EP4131264A1 - Digital audio signal processing - Google Patents
Digital audio signal processing Download PDFInfo
- Publication number
- EP4131264A1 EP4131264A1 EP21190169.9A EP21190169A EP4131264A1 EP 4131264 A1 EP4131264 A1 EP 4131264A1 EP 21190169 A EP21190169 A EP 21190169A EP 4131264 A1 EP4131264 A1 EP 4131264A1
- Authority
- EP
- European Patent Office
- Prior art keywords
- sampling frequency
- channel
- section
- insert
- working
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Withdrawn
Links
- 230000005236 sound signal Effects 0.000 title claims abstract description 29
- 238000005070 sampling Methods 0.000 claims abstract description 129
- 238000000034 method Methods 0.000 claims abstract description 25
- 238000004590 computer program Methods 0.000 claims description 7
- 230000007423 decrease Effects 0.000 claims description 5
- 230000003247 decreasing effect Effects 0.000 claims description 4
- 238000004422 calculation algorithm Methods 0.000 description 3
- 230000000694 effects Effects 0.000 description 3
- 238000004519 manufacturing process Methods 0.000 description 3
- 230000008569 process Effects 0.000 description 2
- 230000009467 reduction Effects 0.000 description 2
- 230000008901 benefit Effects 0.000 description 1
- 238000004364 calculation method Methods 0.000 description 1
- 230000008859 change Effects 0.000 description 1
- HPNSNYBUADCFDR-UHFFFAOYSA-N chromafenozide Chemical compound CC1=CC(C)=CC(C(=O)N(NC(=O)C=2C(=C3CCCOC3=CC=2)C)C(C)(C)C)=C1 HPNSNYBUADCFDR-UHFFFAOYSA-N 0.000 description 1
- 230000001934 delay Effects 0.000 description 1
- 239000012467 final product Substances 0.000 description 1
- 230000006872 improvement Effects 0.000 description 1
- 230000001151 other effect Effects 0.000 description 1
- 230000004044 response Effects 0.000 description 1
- 230000001629 suppression Effects 0.000 description 1
- 230000009466 transformation Effects 0.000 description 1
- 230000001960 triggered effect Effects 0.000 description 1
Images
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10L—SPEECH ANALYSIS TECHNIQUES OR SPEECH SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING TECHNIQUES; SPEECH OR AUDIO CODING OR DECODING
- G10L21/00—Speech or voice signal processing techniques to produce another audible or non-audible signal, e.g. visual or tactile, in order to modify its quality or its intelligibility
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H7/00—Instruments in which the tones are synthesised from a data store, e.g. computer organs
- G10H7/002—Instruments in which the tones are synthesised from a data store, e.g. computer organs using a common processing for different operations or calculations, and a set of microinstructions (programme) to control the sequence thereof
- G10H7/006—Instruments in which the tones are synthesised from a data store, e.g. computer organs using a common processing for different operations or calculations, and a set of microinstructions (programme) to control the sequence thereof using two or more algorithms of different types to generate tones, e.g. according to tone color or to processor workload
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H7/00—Instruments in which the tones are synthesised from a data store, e.g. computer organs
- G10H7/02—Instruments in which the tones are synthesised from a data store, e.g. computer organs in which amplitudes at successive sample points of a tone waveform are stored in one or more memories
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
- G10H2250/541—Details of musical waveform synthesis, i.e. audio waveshape processing from individual wavetable samples, independently of their origin or of the sound they represent
- G10H2250/611—Waveform decimation, i.e. integer division of the sampling rate for reducing the number of samples in a discrete-time signal, e.g. by low-pass anti-alias filtering followed by the actual downsampling
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
- G10H2250/541—Details of musical waveform synthesis, i.e. audio waveshape processing from individual wavetable samples, independently of their origin or of the sound they represent
- G10H2250/621—Waveform interpolation
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
- G10H2250/541—Details of musical waveform synthesis, i.e. audio waveshape processing from individual wavetable samples, independently of their origin or of the sound they represent
- G10H2250/631—Waveform resampling, i.e. sample rate conversion or sample depth conversion
Definitions
- Embodiments of the invention relate to a method for processing a digital audio signal, a non-transitory computer readable medium, a computer program product and an apparatus for processing or generating a digital audio signal.
- the apparatus can be a digital audio workstation or an audio network or any other digital signal processing system e.g. a video digital processing system.
- a method for processing a digital audio signal comprises the following method steps: providing a channel for processing the digital audio signal or a part of the digital audio signal, wherein the channel is working on a predefined or predefinable base sampling frequency, characterized in that the base sampling frequency is increased to a working sampling frequency in a predefinable section of the channel and at the end of the section the working sampling frequency is decreased back to the base sampling frequency.
- the method for processing a digital audio signal can be performed on a digital audio workstation (in the following: DAW), in a virtual sub-mixers within virtual instruments, in virtual instruments as well as on digital hardware mixing desks or digital mixers.
- DAW digital audio workstation
- the method can also be used in other multichannel digital processing systems working generally with single sampling frequencies, but using up-sampling or oversampling for dedicated modules or plugins e.g., video processing systems.
- a channel is a channel of a multiple of channels being used for processing a digital audio signal.
- a DAW there are used a multiple of channels for processing different aspects of audio signals.
- one channel can be used for a voice recording and processing.
- Another channel can be used for an electric guitar, a further channel for a bass.
- Another channel can be a virtual instrument.
- the bass drum can be processed in one channel, a snare can be processed in another channel, the hi-hat can be processed in a further channel and so on.
- only some of the channels, which are to be processed, are up-sampled or the sampling frequency is increased in a predefined or pre-definable section of the channel or the channels.
- Up-sampling of only a selected number of audio processing channels leads to more efficient performance in terms of audio quality and required computational power.
- only the voice channel or the voice channels, which are situated in the foreground of the audio signal to be processed need to be processed in a higher quality with respect to some plugins that do produce nonlinearities or disturbing frequencies in an audible range.
- These channels need to be processed on a higher sampling rate to get rid of these audible sound problems.
- an embodiment is to up-sample just a section of a channel or some few channels of a multiple of channels in the processing of a digital audio signal.
- the base sampling frequency is the base sampling frequency of the channel.
- the increase of the base sampling frequency to the higher working sampling frequency or the up-sampling is performed at the beginning of the section in which the up-sampled frequency is used, such that at least two inserted plugins work on this working sampling frequency or the at least two inserted plugins are triggered or driven by the working sampling frequency.
- the section of the channel includes at least a part of an insert area, wherein in the insert area plugins are inserted or are insertable into the channel.
- the section of the channel includes a cluster of at least two successive insert interfaces, in which plugins are inserted or insertable.
- the cluster includes three or more insert interfaces.
- the more insert interfaces are used within an oversampled channel the better the efficiency due to the invention.
- plugins like equalizer, compressor, limiter, and soft-clip or tape emulation are used simultaneously in series. In this case 4 local interpolators and decimators can be saved.
- the cluster includes all insert interfaces of the insert area.
- the plugins inserted in such oversampled channel work with the increased working sampling frequency without using their own interpolators and decimators.
- the most of the current plugins can automatically work with higher than standard (i.e., 44.1 kHz or 48 kHz) sampling frequency, especially if they incorporate internal oversampling filters.
- the section starts at the beginning of the channel or starts after a signal input control.
- the sampling frequency is increased.
- the gain and/or phase of the signal is adjusted or adjustable.
- the section in which oversampling is performed, starts prior an insert interface of the channel.
- the insert interface is used to insert plugins or processing modules (which can be software or hardware) into the channel for processing the audio signal.
- a plugin can be a distortion effect, a compressor, an equalizer and/or any other audio processing functionality.
- the section ends prior to the output.
- the oversampled sections can be mixed with other system specific modules like gains, faders, internal equalizers, etc.
- the section ends after the pre-fader send interface or the post-fader send interface, it is preferred to decrease the sampling frequency of the send signal to the base sampling frequency. This means an extra down-sampling compared to the down-sampling that is performed in the channel.
- the working sampling frequency is increased by a factor of k to the base sampling frequency, wherein k is an integer that is ususally a multiple of 2, but generally can be any factor.
- a non-transitory computer readable medium including a computer program, executable by a processor or a gate array for performing a method, which is described above is, provided.
- the computer program can run on a stand-alone computer or any kind of a dedicated embedded computer like a DSP (digital signal processing) engine included in a digital mixing console or a DAW used a specific DSP platform.
- a DSP digital signal processing
- an apparatus for processing a digital audio signal comprising multiple audio processing channels, the multiple audio processing channels are working on a predefined or predefinable base sampling frequency, wherein in a predefinable number of channels the base sampling frequency is increased to a working sampling frequency in a predefinable section of the number of channels and after the section or the end of the section the working sampling frequency is decreased back to the base sampling frequency.
- the apparatus can be a digital audio workstation, a virtual sub-mixer, within a virtual instrument, a digital hardware mixer or a digital mixer.
- the methods according to embodiments of the invention and the apparatus according to embodiments of the invention can be used for audio processing or for video processing.
- the apparatus is configured to perform a method, which is described above.
- the embodiments of the invention use dedicated channels or paths of the audio signal in the audio processing system or the video signal in a video processing system, which allow oversampling and thus the use of plugins or processing modules without switching the whole system to a higher sampling frequency and/or without using local oversampling filters in each plugin.
- a plugin can be called a processing module.
- a selected channel or selected channels within an apparatus for processing a digital audio signal which can be switched to higher sampling frequencies by using for example only one interpolator at the input or somewhere in the beginning of the channel and only one decimeter somewhere later in the channel or at the output of the channel are used.
- plugins or processing modules set up to a desired or predefinable working sampling frequency or oversampling rate can be placed or inserted without using the own local interpolators and decimators of the plugins.
- an increase of the sampling frequency has the same meaning as an up-sampling or oversampling of the frequency. The same is the case with respect to a decrease of the sampling frequency and a down-sampling of the frequency.
- a single up-sampling algorithm or module can be used and a single down-sampling algorithm or module can be used in a channel that has a better quality than up-sampling and down-sampling algorithm, normally used in single plugins. This further increases the quality of the processed audio signal. Furthermore, the latency in the channel is much lower than caused by the series of local oversampling filters as well as the computational power and the amount of memory is lower compared to a system working entirely at a higher sampling frequency.
- the length of the section, in which the working sampling frequency is used can be different in different channels.
- the length can also be the same for two or more channels.
- the increase of the sampling frequency or the oversampling factor k can be different for different channels.
- the oversampling factors can be selected differently in different channels.
- the section of the channel includes at least a part of an insert area, wherein in the insert area plugins are inserted or are insertable into the channel.
- the insert area normally has several inserts or insert interfaces, in which plugins can be inserted.
- an insert interface can be an insert, an insert slot and an insert point.
- the section starts prior an insert interface.
- the section starts at the beginning of the channel or after a signal input control.
- the section of the channel includes a cluster of at least two successive insert interfaces, in which plugins are inserted or insertable.
- An embodiment include the feature, that at a first insert interface a plugin is inserted or insertable that is enabled to increase the base sampling frequency to the working sampling frequency and to keep the working sampling frequency at the output of the plugin and at the end of the section at another insert interface another plugin is inserted or insertable that is enabled to decrease the working sampling frequency back to the base sampling frequency.
- the plugin standard can implement that in the section that is selected to be in an up-sampling mode the plugins are not forced to reduce the sampling frequency to the base sampling frequency of the channel.
- Embodiments according to the invention can fulfill individual characteristics or a combination of several characteristics.
- Fig. 1 shows a channel 18 according to a digital audio processing system or an apparatus for processing a digital audio signal in a schematic view.
- the audio channel 18 can be a mono-channel format, a stereo-channel format, a surround-channel format or any multi-channel format configuration for, especially immersive, audio. It can be a part of a digital audio workstation, a virtual instrument plugin or a digital mixing desk.
- the input signal 10 is shown.
- the input signal 10 can have any mono or multi-channel configuration and can come from audio inputs, for example, microphones or line sources or from the hard drive of the audio computer.
- the signal can also come from an internal or external recording device.
- the signal comes from the instrument itself.
- the signal comes to the input control, which usually consists or comprises an input trim (gain) and a phase reverse button.
- the input control usually consists or comprises an input trim (gain) and a phase reverse button.
- the up-sampling to a working sampling frequency is performed. This is a good point in the signal chain to apply up-sampling. This may vary in different situations.
- the up-sampling can also be performed prior the input control 11.
- the up-sampling could also start after a view initial insert interfaces, which then would work in the base or system or apparatus sampling frequency, for example, 44.1 or 48 kHz.
- the up-sampling 30 could also take place, for example between the first insert interface 21 and the second insert interface 22 or after another insert interface.
- Fig. 1 not all insert interfaces are shown, but only the first two and the last two of, for example, ten insert interfaces.
- the insert interfaces 21, 22, 23, 24 are dedicated to insert audio processing tools such as equalizers, dynamic processing tools and so forth.
- the total number of insert interfaces varies between systems or apparatuses.
- the down-sampling to the base sampling frequency can take place at different points in the audio signal processing line or the channel 18.
- the down-sampling is shown by the reference number 31 and in the example of Fig. 1 , there are shown different places for down-sampling 31.
- a good point, at which the down-sampling to the base sampling frequency can take place, can be within the insert area 20 between two insert interfaces, for example, the insert interface 22 or 23.
- insert interfaces 22 and 23 Between the insert interfaces 22 and 23, several other insert interfaces can be positioned.
- a good point for the down-sampling is after insert interfaces in which plugins are inserted, that profit from working on a higher sampling rate or frequency.
- Other plugins working satisfactory at the base sampling frequency e.g. have a good sound quality if working on the base sampling frequency, can be inserted into insert interfaces, which are positioned after the down-sampling 31.
- the down-sampling can take place at other positions as shown in Fig. 1 .
- insert interfaces 11 and 12 After the fader, a further insert interface or insert interfaces 25 are shown, for example, insert interfaces 11 and 12. After this insert interface 25, in which, for example, plugins with reverb-effects or delay-effects or other effects can be implemented, the post-fader sends 17 is implemented. The signal is send transferred to the panorama 14.
- the post-fader sends 17 usually is used to send signals to FX devices such as reverbs and delays.
- the post-fader send is within the up-sampling cluster, which means within the section in which the working sampling frequency is used, it is required to have an extra down-sampling processing of the post-fader sends signal to communicate with other processes in the base sampling frequency of the system or apparatus.
- the output signal 15 may be mono, stereo or any multi-channel configuration for surround or immersive audio.
- Fig. 1 shows one embodiment of a channel. However different configurations of channels can be used according to the invention.
- Fig. 2 shows a schematic flowchart of an embodiment of the invention.
- the signal is shown, which is put into an interpolator 41, which leads to an up-sampling of the base sampling frequency Fs of the signal 40 to a working sampling frequency k*Fs.
- an interpolator 41 which leads to an up-sampling of the base sampling frequency Fs of the signal 40 to a working sampling frequency k*Fs.
- a section 43 or cluster 43 which is processed with the working sampling frequency k*Fs.
- the plugins P1, P2 ... Pn are inserted into insert interfaces.
- a decimator 42 is used to down sample the working sampling frequency back to the base sampling frequency.
- This embodiment shows schematically a channel or a part of a channel of a system or an apparatus, e.g. a digital audio workstation, a digital mixing console or an audio matric processor, which incorporates its own interpolator at the beginning or prior of the oversampled section and its own decimator at the end or after the oversampled section. So the interpolator and decimator are provided by system manufacturer as a part of the system in case of channels which can be switched to oversampling mode.
- Fig. 3 shows another schematic flowchart according to an embodiment of the invention.
- an interpolator 41 and a decimator 42 as a plugin.
Landscapes
- Engineering & Computer Science (AREA)
- Physics & Mathematics (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- General Engineering & Computer Science (AREA)
- Computational Linguistics (AREA)
- Quality & Reliability (AREA)
- Signal Processing (AREA)
- Health & Medical Sciences (AREA)
- Audiology, Speech & Language Pathology (AREA)
- Human Computer Interaction (AREA)
- Circuit For Audible Band Transducer (AREA)
Abstract
The embodiments show a method and an apparatus for processing a digital audio signal (40), wherein in a channel or in several channels of a multiple of channels for processing the digital audio signal or a part of the digital audio signal, the channel is working or several channels are working on a higher working sampling frequency (k*Fs), compared to the base sampling frequency of the channel or the channels in a predefinable section of the channel or the several channels.
Description
- Embodiments of the invention relate to a method for processing a digital audio signal, a non-transitory computer readable medium, a computer program product and an apparatus for processing or generating a digital audio signal. The apparatus can be a digital audio workstation or an audio network or any other digital signal processing system e.g. a video digital processing system.
- The majority of today's commercial digital audio processing systems operate at two standard sampling frequencies: 44.1 kHz and 48 kHz. In the audio industry, it is assumed to be high enough for the necessary audio bandwidth, which is defined for current audio processing and distribution as high as 20 kHz. The CD and the most of music reproducing or distribution systems work with these sampling frequencies.
- However, there are reasons to use higher sampling frequencies for intermediate audio processing or audio content production process (e.g., mastering) even when the sampling frequency of the final product has one of the standard values.
- The most important reasons for using higher intermediate sampling frequencies, typically twice or quadruple of the standard sampling frequencies (often called as oversampling) are: (1) reduction of the amount of alias frequencies being produced when any non-linear processing of the audio signal is used (e.g., any kind of dynamics, soft clipping, saturation, and purposefully distortion generation); (2) reduction of the shape distortion of digital filters when setting up the center or cut-off frequency close to the Nyquist frequency (resulting in the squeezing of filter characteristics calculated by using the bilinear transformation for calculation of digital filters).
- In the current digital audio systems, some measures have been established to reduce the above-mentioned problems. Processing modules, or so-called plugins in today's audio processing systems which can significantly benefit from oversampling, incorporate local oversampling embodiment, i.e., at the input of the module or plugin, a so-called interpolator is implemented, and at the output a so-called decimator. The interpolator multiplies the sampling frequency of the input signal, the input signal is processed with this increased sampling frequency, and after processing the decimator decreases the sampling frequency back to the original input sampling frequency. However, this solution has various disadvantages: each module or plugin needs their own interpolator and decimator filter which are normally developed as a compromise between signal quality and additional latency caused by such filters. The better the quality in terms of alias frequency suppression, the longer the FIR filters (finite impulse response filter) and thus their latency. The cascading of more such plugins in series in one audio processing channel, that is often the typical application case, may cause latencies up to seconds which disturbs or makes impossible some audio processes. In addition, multiple up-sampling filters and down-sampling filters in the chain may significantly degrade the overall audio quality in the chain.
- The other solution is to switch the whole processing system (e.g., digital audio workstation) to entirely work with higher sampling frequency and let the plugins work on that frequency. However, this approach has extensive consequences. For example, at 4-time oversampling, a system needs approximately four time more computational power and four times more memory.
- Assuming multitrack, or contemporary multichannel systems (e.g., with 128 channels or often more) the additional request on resources can be enormous. In addition, already recorded tracks or signals coming with standard sampling frequencies from other units or over networks have to be converted to the respective higher sampling frequency of the processing system and after processing again converted down to a standard sampling frequency, e.g., 44,1 kHz for CD production streaming services.
- In view of this prior art, it is an object of the invention to provide a method for processing a digital audio signal, a non-transitory computer readable medium, a computer program product and an apparatus for processing or generating a digital audio signal, which lead to an improvement with regard to the sound quality of the audio signal with only a low overall channel latency as well as a low computational power and a low amount of memory, compared to a system working permanently at a higher sampling rate and/or using plugins using their individual oversampling rates or filters.
- According to an embodiment, a method for processing a digital audio signal comprises the following method steps:
providing a channel for processing the digital audio signal or a part of the digital audio signal, wherein the channel is working on a predefined or predefinable base sampling frequency, characterized in that the base sampling frequency is increased to a working sampling frequency in a predefinable section of the channel and at the end of the section the working sampling frequency is decreased back to the base sampling frequency. - Within the context of the present description, the method for processing a digital audio signal can be performed on a digital audio workstation (in the following: DAW), in a virtual sub-mixers within virtual instruments, in virtual instruments as well as on digital hardware mixing desks or digital mixers.
- Within an embodiment of the invention, the method can also be used in other multichannel digital processing systems working generally with single sampling frequencies, but using up-sampling or oversampling for dedicated modules or plugins e.g., video processing systems.
- Within the context of the present description or invention, a channel is a channel of a multiple of channels being used for processing a digital audio signal. For example, in a DAW there are used a multiple of channels for processing different aspects of audio signals. For example, one channel can be used for a voice recording and processing. Another channel can be used for an electric guitar, a further channel for a bass. Another channel can be a virtual instrument. There can also be further channels, for example, for a drum kit. In the drum kit, the bass drum can be processed in one channel, a snare can be processed in another channel, the hi-hat can be processed in a further channel and so on.
- Regarding the idea, which is realized in the invention, only some of the channels, which are to be processed, are up-sampled or the sampling frequency is increased in a predefined or pre-definable section of the channel or the channels. Up-sampling of only a selected number of audio processing channels leads to more efficient performance in terms of audio quality and required computational power. For example, in some audio productions only the voice channel or the voice channels, which are situated in the foreground of the audio signal to be processed, need to be processed in a higher quality with respect to some plugins that do produce nonlinearities or disturbing frequencies in an audible range. These channels need to be processed on a higher sampling rate to get rid of these audible sound problems. Thus, an embodiment is to up-sample just a section of a channel or some few channels of a multiple of channels in the processing of a digital audio signal.
- Within the context of the present invention, the base sampling frequency is the base sampling frequency of the channel. The increase of the base sampling frequency to the higher working sampling frequency or the up-sampling is performed at the beginning of the section in which the up-sampled frequency is used, such that at least two inserted plugins work on this working sampling frequency or the at least two inserted plugins are triggered or driven by the working sampling frequency.
- In an embodiment, the section of the channel includes at least a part of an insert area, wherein in the insert area plugins are inserted or are insertable into the channel.
- In a further preferred embodiment, the section of the channel includes a cluster of at least two successive insert interfaces, in which plugins are inserted or insertable.
- Very good results are to be achieved, if, according to an embodiment, the cluster includes three or more insert interfaces. The more insert interfaces are used within an oversampled channel the better the efficiency due to the invention. In a typical setup of a voice processing channel strip, plugins like equalizer, compressor, limiter, and soft-clip or tape emulation are used simultaneously in series. In this case 4 local interpolators and decimators can be saved.
- In an embodiment, the cluster includes all insert interfaces of the insert area.
- In the embodiments the plugins inserted in such oversampled channel work with the increased working sampling frequency without using their own interpolators and decimators. The most of the current plugins can automatically work with higher than standard (i.e., 44.1 kHz or 48 kHz) sampling frequency, especially if they incorporate internal oversampling filters.
- According to an embodiment of the invention, the section starts at the beginning of the channel or starts after a signal input control. Thus, at the beginning of the channel or after the signal input control, the sampling frequency is increased. In the signal input control, for example, the gain and/or phase of the signal is adjusted or adjustable.
- According to an embodiment of the invention, the section, in which oversampling is performed, starts prior an insert interface of the channel. The insert interface is used to insert plugins or processing modules (which can be software or hardware) into the channel for processing the audio signal. For example, a plugin can be a distortion effect, a compressor, an equalizer and/or any other audio processing functionality.
- According to an embodiment of the invention, the section ends prior to the output. In a complex channel topology the oversampled sections can be mixed with other system specific modules like gains, faders, internal equalizers, etc.
- If the section ends after the pre-fader send interface or the post-fader send interface, it is preferred to decrease the sampling frequency of the send signal to the base sampling frequency. This means an extra down-sampling compared to the down-sampling that is performed in the channel.
- In an embodiment, the working sampling frequency is increased by a factor of k to the base sampling frequency, wherein k is an integer that is ususally a multiple of 2, but generally can be any factor. According to an embodiment, a non-transitory computer readable medium, including a computer program, executable by a processor or a gate array for performing a method, which is described above is, provided.
- Furthermore, according to an embodiment a computer program product for performing a method as shown above is provided.
- The computer program can run on a stand-alone computer or any kind of a dedicated embedded computer like a DSP (digital signal processing) engine included in a digital mixing console or a DAW used a specific DSP platform.
- Furthermore, there is provided in an embodiment an apparatus for processing a digital audio signal, wherein the apparatus comprises multiple audio processing channels, the multiple audio processing channels are working on a predefined or predefinable base sampling frequency, wherein in a predefinable number of channels the base sampling frequency is increased to a working sampling frequency in a predefinable section of the number of channels and after the section or the end of the section the working sampling frequency is decreased back to the base sampling frequency.
- The apparatus can be a digital audio workstation, a virtual sub-mixer, within a virtual instrument, a digital hardware mixer or a digital mixer. The methods according to embodiments of the invention and the apparatus according to embodiments of the invention can be used for audio processing or for video processing.
- According to an embodiment, the apparatus is configured to perform a method, which is described above.
- The embodiments of the invention use dedicated channels or paths of the audio signal in the audio processing system or the video signal in a video processing system, which allow oversampling and thus the use of plugins or processing modules without switching the whole system to a higher sampling frequency and/or without using local oversampling filters in each plugin.
- In the framework of this description a plugin can be called a processing module.
- Within the framework of the description, a selected channel or selected channels within an apparatus for processing a digital audio signal, which can be switched to higher sampling frequencies by using for example only one interpolator at the input or somewhere in the beginning of the channel and only one decimeter somewhere later in the channel or at the output of the channel are used.
- Within such sections, which use a higher sampling frequency, which is called a working sampling frequency within this description, plugins or processing modules set up to a desired or predefinable working sampling frequency or oversampling rate can be placed or inserted without using the own local interpolators and decimators of the plugins.
- Within this description, an increase of the sampling frequency has the same meaning as an up-sampling or oversampling of the frequency. The same is the case with respect to a decrease of the sampling frequency and a down-sampling of the frequency.
- Furthermore, a single up-sampling algorithm or module can be used and a single down-sampling algorithm or module can be used in a channel that has a better quality than up-sampling and down-sampling algorithm, normally used in single plugins. This further increases the quality of the processed audio signal. Furthermore, the latency in the channel is much lower than caused by the series of local oversampling filters as well as the computational power and the amount of memory is lower compared to a system working entirely at a higher sampling frequency.
- According to an embodiment of the invention, the length of the section, in which the working sampling frequency is used, can be different in different channels. The length can also be the same for two or more channels.
- The increase of the sampling frequency or the oversampling factor k can be different for different channels. The oversampling factors can be selected differently in different channels.
- According to an embodiment of the invention, the section of the channel includes at least a part of an insert area, wherein in the insert area plugins are inserted or are insertable into the channel. The insert area normally has several inserts or insert interfaces, in which plugins can be inserted.
- Within this description, an insert interface can be an insert, an insert slot and an insert point.
- According to an embodiment of the invention, the section starts prior an insert interface.
- According to a further embodiment of the invention, the section starts at the beginning of the channel or after a signal input control.
- According to an embodiment, the section of the channel includes a cluster of at least two successive insert interfaces, in which plugins are inserted or insertable.
- An embodiment include the feature, that at a first insert interface a plugin is inserted or insertable that is enabled to increase the base sampling frequency to the working sampling frequency and to keep the working sampling frequency at the output of the plugin and at the end of the section at another insert interface another plugin is inserted or insertable that is enabled to decrease the working sampling frequency back to the base sampling frequency.
- In this embodiment, it is possible to insert an interpolator and a decimator as a plugin. For the embodiment, the plugin standard can implement that in the section that is selected to be in an up-sampling mode the plugins are not forced to reduce the sampling frequency to the base sampling frequency of the channel.
- The further method features, which are described above, can also be implemented into the apparatus.
- Further characteristics of the invention will become apparent from the description of the embodiments according to the invention together with the claims and the included drawings. Embodiments according to the invention can fulfill individual characteristics or a combination of several characteristics.
- The invention is described below, without restricting the general intent of the invention, based on exemplary embodiments, wherein reference is made expressly to the drawings with regard to the disclosure of all details according to the invention that are not explained in greater detail in the text. The drawings show in:
- Fig. 1
- shows schematically a channel according to an embodiment of the invention,
- Fig. 2
- shows a schematic flowchart according to an embodiment of the invention,
- Fig. 3
- shows another schematic flowchart according to an embodiment of the invention.
- In the drawings, the same or similar types of elements or respectively corresponding parts are provided with the same reference numbers in order to prevent the item from needing to be reintroduced.
-
Fig. 1 shows achannel 18 according to a digital audio processing system or an apparatus for processing a digital audio signal in a schematic view. - The
audio channel 18 can be a mono-channel format, a stereo-channel format, a surround-channel format or any multi-channel format configuration for, especially immersive, audio. It can be a part of a digital audio workstation, a virtual instrument plugin or a digital mixing desk. - At 10, the input signal is shown. The
input signal 10 can have any mono or multi-channel configuration and can come from audio inputs, for example, microphones or line sources or from the hard drive of the audio computer. In case of a hardware mixing console, the signal can also come from an internal or external recording device. In case of a virtual instrument, the signal comes from the instrument itself. - In the flow of the signal after the
input signal 10, the signal comes to the input control, which usually consists or comprises an input trim (gain) and a phase reverse button. - At the
position 30, which is in the signal flow after theinput control 11 and prior thefirst insert interface 21, the up-sampling to a working sampling frequency is performed. This is a good point in the signal chain to apply up-sampling. This may vary in different situations. The up-sampling can also be performed prior theinput control 11. The up-sampling could also start after a view initial insert interfaces, which then would work in the base or system or apparatus sampling frequency, for example, 44.1 or 48 kHz. Thus, the up-sampling 30 could also take place, for example between thefirst insert interface 21 and thesecond insert interface 22 or after another insert interface. InFig. 1 not all insert interfaces are shown, but only the first two and the last two of, for example, ten insert interfaces. - The insert interfaces 21, 22, 23, 24 are dedicated to insert audio processing tools such as equalizers, dynamic processing tools and so forth. The total number of insert interfaces varies between systems or apparatuses.
- According to an embodiment of the invention, the down-sampling to the base sampling frequency can take place at different points in the audio signal processing line or the
channel 18. The down-sampling is shown by thereference number 31 and in the example ofFig. 1 , there are shown different places for down-sampling 31. - A good point, at which the down-sampling to the base sampling frequency can take place, can be within the
insert area 20 between two insert interfaces, for example, theinsert interface - Between the insert interfaces 22 and 23, several other insert interfaces can be positioned. A good point for the down-sampling is after insert interfaces in which plugins are inserted, that profit from working on a higher sampling rate or frequency. Other plugins working satisfactory at the base sampling frequency, e.g. have a good sound quality if working on the base sampling frequency, can be inserted into insert interfaces, which are positioned after the down-
sampling 31. - The down-sampling can take place at other positions as shown in
Fig. 1 . - In case of many available insert interfaces 21-24, it is a preferred embodiment of the invention to allow the user to define how many insert interfaces 21-24 are integrated into the up-sampling cluster.
- If internal digital signal processing tools are available, it also makes sense to integrate those into the up-sampling cluster.
- After the fader, a further insert interface or insert
interfaces 25 are shown, for example, insertinterfaces insert interface 25, in which, for example, plugins with reverb-effects or delay-effects or other effects can be implemented, the post-fader sends 17 is implemented. The signal is send transferred to thepanorama 14. - The post-fader sends 17 usually is used to send signals to FX devices such as reverbs and delays. In case the post-fader send is within the up-sampling cluster, which means within the section in which the working sampling frequency is used, it is required to have an extra down-sampling processing of the post-fader sends signal to communicate with other processes in the base sampling frequency of the system or apparatus.
- The
output signal 15 may be mono, stereo or any multi-channel configuration for surround or immersive audio. -
Fig. 1 shows one embodiment of a channel. However different configurations of channels can be used according to the invention. -
Fig. 2 shows a schematic flowchart of an embodiment of the invention. - At 40, the signal is shown, which is put into an
interpolator 41, which leads to an up-sampling of the base sampling frequency Fs of thesignal 40 to a working sampling frequency k*Fs. After that, there is asection 43 orcluster 43, which is processed with the working sampling frequency k*Fs. In thesection 43, several plugins P1, P2 and so on up to Pn are inserted into this section. The plugins P1, P2 ... Pn are inserted into insert interfaces. - After the
section 43, adecimator 42 is used to down sample the working sampling frequency back to the base sampling frequency. - This embodiment shows schematically a channel or a part of a channel of a system or an apparatus, e.g. a digital audio workstation, a digital mixing console or an audio matric processor, which incorporates its own interpolator at the beginning or prior of the oversampled section and its own decimator at the end or after the oversampled section. So the interpolator and decimator are provided by system manufacturer as a part of the system in case of channels which can be switched to oversampling mode.
-
Fig. 3 shows another schematic flowchart according to an embodiment of the invention. In this embodiment it is possible to insert aninterpolator 41 and adecimator 42 as a plugin. It would be an advantageous solution because of the possibility that different plugin manufacturers can deliver their own solutions for interpolators and decimators. It would only be necessary to use a plugin standard or change existing plugin standards, e.g. the VST standard, in a manner that in the section that is selected to be in an up-sampling mode the plugins are not forced to reduce the sampling frequency to the base sampling frequency of the channel. - All named characteristics, including those taken from the drawings alone, and individual characteristics, which are disclosed in combination with other characteristics, are considered alone and in combination as important to the invention. Embodiments according to the invention can be fulfilled through individual characteristics or a combination of several characteristics. Features which are combined with the wording "in particular" or "especially" are to be treated as preferred embodiments.
-
- 10
- input signal
- 11
- input control
- 12
- input equalizer and dynamics
- 13
- fader
- 14
- panorama
- 15
- output signal
- 16
- pre-fader sends
- 17
- post-fader sends
- 18
- channel
- 20
- insert area
- 21
- insert interface 1
- 22
- insert
interface 2 - 23
- insert interface 9
- 24
- insert
interface 10 - 25
- insert
interface 11 & 12 - 30
- up-sampling
- 31
- down-sampling
- 40
- signal
- 41
- interpolator
- 42
- decimator
- 43
- section
- P1, P2, Pn
- plugin
- Fs
- base sampling frequency
- k*Fs
- working sampling frequency
- k
- multiplication factor
Claims (15)
- A method for processing a digital audio signal (40) comprising the following method steps:
providing a channel (18) for processing the digital audio signal (40) or a part of the digital audio signal (40), wherein the channel (18) is working on a predefined or predefinable base sampling frequency (Fs), characterized in that the base sampling frequency (Fs) is increased to a working sampling frequency (k*Fs) in a predefinable section (43) of the channel (18) and at the end of the section (43) the working sampling frequency (k*Fs) is decreased back to the base sampling frequency (Fs). - The method according to claim 1, characterized in that the section (43) of the channel (18) includes at least a part of an insert area (20), wherein in the insert area (20) plugins (P1, P2, Pn) are inserted or are insertable into the channel (18).
- The method according to claim 2, characterized in that the section (43) of the channel (18) includes a cluster of at least two successive insert interfaces (21, 22, 23, 24), in which plugins (P1, P2, Pn) are inserted or insertable.
- The method according to claim 3, characterized in that the cluster includes all inserts (21, 22, 23, 24) of the insert area (20).
- The method according to any one of the claims 1 to 4, characterized in that the section (43) starts at the beginning of the channel (18) or after a signal input control (11).
- The method according to any one of the claims 3 to 5, characterized in that the section (43) ends after the cluster of at least two successive insert interfaces (21, 22, 23, 24).
- The method according to any one of the claims 1 to 6, characterized in that the working sampling frequency (k*Fs) is increased by a factor of k compared to the base sampling frequency (Fs).
- The method according to claim 7, characterized in that k is an integer that is a multiple of 2.
- A non-transitory computer readable medium, including a computer program, executable by a processor or gate array for performing a method according to any one of the claims 1 to 8.
- A computer program product for performing a method according to any one of the claims 1 to 8.
- An apparatus for processing a digital audio signal (40), wherein the apparatus comprises multiple audio processing channels (18), the multiple audio processing channels (18) are working on a predefined or predefinable base sampling frequency (Fs), characterized in that in a predefinable number of channels (18) the base sampling frequency (Fs) is increased to a working sampling frequency (k*Fs) in a predefinable section (43) of the number of channels (18) and after the section (43) or the end of the section (43) the working sampling frequency (k*Fs) is decreased back to the base sampling frequency (Fs).
- The apparatus according to claim 11, characterized in that the section (43) of the channel (18) includes at least a part of an insert area (20), wherein in the insert area (20) plugins (P1, P2, Pn) are inserted or are insertable into the channel (18).
- The apparatus according to claim 11 or 12, characterized in that the section (43) starts at the beginning of the channel (18) or after a signal input control (11).
- The apparatus according to any one of the claims 11 to 13, characterized in that the section (43) of the channel (18) includes a cluster of at least two successive insert interfaces (21, 22, 23, 24), in which plugins (P1, P2, Pn) are inserted or insertable.
- The apparatus according to any one of the claims 11 to 14, characterized in that at a first insert interface a plugin is inserted or insertable that is enabled to increase the sampling frequency (Fs) to the working sampling frequency (k*Fs) and to keep the working sampling frequency (k*Fs) at the output of the plugin and at the end of the section (43) at another insert interface another plugin is inserted or insertable that is enabled to decrease the working sampling frequency (k*Fs) back to the base sampling frequency (Fs).
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
EP21190169.9A EP4131264A1 (en) | 2021-08-06 | 2021-08-06 | Digital audio signal processing |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
EP21190169.9A EP4131264A1 (en) | 2021-08-06 | 2021-08-06 | Digital audio signal processing |
Publications (1)
Publication Number | Publication Date |
---|---|
EP4131264A1 true EP4131264A1 (en) | 2023-02-08 |
Family
ID=77249772
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
EP21190169.9A Withdrawn EP4131264A1 (en) | 2021-08-06 | 2021-08-06 | Digital audio signal processing |
Country Status (1)
Country | Link |
---|---|
EP (1) | EP4131264A1 (en) |
Citations (5)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US5789689A (en) * | 1997-01-17 | 1998-08-04 | Doidic; Michel | Tube modeling programmable digital guitar amplification system |
US20010013270A1 (en) * | 1999-12-28 | 2001-08-16 | Yoshinori Kumamoto | Pitch shifter |
US6337999B1 (en) * | 1998-12-18 | 2002-01-08 | Orban, Inc. | Oversampled differential clipper |
US20060050897A1 (en) * | 2002-11-15 | 2006-03-09 | Kohei Asada | Audio signal processing method and apparatus device |
US10147433B1 (en) * | 2015-05-03 | 2018-12-04 | Digimarc Corporation | Digital watermark encoding and decoding with localization and payload replacement |
-
2021
- 2021-08-06 EP EP21190169.9A patent/EP4131264A1/en not_active Withdrawn
Patent Citations (5)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US5789689A (en) * | 1997-01-17 | 1998-08-04 | Doidic; Michel | Tube modeling programmable digital guitar amplification system |
US6337999B1 (en) * | 1998-12-18 | 2002-01-08 | Orban, Inc. | Oversampled differential clipper |
US20010013270A1 (en) * | 1999-12-28 | 2001-08-16 | Yoshinori Kumamoto | Pitch shifter |
US20060050897A1 (en) * | 2002-11-15 | 2006-03-09 | Kohei Asada | Audio signal processing method and apparatus device |
US10147433B1 (en) * | 2015-05-03 | 2018-12-04 | Digimarc Corporation | Digital watermark encoding and decoding with localization and payload replacement |
Non-Patent Citations (1)
Title |
---|
ANONYMOUS: "HP VEE (Visual Engineering Environment) HP E2120C Technical Specifications", HP PUBLICATION NO.: 5965-5498E, 1 January 1997 (1997-01-01), pages 1 - 6, XP055881597 * |
Similar Documents
Publication | Publication Date | Title |
---|---|---|
JP6778781B2 (en) | Dynamic range control of encoded audio extended metadatabase | |
CA2785743C (en) | System and method for digital signal processing | |
RU2639663C2 (en) | Method and device for normalized playing audio mediadata with embedded volume metadata and without them on new media devices | |
US8442241B2 (en) | Audio signal processing for separating multiple source signals from at least one source signal | |
US8335331B2 (en) | Multichannel sound rendering via virtualization in a stereo loudspeaker system | |
KR20090101209A (en) | System and method for digital signal processing | |
US10104470B2 (en) | Audio processing device, audio processing method, recording medium, and program | |
WO2011112382A1 (en) | Method and system for scaling ducking of speech-relevant channels in multi-channel audio | |
CN105874820A8 (en) | In response to multi-channel audio by using at least one feedback delay network to produce binaural audio | |
TW201124981A (en) | Decorrelator for upmixing systems | |
WO2012163445A1 (en) | Method for generating a surround audio signal from a mono/stereo audio signal | |
US20050276430A1 (en) | Fast headphone virtualization | |
EP1777989A2 (en) | Frequency-characteristic-acquisition device, frequency-characteristic-acquisition method, and sound-signal-processing device | |
KR20220080146A (en) | Subband spatial and crosstalk processing using spectrally orthogonal audio components | |
EP2605549B1 (en) | Digital equalizing filters with fixed phase response | |
KR101637407B1 (en) | Apparatus and method and computer program for generating a stereo output signal for providing additional output channels | |
US8116469B2 (en) | Headphone surround using artificial reverberation | |
EP2541548A2 (en) | Signal processing apparatus, signal processing method, and program | |
JP2009302666A (en) | Acoustic processor, speaker device, and acoustic processing method | |
EP4131264A1 (en) | Digital audio signal processing | |
US20020120458A1 (en) | Real-time monitoring system for codec-effect sampling during digital processing of a sound source | |
Fink et al. | Downmixcompatibe conversion from mono to stereo in time-and frequency-domain | |
US11563425B2 (en) | Linear-phase fir audio filter, production method and signal processor | |
CN207266263U (en) | A kind of digital movie audio processors | |
JP5224586B2 (en) | Audio signal interpolation device |
Legal Events
Date | Code | Title | Description |
---|---|---|---|
PUAI | Public reference made under article 153(3) epc to a published international application that has entered the european phase |
Free format text: ORIGINAL CODE: 0009012 |
|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: THE APPLICATION HAS BEEN PUBLISHED |
|
AK | Designated contracting states |
Kind code of ref document: A1 Designated state(s): AL AT BE BG CH CY CZ DE DK EE ES FI FR GB GR HR HU IE IS IT LI LT LU LV MC MK MT NL NO PL PT RO RS SE SI SK SM TR |
|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: THE APPLICATION IS DEEMED TO BE WITHDRAWN |
|
18D | Application deemed to be withdrawn |
Effective date: 20230809 |