical instrument comprising a group of primary elements consisting of coaxial circular rings of undulating formation, means for selectively electrically charging said primary elements, a common secondary element for said coaxial primary elements, means for rotating said secondary element about the center of said primary elements, whereby undulating potentials corresponding to the undulating lormation of the primary elements are electrostatically induced in said secondary elements, .Iand means connected to saidsecondary element responsive to the undulating potentials electrostatically induced therein for generating musical notes of pitch corresponding to'the frequencies of undulation.
  • An electrical musical instrument comprising a plurality of groups of primary elements, each group comprising a plurality of coaxial circular rings of'undulating formation, means for selectively electrically charging said primary elements,
  • Ar -electrical musical instrument comprising an insulation base, a layer of graphite on said base, said layer having therein a plurality of alternate coaxial circularand undulating layers of division, thereby forming a plurality of (coaxial rings of graphite of undulating formation, means for grounding alternate of said means for selectively electrically charging the remainder of said rings, a secondary element common to said rings, means for rotating said secondary element in proximity to said rings about the common axis thereof whereby undulating potentials corresponding to the undulating formations of the charged rings are electrostatically induced in said secondary element, and means connected to said secondary element responsive to undulating potentials electrostatically induced therein for generating musical notes of pitch corresponding to the frequencies of undulation;

Description

April 2, 1935. 1.. E. A. BOURN ELECTRICAL MUSICAL INSTRUMENT Y 5 Sheets-Sheet 1 Filed Feb. 24, 1934 April 1935. L. E. A. BOURN 1,996,669
ELECTRICAL MUS ICAL INSTRUMENT Filed Feb. 24, 1934 3 Sheets-Sheet 2 h7g6 j 5 1 g .5 T I a 4 \Nh \1 April 2, 1935. L, E.. A. BouRN ELECTRICAL MUS ICAL INSTRUMENT 3 Sheets-Sheet 5 Filed Feb. 24, 1934 Patented Apr-. 2, 1935 PATENT OFFICE ELECTRICAL MUSICAL INSTRUMENT Leslie Edwin Alexander Bourn, Ashiord, England Application February 24, 1934, Serial N0. 712,724
In Great Britain June 28, 1932 4 Claims.
' This invention relates to electrical musical instruments and has for its object the provision of an improved musical instrument which, while being without organ'pipes, will in general fulfil the function of an organ, or any other musical instrument.
The invention consists broadly in the arrangement that each note is produced by an undulating potential electrostatically induced in a secondary element by relative movement between said secondary element and aprimary element which is charged, one of said elements being of undulating formation.
In order that the invention may be the, more clearly understood an electric organ in accordance therewith will now be described, reference being made to the accompanying drawings wherein:--
Figure 1 is a fundamental diagram of connections illustrating the manner of generation of each individual partial note.
Figure 2 illustrates the correlation between the generators for six octaves of a given note (together with their partials), and the six corresponding keys of the keyboard.
Figure 3 illustrates the operation of the stops for predetermining the quality of the notes.
Fig. 4 illustrates in cross szction the structure of a generator unit comprising the generators for six octaves of a given note together with their partials.
Fig. 5 is a sectional view of the electrically secondary element 4 of Fig. 4.
Fig. 6 is a plan of the portion of the generator unit which carries the primary elements.
In this organ each individual note is produced by the application of an undulating potential of the required frequency to a common amplifier l which supplies a loud speaker 2 (Figure 1).
This undulating potential is generated by means of a generator consisting of a ring 3 of conducting material having an undulating form as will hereinafter appear and an electrode '4 which revolves about the axis of said ring keeping close thereto. This electrode 4 is connected to the said amplifier I and when the ring is connected to a source of potential an undulating potential will be electrostatically induced on the electrode 4 of a frequency depending on the speed of rotation of said electrode and the distance apart of the undulations of the ring 3. This undulating potential will be applied to the amplifier l and a musical note, whose pitch depends on the said frequency and whose intensity depends on the REI-SSUE-i) potential to which the ringwas raised, will be emitted from the loud speaker 2.
-The sourceof potential may be any suitable source and the connection of said ring 3 to said. source is through the medium of a bus bar 6 adapted to be connected to the ring 3 by means of a contact I on a key 8 and adapted to be connected to said source by means of a contact 9 on a stop III.
In the instrument being described by way of example I will suppose there are seventy two keys, that is to say the keys for six octaves of each of the twelve notes of the tempered scale. Each of the octaves in the arrangement being described is capable of being produced with eight partials though in practice this number would probably be increased.
In practice the rings 3 for the partials of all six octaves of each note are included in one se'; so that there are in all twelve sets of rings 3 each set having associated with it six keys 8.
The rings 3 of each set are co-planar and concentric with one another, being mounted on a common insulating disc 12 (Figure 4). A common electrode 4 serves for each set and takes the form of a radial arm rotating about. the axis of the set and passing over the surfaces of all the rings. In certain cases different partials of different octaves are of the same pitch but it is preferable to provide a ring proper to each partial in every case so that the total number of rings in each set is six times eight or forty eight, the eight partials of the lowest octave being generated by the first eight rings, that of the next lowest octave by the next eight rings and so on.
In practice each set of generatorsis made identical and the whole tempered musical scale is covered by rotating the successive electrode arms 4 of each set at a speed of times that of the preceding.
Each of the six keys 8 associated with each set of rings is provided with eight contacts I for the eight partials of the octave represented by that particular key, each contact 1 being connected to the appropriate ring as illustrated in Figure 2.
Eight of the bus bars 6 are provided which are common throughout the whole scale and it will be seen from Figure 2 that when any key 8 is depressed all of its contacts 1 will be connected to respective bus bars, the first to the first bus bar, the second to the second bus bar and so on.
Thus the note appertaining to that key will be produced in a quality which depends upon which of the eight bus bars are energized.
The energization of the bus bars is controlled by the stops l0.- Each of the stops is has a number of the contacts a each connected to the source of potential, which contacts 9 when the stop is drawn, engage with, and efiect energization of,
selected ones of the bus bars 6 according to the,
quality of notes which it is required to be produced by the keys. A stop '50 is illustrated by way of example in Figure 3 which upon depression eifects energization of the first, third and seventh of the bus bars 0 so that when this stop is drawn the subsequent'depression of each key 8 willsound the first, third and seventh partial'of the note appertaining to that key.
Each bus bar 6 is permanently connected to earth through a resistance ii to say 100,000 ohms and its connection to the source of potential by each contact 9 is through an independent path including a resistance 93 of the same order. Thus when the bus bar a is energized through two difierent contacts 9 simultaneously, owing to two 1 different stops I 0 being simultaneously actuated, its potential will be higher than if it were energized through only one of said contacts and thus the correct additive efiect will be obtained.
Each contact i is connected to its proper ring 3 through an adjustable resistance i l and a leak W of say 20 megohms in series, a leak I 9 of say 5 megohms extending to earth from a point between said resistance 88 and leak i6, and a condenser 20 being connected between the earth and the ring 3. The adjustable resistance It is adjusted once and for all after the whole apparatus is assembled until the correct sound intensity is generated'from that particular ring 3. The purpose of the condenser 20 is that of causing the potential of the ring 3 to build up slowly when the contact 1 engages the bus bar 8 thereby preventing a s'harpsound from being generated immediately contact is established.
-Figure 4 illustrates the structional details of one of the generator units showing the forty eight rings 3 mounted on the insulating disc i2, and the common arm 4 rotatable about the axis of said rings. As shown said arm 0 is mounted on a spindle i5 carrying a driving pulley l5,'a counter weight ll being provided for counter-balancing the weight of said arm. As shown said arm d is of i section presenting a relatively sharp edge to the rings 3. 1
In practice the rings 3 are constituted by first providing the insulating disc 6 2 with a coating of graphita'then dividing this coating into rings by means of concentric circular cuts C (Fig. 6) and finally dividing each such ring into a pair of rings by means of a longitudinal sine wave cut C? of the required wavelength; 0f the pair of rings thus produced one is earthed, as an alternative to its being removed. The other constitutes the ring 3.
For the avoidance of confusion, only enough of the cuts C and C have been shown in Fig. 6 to show the inner seven and the outer six of the I rings 3, actually the whole space X will be filled Patent is:-
menses 1. An electrical musical instrument compris ing a group of primary elements consisting of coaxial circular rings of undulating formation, means for selectively electrically charging said primary elements, a common secondary element for said coaxial primary elements, means for rotating said secondary element about the center of said primary elements, whereby undulating potentials corresponding to the undulating lormation of the primary elements are electrostatically induced in said secondary elements, .Iand means connected to saidsecondary element responsive to the undulating potentials electrostatically induced therein for generating musical notes of pitch corresponding to'the frequencies of undulation.
' 2. An electrical musical instrument comprising a plurality of groups of primary elements, each group comprising a plurality of coaxial circular rings of'undulating formation, means for selectively electrically charging said primary elements,
common secondary elements-one for each group of coaxial primary elements, means for rotating each of said secondary elements about the center of the corresponding group of primaryelements,
ringsabout the common axis thereof whereby un- I d'ulating potentials corresponding to the'undulating formations of the charged rings are' electrostatically induced in said secondary element, and means connected to said secondary element responsive to the undulating potentials electrostatically induced therein for generating musical notes of pitch corresponding to the frequencies oi undulation. r v
d. Ar -electrical musical instrument comprising an insulation base, a layer of graphite on said base, said layer having therein a plurality of alternate coaxial circularand undulating layers of division, thereby forming a plurality of (coaxial rings of graphite of undulating formation, means for grounding alternate of said means for selectively electrically charging the remainder of said rings, a secondary element common to said rings, means for rotating said secondary element in proximity to said rings about the common axis thereof whereby undulating potentials corresponding to the undulating formations of the charged rings are electrostatically induced in said secondary element, and means connected to said secondary element responsive to undulating potentials electrostatically induced therein for generating musical notes of pitch corresponding to the frequencies of undulation;
LESLIE EDWIN ALEXANDER BOURN.
coaxial rings, and
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Cited By (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US7514626B1 (en) 2007-12-14 2009-04-07 John Jerome Snyder Method and apparatus for electrostatic pickup for stringed musical instruments

Cited By (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US7514626B1 (en) 2007-12-14 2009-04-07 John Jerome Snyder Method and apparatus for electrostatic pickup for stringed musical instruments

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