KR20170059288A - Method for manufacturing industrial arts using paper from coir - Google Patents

Abstract

Provided is a method for producing a handicraft using hemp paper, enabling the production of handicrafts which is different from conventional Korean paper art using hemp paper obtained by boiling and bleaching coir fibers. According to the present invention, by applying specific, rough, and three-dimensional textures of hemp paper, it is possible to produce three-dimensional handicrafts inexpensively while keeping textures of the handicrafts with a unique method which is totally different from Korean paper art.

Description

TECHNICAL FIELD [0001] The present invention relates to a method for manufacturing artifacts,

The present invention relates to a method of manufacturing artifacts, and more particularly, to a method of manufacturing artifacts using margies, which can produce artifacts different from existing traditional artifacts by using paper made by bleaching coconut fiber (coir) .

Craftwork is a product which is practical to add value to artistic and ornamental value for practical use. It is used to add decorative items to practical items such as baskets, furniture and desks, It enhances artistic value by adding color. There are various kinds of these crafts, such as woodwork, Hanji craft, porcelain crafts, and metal crafts, depending on the material of the craft.

These crafts are made of artistic forms of the exterior, and they are decorated with paintings, patterns and various pigments in general shapes to improve the decoration, and the materials which improve the preservability and the wateriness are painted on the outside, And enhances the artistic value by attaching materials such as mother-of-pearl that are excellent in gloss and decorative material.

Among them, in the case of Hanji handicrafts, Korean paper made from mulberry or mulberry mulberry is colored with natural dyes and added to the frame made of papyrus or paulownia tree or lumber, and the pattern is put in several times, and red, blue, It is made of comforters, bowls, bangles, complementary, combs, cigarette pouches, triple boxes, gobies, etc., and is now widely used as a sphere-shaped lighting cover and doll-shaped props.

Such Korean paper crafts have a drawback in that they are not suitable for mass production because they require a very thin and fine texture of Korean paper to be made by adding several sheets of paper to the surface of the frame, so that the manufacturing process is very troublesome and the manufacturing time is excessive.

In addition, the price of Korean paper is so high that it can not meet the needs of consumers who want to enjoy various types of handicrafts at low prices.

On the other hand, embroidery patterns are used to give a sense of dimension to Korean traditional artifacts. In order to form embossed patterns on Hanji crafts, the gypsum is poured into a certain shape of the mold and dried. Then, the molds are removed to form embossed patterns, or a solid embossed pattern is applied on the surface of Korean paper artifacts Korean Patent Laid-Open Publication No. 10-2010-0113918 (published on 22nd October, 2010) discloses a method for forming embossed patterns of Korean paper crafts which can be expressed easily, quickly, and variously.

However, in the conventional embossing pattern forming method such as the open patent, it is convenient to form the embossing pattern quickly by discharging the molten liquid melt through the nozzle, but the embossing pattern formed by the melter itself is dignified and elegant that the craftwork should have Since it can not provide the embossed pattern, it is made in the form of sticking Korean paper on it. Therefore, due to the limitations of the material of the Korean paper, it is difficult to provide a new three-dimensional feeling together with the texture of the article itself while covering the surface of the rough article such as ceramics or stone.

KR 10-2013-0055722 A (Released on May 29, 2013) KR 10-2010-0113918 A (Released on October 22, 2010) KR 10-0693323 B1 (Registered on March 5, 2007)

The object of the present invention for solving the above-mentioned problems is to manufacture a three-dimensional artifact while utilizing the texture of the article in a completely different manner from the traditional arts of Korean paper by utilizing not only the beautiful texture of Korean paper, but also the rough and three- And to provide a method for manufacturing artifacts using marjou.

According to another aspect of the present invention, there is provided a method of manufacturing a craft using marge, comprising the steps of: preparing one of marge and porcelain, wood, paper, stone, glass, and plastic; Tearing the marginal hand according to the surface size of the prepared article; Producing an adhesive to adhere the torn margins to the surface of the article; Attaching the torn margins to the surface of the article using the adhesive; Producing a solid material to be loaded on the surface of the article to which it is attached; Placing the produced high-polymer material on the surface of the article to form a trowel representing lines and patterns; Drying the formed tombstones for 12 to 24 hours; Sanding the surface of the primary dried tomb; A step of grinding the surface of the trowel and preparing a submerged sap to catch the entirety of the article; Catching the manufactured submerged sap on the entire surface of the article; Secondarily drying the glue-catching article for 2 to 10 hours; A third step of catching the binder on the burden of the secondarily dried article and drying until the catching binder becomes sticky; Cutting the gold foil to be loaded on the buried mounds to an appropriate size; A step of raising and cutting the cut gold foil on the tomb; And coloring the surface of the article except the colored mounds.

At this time, in the method for manufacturing artifacts using the marge according to the present invention, the adhesive for attaching the torn margins to the surface of the article includes a glue boiled by water, a glue paste for glueing the glutinous rice powder into water, : 1: 3 by volume ratio.

In addition, in the method for manufacturing artifacts using the marge according to the present invention, the flour material to be put on the surface of the marginally attached article may be one of dolomite powder or wheat flour, industrial bond and glue in a volume ratio of 12: 3: , And the mixture is kept at room temperature for 12 to 24 hours, then mixed again, and sieved.

In the method for manufacturing artifacts using marge according to the present invention, the submerged sap is prepared by mixing gold paste, glue, wood bond and water in a volume ratio of 6: 1: 2: 24, .

In addition, in the method for manufacturing artifacts using the marge according to the present invention, the binder which catches the tombstones of the secondary dried product may be a natural lacquer paint prepared from a raw liquor of natural lacquer and a lacquer replacement coating And a binder which is a transparent paint used for painting.

Further, in the method for manufacturing artifacts using a marge according to the present invention, the step of capturing the binder in the mounds of the secondarily dried article and performing the tertiary drying until the catching binder is tacky is characterized in that the binder is a natural paint If the binder is a cashew which is a chemical paint, it is dried in a hot air fan or in the sun for 5 to 20 hours while maintaining the humidity at 70 to 85% at 20 to 25 ° C. If the binder is a transparent paint If the binder is a binder, it is dried at room temperature for 1 to 3 hours, and then the binder is trapped in the burden of the secondary dried article and dried, and the process is repeated 5 to 10 times.

In the method for manufacturing artifacts using marge according to the present invention, the step of raising and finishing the cut gold foil on the tombstones comprises the steps of picking up the cut-out gold foil with a bamboo tongs and placing on the tombstones, It is preferable to attach and polish the gold foil.

As described above, the present invention has the effect of producing a three-dimensional handicraft product while utilizing the texture of the article in a unique method that is completely different from the hanji technique by utilizing a rough and solid three-dimensional characteristic texture.

In addition, the present invention has the effect of manufacturing artifacts that add a sense of three-dimensional effect and a sense of three-dimensional harmony with the texture of the article itself, in addition to the aesthetics imparted by the hand-made artifacts, while gradually replacing expensive Korean paper at low cost.

FIG. 1 is a schematic view of a process according to the present invention,
Figs. 2 to 10 are photographs for explaining respective examples of the respective steps in Fig. 1; Fig.

DETAILED DESCRIPTION OF THE PREFERRED EMBODIMENTS Hereinafter, embodiments of a method for manufacturing artifacts using marge according to the present invention will be described in detail with reference to the drawings. It is to be understood that both the foregoing general description and the following detailed description are exemplary and explanatory and are intended to provide further explanation of the invention as claimed.

It is to be understood that both the foregoing general description and the following detailed description are exemplary and explanatory and are intended to provide further explanation of the invention as claimed. , ≪ / RTI > equivalents, and alternatives. In the following description of the present invention, detailed description of known functions and configurations incorporated herein will be omitted when it may make the subject matter of the present invention rather unclear.

Unless defined otherwise, all terms used herein, including technical or scientific terms, have the same meaning as commonly understood by one of ordinary skill in the art to which this invention belongs. It is to be understood that the same terms as those defined in the commonly used terms are defined in consideration of the functions of the present invention and are to be construed in accordance with the technical idea of the present invention and the meaning commonly understood or commonly recognized in the technical field And is not to be construed as an ideal or overly formal sense unless expressly defined to the contrary.

FIG. 1 is a view showing a rear end process according to the present invention. Referring to FIG. 2 to FIG. 10, a method of manufacturing a craft using a marge according to the present invention will be described in detail.

In the method of manufacturing a craft using the marge according to the present invention, the marge and the article are prepared in step 101. An example of the last item prepared in step 101 is shown in Fig. In addition to the pottery shown in FIG. 2, a variety of articles such as wood, paper, stone, glass, and plastic can be used as the artifacts to be made into a craft using the marge.

When the article and the article are ready, prepare the article in step 103 by tearing it appropriately according to the size of the article to be worked beforehand. Fig. 3 shows the margins torn in various sizes depending on the size of the article. Meanwhile, as shown in FIG. 2 and FIG. 3, white margins may be used, and margins may be dyed in various colors as necessary.

In step 105, an adhesive agent is attached to the article, which is torn in step 103. The glue is made by mixing glue, glue paste and wood bond. The glue is called water and boiled. The glutinous rice paste is made by loosening glutinous rice flour into water and mixing with wood bond bond in volume ratio of 1: 1: 3 . By using the adhesive prepared in the step 105, it is possible to remove the hardness of the glue and the protrusion of the particles, and to prevent the glue sticking phenomenon when only the glue paste is used.

In step 107, the adhesive that is torn in step 103 is added to the article using the adhesive manufactured in step 105. When adding a marge to an item, attach the marginal and marginal seams so that they are not covered. The process of attaching the article to the article using an adhesive is shown in Figs. 4 and 5.

Then, in step 109, a solid material to be placed on the surface of the article to which the last is added in step 107 is prepared. The tombstones are made by mixing dolomite (talc) powder with glue and industrial bond, which is hardened when the tombstones are loosened and then hardened. At this time, wheat flour may be used in addition to talc, and a small amount of pigment may be added and mixed. Briefly, the production process of the silicate material is described in detail. Mix the talc, the bond and the glue in a volume ratio of 12: 3: 1, maintain the mixture at room temperature for 12 to 24 hours, mix again and sieve.

When the solid material is prepared in step 109, the prepared solid material is loaded on the surface of the finally attached article. The tombs are used to smoothly connect the marginal part of the surface of the article or the marginal seam finish, or to express various lines and beautiful patterns on the surface of the article. It is preferable that the solid material prepared in the step 109 is raised on the surface of the article using a synthetic bag or the like. The thickness of the tombstones laid on the surface of the article can be controlled using a syringe pouch having different outlet diameters. FIG. 6 shows a state in which the tombstones are raised in various lines and patterns by using a milking bag and a process of raising tombstones.

In step 113, the tombstones are first dried for 12 to 24 hours. The state of the dried tomb is a state in which the marks do not remain or do not fall even when scratched or pressed with the nails. After drying sufficiently, the sandpaper is subjected to sandpapering to finely grind the surface of the tomb with sandpaper in step 115.

Next, the glue catcher is performed in step 117 with respect to the entire surface of the article to which the marginal is added and the burial mound is raised. Hypoallergenic sap for glue catchers is prepared by mixing gold and glue, wood bond and water. Gold, glue, wood bond and water are mixed at a volume ratio of 6: 1: 2: 24, and then sieved once.

The article with glue catcher performs the second drying in step 119. Secondary drying is carried out at room temperature for 2 to 10 hours, and the drying time may vary depending on the season. Fig. 7 shows an article having a dried surface after glue bleaching.

After drying in step 119, in step 121, a binder such as lacquer, kashu or binder is caught in the tomb as a preliminary step for applying the gold to the tombs raised in step 111. [ Lacquer is a natural paint made from undiluted lacquer. Lacquer is a chemically manufactured lacquer replacement paint. Binder is a transparent paint used for painting. In step 121, the binder is caught, and then in step 123, the third drying is performed. The third drying is a step of drying at room temperature or wind until it becomes sticky, and the binder catcher in step 121 and the tertiary drying in step 123 are repeated 5 to 10 times. That is, the process of applying the binder to the burial mound and drying and then repeating the process of applying the binder again and drying is repeated 5 to 10 times until the binder painted on the burial mound becomes sticky.

In this case, the tertiary drying of step 123 requires different drying conditions and time depending on the kind of the binder. The natural lacquer is dried at 20 to 25 ° C for 5 to 20 hours while maintaining a relative humidity of 70 to 85% Kashu, a chemical paint, is dried in a hot air or sunlight for 5 to 20 hours, and the binder is dried at room temperature for 1 to 3 hours. If the tertiary drying of step 123 is not performed properly, air bubbles may occur.

Next, in step 125, the gold foil to be raised on the tomb is cut to an appropriate size. The gold leaf to be cut is rehabilitated in step 127 on the burial mound, which has been dried in step 123 and remains sticky. FIG. 8 shows a gold leaf cutting process in step 125 and a redrawing process in step 127. In step 127, the thin gold foil is cut to a proper size, the cut foil is placed on the tombstones, then rubbed gently to bond and polish the tombstones, and then the foil pieces on the untouched binder side are removed . At this time, since the gold leaf is very thin, it is preferable to use a tool such as bamboo forceps for holding the gold leaf, and it is preferable to perform the gold leaf work by using the nylon glove so that the luster does not adhere to the hand even in the luster process.

When the finishing operation of step 127 is completed, the process proceeds to step 129, and the coloring process is completed to finally complete the manufacturing process of the artifact using the last finish. The paint used in the coloring of step 129 can be either aqueous or oily. FIG. 10 shows an example of a finished craftwork finished according to the method of manufacturing a craft using the marge according to the present invention. Meanwhile, the color of the article may be colored with the last color added to the surface of the article, or the color of the color previously colored with the color may be prepared and used in step 101.

As described above, according to the present invention, there is provided a systematic and original method of manufacturing artifacts using a rough and three-dimensional margine, so that, in contrast to conventional artifacts using traditional Korean paper, Even if no other treatment is performed at the last stage of the surface, the effect of the extremely special and elegant texture can be obtained by complimenting the projected surface of the article.

Although the preferred embodiments of the present invention have been disclosed for illustrative purposes, those skilled in the art will appreciate that various modifications, additions and substitutions are possible, without departing from the scope and spirit of the invention as disclosed in the accompanying claims. Therefore, the scope of the present invention should not be limited by the described embodiments, but should be determined by the scope of the appended claims and equivalents thereof.

Claims (7)

Preparing an article of any one of marge and porcelain, wood, paper, stone, glass, and plastic;
Tearing the marginal hand according to the surface size of the prepared article;
Producing an adhesive to adhere the torn margins to the surface of the article;
Attaching the torn margins to the surface of the article using the adhesive;
Producing a solid material to be loaded on the surface of the article to which it is attached;
Placing the produced high-polymer material on the surface of the article to form a trowel representing lines and patterns;
Drying the formed tombstones for 12 to 24 hours;
Sanding the surface of the primary dried tomb;
A step of grinding the surface of the trowel and preparing a submerged sap to catch the entirety of the article;
Catching the manufactured submerged sap on the entire surface of the article;
Secondarily drying the glue-catching article for 2 to 10 hours;
A third step of catching the binder on the burden of the secondarily dried article and drying until the catching binder becomes sticky;
Cutting the gold foil to be loaded on the buried mounds to an appropriate size;
A step of raising and cutting the cut gold foil on the tomb; And
And coloring the surface of the article except for the unfolded tombstones.
The method according to claim 1, wherein the adhesive for attaching the torn margins to the surface of the article comprises:
The method of manufacturing a craft using marge, which comprises mixing the boiled glue which is called water, the glutinous rice paste obtained by dissolving glutinous rice flour into water, and the wood bond bond at a volume ratio of 1: 1: 3.
The method according to claim 1, wherein the solid material to be put on the surface of the article,
Dolomite powder or flour, industrial bond and glue in a volume ratio of 12: 3: 1, maintaining the mixture at room temperature for 12 to 24 hours, mixing again, and sieving. How to make crafts using.
The method as claimed in claim 1,
Gold, glue, wood bond and water are mixed at a volume ratio of 6: 1: 2: 24 and then sieved once.
The method according to claim 1, wherein the binder which catches on the mounds of the secondarily dried article,
Characterized in that the natural lacquer paint is a natural lacquer paint prepared from a raw lacquer of natural lacquer, a lacquer replacement paint which is chemically manufactured, and a binder which is a transparent paint used for painting.
The method according to claim 5, wherein the step of capturing the binder to the burden of the secondary dried article and drying the binder until the catching binder becomes tacky,
If the binder is a natural paint, it is dried at 20 to 25 ° C for 5 to 20 hours while maintaining a humidity of 70 to 85%
If the binder is a cashew which is a chemical paint, it is dried in a hot air fan or in the sun for 5 to 20 hours,
If the binder is a transparent paint binder, it is dried at room temperature for 1 to 3 hours,
Wherein the process for catching and drying the binder on the secondary product dried product is repeated 5 to 10 times.
The method according to claim 1, wherein the step of raising and finishing the cut-
Wherein the cut gold foil is picked up by bamboo tongs and put on the tombstones, and the gold foil is attached and polished to the tombstones with nylon gloves.

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